New York City - Abstract Prints

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Target Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 cm x 75.5...

Robert Indiana Robert Indiana (Monograph hand signed & inscribed), 2006 Hardback book Hand signed, dated and inscribed by artist on title page, with a star drawing. 13 1/4 × 11 1/4 ×...

The simple geometries and bright colors that recur throughout FEMM’s, have an inherently contemporary and urban feel. It’s no wonder, then, that the metropolitan city is one of FEMM’s greatest sources of inspiration. Whether it’s the zestful energy, the colorful clothes...

Max Epstein, Canadian (1932 - 2002) - Tree Bark, Year: 1982, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 23.5 x 16 inches, Size: 27 in. x 19 in...

John Martini’s monoprints and drawings meditate on life, death, and the sins between. He presents vignettes of nightmarish visions seeped with religious r...

John Newman (b.1952) Color Double, 1990 Color Lithograph Signed, annotated, and dated in graphite pencil on the front. Edition of 2 (PP II, aside from the regular edition of 32) 27 × 19 3/4 inches Unframed Accompanied by gallery issued Certificate of Guarantee A rare signed Printers Proof, aside from the regular edition of only 32 John Newman received his Masters of Fine Arts degree from the Yale School of Art...

Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 19...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...

Kenneth Snelson New York State Council on the Arts vintage poster, 1971 Offset lithograph on wove paper Unsigned, Unnumbered 35 × 25 inches Unframed Scarce original 1970s offset lit...

"Untitled: 4 Figures"Edition 132/200, Abstract Figurative Lithograph on Paper, 28.13 x 20.75, Late 20th Century Colors: Red, Blue, Green, Yellow, Purple, P...

Robert Indiana, American (1928 -2018) - Art from the American Dream Portfolio, Year: 1972(1997), Medium: Screenprint (unsigned), Edition: 395, Image Size: 14 x 14 inches, Size: ...

Stanley William Hayter Torero (de-accessioned from the Denver Art Museum), 1929-1933 Engraving on laid paper, third (final) state, on heavy BFK Rives...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Robert Israel (American, b. 1939), "Pretty Polly" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Essencies de la Terra Exhibition (M. 625) Year: 1969 Medium: Lithograph on Gua...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

Rare Keith Haring, original poster for the Kutztown Connection Benefit Performances, 1984 Silkscreen poster 14 × 9 inches Unframed, unsigned and unnumbered Literature/References: Kei...

John Urbain, Belgian/American (1920 - 2009) - Winterscape, Medium: Screenprint, signed and numbered in pencil, Edition: 19/20, Image Size: 24 x 18 inches, Size: 27.75 x 23 in. (7...

Rammellzee Annina Nosei Gallery, New York, 1983 (Rammellzee Gothic Futurism, Rammellzee Ikonoklast Panzerism): RARE Rammellzee illustrated announcement card published by Annina Nosei...

ABOUT THIS ARTIST: Rubeena Ratcliffe was born and raised in Edmonton, Canada and later educated as an architect in Canada, Holland, and the US. Ratcliffe became enthralled with paint...

Hayal Pozanti 8 million tons of plastic that go into the sea each year (18-311), 2018 Three-Color Lithograph on Bisque Revere Suede Hand signed, numbered...

Abstract Blue Square Ronaldo De Juan Argentinian (1931–1989) Date: 1971 Lithograph, signed and numbered in pencil Edition of 120 Size: 30 in. x 23 in. (76.2 cm x 58.42 cm)

A limited edition screenprint from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, America...

The front cover of Derriere le Miroir (DLM) No. 183 features the work of the renowned Spanish Basque sculptor and artist Eduardo Chillida. This issue, published by the esteemed Frenc...

Yaacov Agam "Life", (Hand Signed and numbered), 1980 Hand Signed, Stamped Gallery Art Center Envelope with French postage stamp & numbered Triple signature "Agam" and number 46/54 on the front Frame Included: floated in original vintage frame This very special vintage limited edition work features the “Agam” design by Yaacov Agam, a pioneer of Op Art. It is the first artist...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe V Catalogue Raisonne...

Temporal Perception # Petite Vague (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size ...

Jim Dine Gilbert & Sullivan, 1968 Color Silkscreen on wove paper 35 × 25 inches Edition 6/144 Hand-signed by artist, signed, dated and numbered 6/144 lower left New York City Center ...

