Paintings in New York City

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed.

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

A joyous colorful street scene painting depicting the peaceful Lambertville village in New Jersey with much depth and detail. The piece is done in a highly impressionistic manner and...

Jane Peterson Street In Paris (Eglise St. Julien), circa 1910 Signed lower right; artist's labels on the reverse Oil on canvas 24 x 18 inches Exhibited New York, Lincoln Glenn Galle...

John Grillo Intimate Landscape II, 1975 Signed and Dated LR Signed, Titled, and dated on the reverse of the frame Oil on artist board 10 x 11 3/4 inches Provenance The Little Galler...

Max Epstein, Canadian (1932 - 2002) - Erotic Target, Year: 1973, Medium: Acrylic on Canvas, signed l.r., Size: 48 x 48 in. (121.92 x 121.92 cm), Frame Size: 48.5 x 48.5 inches

Artist: Slonem, Hunt Title: Purple Abe Date: 2021 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 23" x 19.5" Signature: Signed by Artist on Verso Editio...

Susan English Forest Bloom, 2025 tinted polymer on Yupo paper 26 x 20 in (eng274)

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

Lowell Blair Nesbitt's arrangement of lemons against a blue tablecloth is full of contrast and color. With light shining over the table and casting shadows across the cloth, the lemo...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Artist: Donald Roy Purdy, American (1924 - ) Title: Lady in Red Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 33 x 44 inches

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics and oils in these works. Shaoul’s “My Heart Collection” is a vibrant and energe...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Maurice Brianchon was born at Fresnay-sur-Sarthe in January 1899. He first studied in Bordeaux at the École des Beaux-Arts under Paul Quinsac, a sculptor; in 1917 he moved to Paris a...

Shivani Dugar was born in Calcutta in 1979, and grew up in Bangalore, India. After completing her degree in finance at Georgetown University, Washington D.C. she decided to pursue he...

John F. Carlson Hyannis Pond, 1940 Signed lower left Oil on board 16 x 20 inches Provenance Vose Galleries Private Collection, New Jersey The native Swede John Fabian Carlson beca...

Euphoria Miriam Bromberg Date: 1970s Oil on Board Size: 24 in. x 36 in. (60.96 cm x 91.44 cm) Frame Size: 30 x 42 inches

A masterful oil painting depicting a colorful British country side with a couple strolling in the distance along a beautiful pathway. As an Impressionist painter, Clymer was known fo...

Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...

"Coney Island" Brooklyn NYC Amusement Park Mid-century American Scene WPA Modern Ludwig Bemelmans (1898 – 1962), “Coney Island" 35 x 27 inches Oil on board Signed lower right Origi...

Sara MacCulloch Low tide, 2022 oil on canvas 20 x 20 in. (macc092) This original oil painting on canvas by Sara MacCulloch depicts a serene and beautiful coastal beach inlet in shad...

Title: Waves Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is u...

This is a 19th century life-size impressionist painting by the artist Suzanne Hurel (1876-1956). It depicts a young woman sitting in-front of her boudoir...

Vintage abstract oil painting. Oil on board. Signed verso. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and ...

Johanna Secor (American, 1920-1998) Waterfall, Late 20th Century Oil on canvas Framed: 35 3/8 x 29 1/8 x 1 7/8 in. Signed and inscribed verso: Johanna Secor "Waterfall" “Mrs. Seco...

Here we have two gorgeous colorful paintings by Tsugio Hattori (1952-1958), selling them separately. Tsugio Hattori is an American/Japanese Abstract painter who exhibited many important shows, museums and galleries. Painting depicts a beautiful abstract done in the 1970’s with Reece Gallery label verso. Painting is signed in American and Japanese, titled Archipelago verso. The other one is just as beautiful and colorful as well as same size titled Rio Tranos. Please Check my listings...

Title: Trees In Autumn Medium: Oil on canvas Size: 27 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Lac Trouser is a colorful mixed media painting. It is oil and pigment on Wood Panel with a high gloss finish. This diptych is 20x40. It is filled with beautiful pinks, white and b...

Antique American modernist landscape oil painting . Oil on canvas board, circa 1930. Unsigned. Displayed in a period frame. Image, 20"L x 16"H.

Elias Telles (b. 1950, American) Monterey, California, 2019 Acrylic on Canvas, Found Wood, Metal Brackets 21.5 x 25.5 Inches Elias led an adventurous existence before becoming a sel...

Antique Italian impressionist Venice cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely ...

Le Tennis is a beautiful large painting by the artist and painted painted in 1981. The artist has one of the paintings in his own collection and was happy to hear when we acquired t...

This painting depicts a whimsical portrait of a Young Boy with a cap. There is great attention to detail, while an emotion is felt in the boy's face. The sepia color used and quick s...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of black bunnies on a multicolor, gold and silver background with thick ...

Title: Grassland Under White Clouds Medium: Oil on canvas Size: 20 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...

6011 Four nude male dancers gouache painting set in a brown matt in a brass frame Image 16.5x21.5"

Cuban Artist Victor Manuel Gomez - Abstract and Surrealist Landscape Painting. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always changin...

Wonderful American modernist portrait painting. Framed. Oil on canvas. Image size, 20H by 16L.

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

Antique American impressionist flower still life signed oil painting. Oil on canvas. Signed. Framed. Image size, 25.5L x 21.5H.

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, deep red and brown, with artist's studio stamp and signed to verso, unframed. 65" H x 55" W. Pr...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Painting description: This is a new example of a form I have been working with for many years. It is expressive and contains and reflects life in our constantly changing world. Robe...

Julian Onderdonk Shelter Island, Long Island, New York, circa 1905 Signed "Chas Turner" lower right Oil on canvas 14 x 19 1/2 inches Julian Onderdonk was...

6031 Colorful figurative painting of a lower Manhattan street fair Image 10.5x13.5"

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and it signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Patrick O'Brien (American, b. 1960) Framed Dimensions: 30 1/2 x 42 1/1 in. The USS Constitution was built in Boston, MA in 1791. She was one of the first of the original six friga...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Artist: Charles Cobelle, French (1902 - 1994) Title: Town Year: circa 1966 Medium: Acrylic on Canvas, signed l.r. Size: 20 x 24 in. (50.8 x 60.96 cm) Frame: 28 x 31 inches

This charming portrait of a Collie dog by Frederick French, painted circa 1896, captures the loyal and calm nature of one of the most beloved breeds. French's delicate attention to d...

Impressive early American modernist beach scene oil painting. Framed. Oil on board. Signed verso. Image size, 16H by 9L.

Floral Still Life (44) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

5120 Impressionist oil painting of an interior table setting