Ellsworth Woodward

Portrait of a Lady (by leader of "Southern Art Renaissance") - 20th Century

c. 1905

Finally got my hands on something by Louis Braquet. He has multiple commissions this year and I've been unable to get anything new. He had held on to thi...

A gentle, quiet, lovely portrait of motherhood painted by British artist Arthur Bradbury in 1927, a distinguished painter who over the years exhibited 14 works at the Royal Academy. ...

A delightful portrait of a young lady in motion, umbrella in hand, with sure brushstrokes and wonderful mastery of color. Proudly presented by Guy Lyman Fine Art...

A painting (elaborately framed) with collage by important emerging artist Gunner Dongieux (New Orleans, San Francisco). As with many of his paintings, he's in the scene, depicted in ...

Louis Braquet is a top-selling artist in New Orleans, and as his paintings sell out quickly at the Royal Street gallery that represents him we are thrilled to have been chosen to sho...

What is she dreaming about? Something in the book that is open in front of her? And who are the other characters in this moody, quiet, lovely scene? Not only a wonderful painting, but really captures that WPA period feel. A pensive painting sure to bring you peace. With frame it measures 33" x 27"; canvas measures 30" x 24". Frame has some weathering (probably original) but is still serviceable. The following is some bio information about the artist I pulled from AskArt: "Born in Swerzen, Russia, Bernard Green came to the US at a young age and settled in the New York City area. He studied art at the National Academy of Design, the Art Students League, the College of the City of New York and NYU, exhibiting at the NAD as early as 1910, where he won a prize both in 1910 and 1913, as well as at the ASL, winning another prize in 1914. Highly accomplished both as painter and etcher, Green continued exhibiting at the NAD throughout the years 1913-1946, at the Pan-Pacific Exposition in California in 1915, and at various galleries and other venues including a solo show at the Roerich Museum in 1930. His style was early 20th-century American Impressionist, and his interests covered a wide range from landscapes and still life to portraiture, including black subjects...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Julia (Elsie Julia Miller) Schleicher (Canadian/American, 1916-1988) Woman Tennis Player Pastel and gouache on board 18 x 13-5/8 inches (45.7 x 34.6 cm) S...

This impeccably rendered mid-century double portrait of a quarreling man and woman exhibits a supreme academic training knowledge lost in almost all contemporary art. It features an ...

Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Romantic Portrait Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 59,50 x 58,50 cm, frame size 62 x 61 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...