Werner Drewes Untitled Mid Century Modern Abstract Woodcut, 1974 Woodcut fold-out card on Rives BFK paper with deckled edges 9 1/5 × 6 1/4 inches Unframed Rarely seen, this twice sig...

Sonia Delaunay Hommage a Sonia Delaunay pour son 90eme Anniversaire, 1975 Offset lithograph poster/flyer Plate signed Very rare; published in a limited edition of unknown quantity 1...

The Dienen, Dienen exhibition poster, featuring the work of Antoni Tàpies, was published by Galerie Lelong in 1997. This poster was designed to promote an exhibition of Tàpies' work,...

Artist: Karl Fred Dahmen Title: Laffly Year: 1979 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 14/75 Size: 27 in. x 22.5 in. (68.58 cm x 57.15 cm) Frame...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Flower, Lithograph on Paper, circa 1955, marked "artist's proof" lower left, signed in pencil and with the artis...

Sharron Bliss, S Rhythm 2, Edition 17/195, Digital Pigment Print, 15 x 15 (20 x 17.5 Full), 2003 Colors: Orange, Green, Purple, Red

Artist: Jurgen Peters, German (1936 - ) Title: Top Square Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Image Size: 31.5 x 21.5 inches Size...

One-color etching on Hahnemühle copperplate paper (Edition of 75 + 15 APs) Signed, dated, and numbered in pencil, recto 30 x 22 inches, sheet 17.5 x 12 inches, image This artwork i...

In the artist's Art and Design original print series, Intuition, 2019 by a.muse is on listening to your heart. A chine-colle monotype, hand-pulled on the etching press by the artis...

Sam Francis, American (1923 - 1994) - The Greenberg Gallery, Year: 1979, Medium: Poster, Size: 38 x 25 in. (96.52 x 63.5 cm)

Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

Roberto Matta, Chilean (1911 - 2002) - L'eau est Mana, Year: 1974, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition: 50/200, Image Size: 21.5 x 30 inche...

Mark Tobey, American (1890 - 1976) - Glowing Fall, Year: 1975, Medium: Screenprint on Richard Des Bas, signed and numbered in pencil, Edition: 100, Image Size: 19 x 13.25 inches, S...

Jasper Johns, Prints, 1960-70 (Hand Signed by Jasper Johns), 1970 Offset lithograph poster (signed by Jasper Johns) Boldly signed in black marker on the front 35 × 23 1/2 inches Published by the Philadelphia Museum of Art The artwork depicted in the poster is Jasper Johns lithograph...

Unknown/ Unidentified, " Untitled: Yellow, Orange, Green, Blue & Purple Abstract Print " (Edition 21/200), Abstract/ Abstract Geometric Serigraph...

ABOUT THIS ARTIST: Ioannis Lassithiotakis aims for an abstract universality: He uses the simplest visual materials because he wants to broach th...

Gretchen Bender Thou Shalt Not Take the Name of God in Vain (The Third Commandment), 1987 2 Color Lithograph and embossment on reflective mylar Signed ...

Max Papart (French, 1911-1994), "Untitled", Edition 45/60, Abstract Lithograph signed in pencil, 28.50 x 20, Late 20th Century Colors: Brown, White, Black, Blue, Pink, Red, Green

A portrait of the Japanese geisha Madame Butterfly dressed in a colorful kimono this is a (one-of-a-kind) mono-print, Geisha Walking, 2017 by a.muse. 12.5" x 10.25 the print is dated...

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Artist: Roberto Matta Title: L'ergofrage (Naufrage du Titanic) from Hom'mere III - L'Ergonaute Date: 1976-77 Medium: Aquatint etching on Japon, signed and numbered in pencil Edition...

Reading a book, the woman wearing a corset in this Pablo Picasso print is rendered in an angular, fragmented fashion emblematic of the artist's Cubist style. While the artist has ren...

Gerald Marks, British (1921 - 2018) - Red Cube, Year: 1968, Medium: Screenprint on thick paper, signed, numbered and dated in pen, Edition: 6/35, Size: 16...

Moored below a bridge crossing the Seine, several rowboats of bright colors float before a view of the Notre Dame de Paris in the distance. Identifiable by its signature Rose Window,...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...

Leonard Baskin (1922-2000) Untitled, Late 20th Century Woodcut Framed: 32 x 24 1/4 x 1/4 in. Edition 26/50 Signed and numbered lower right A highly respected draftsman, printmaker, ...

Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...

Situation #2 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 60/95 Image Size: 26 x 19 inches Size: 30 ...