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Item Ships From: New York
"Untitled I" Jane Freilicher, Hamptons Landscape Drawing, Mid-century Abstract
By Jane Freilicher
Located in New York, NY
Jane Freilicher Untitled I, 1958-59 Signed lower right Charcoal on paper 11 1/2 x 8 3/4 inches Provenance: Tibor de Nagy Gallery, New York Private Collection, New York Jane Freilic...
Category

1950s Modern New York - Landscape Drawings and Watercolors

Materials

Paper, Charcoal

Untitled (Four Horses)
Located in Brooklyn, NY
Cahuilla/Soboba Band of Luiseño Indians/Apache Billy Soza War Soldier was a pioneering Native American artist and activist whose work powerfully reflects the intersections of Indige...
Category

20th Century New York - Landscape Drawings and Watercolors

Materials

Paper, Oil

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene
By Stuart Davis
Located in New York, NY
Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...
Category

Early 1900s American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...
Category

1940s American Modern New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

headwind, female figure w beach umbrella beach blue ocean sand
By Stephen Basso
Located in Brooklyn, NY
Oil on canvas
Category

2010s American Modern New York - Landscape Drawings and Watercolors

Materials

Canvas, Oil

Waves
By Oscar Bluemner
Located in New York, NY
Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...
Category

1910s Contemporary New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

Scorpion, Surrealist Ink Drawing by Wojtek Kowalczyk
Located in Long Island City, NY
A detailed and hand-drawn work on paper by Polish artist Wojtek Kowalczyk of scorpions in sand dunes. The scorpions, however, are made of twining rope...
Category

2010s Surrealist New York - Landscape Drawings and Watercolors

Materials

Paper, Ink

Tropical Landscape, Impressionist Gouache and Graphite on paper by Ian Hornak
By Ian Hornak
Located in Long Island City, NY
Ian Hornak, American (1944 - 2002) - Tropical Landscape, Year: circa 1977, Medium: Gouache and Graphite on paper, mounted to board signed lower left, Size: 29.5 x 22 in. (74.93 x 5...
Category

1970s Impressionist New York - Landscape Drawings and Watercolors

Materials

Gouache, Graphite

Cherry Blossoms 2, black-and-white tree drawing, graphite pencil on paper
By Mary Reilly
Located in New York, NY
This exquisite graphite drawing by Mary Reilly captures the delicate beauty of cherry blossoms with striking realism and atmospheric depth. Known for her masterful pencil work, Reill...
Category

2010s American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Pencil, Graphite

Legendary Tony Bennett Original NYC "Chrysler Building" Contemporary Drawing
By Tony Bennett
Located in New York, NY
Legendary Tony Bennett Original NYC "Chrysler Building" Contemporary Drawing Tony "Benedettto" Bennett (1926-2023) "The Chrysler Building" 12 x 9 inches marker on paper, c 1980 Titled and Signed by Tony Bennett at the upper right with his family name "Benedetto.". Framed: 18 x 15 inches Provenance: Tony Bennett Estate BIO Tony Bennett is known as a vocal musician, but he is also known as Anthony Dominick Benedetto, an American visual artist. Benedetto was born August 3, 1926. He is the son of Italian immigrants from the Astoria section of Queens, New York. At the age of five Anthony was drawing pictures. He attended public schools and The High School of Industrial Arts in Manhattan where he studied art and music. Art was his first passion. In the 19th century artists like Vincent van Gogh searched for an expressive balance in art and music, but Benedetto/Bennett makes an impressive balance in both forms of artistry. The family name Benedetto means, "Blessed one", and Benedetto is how his art is signed. His paintings are impressions of the beauty throughout the world from his many music tours and travels...
Category

1980s Contemporary New York - Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Trees, Abstract Expressionist Gouache on paper by Robert Andrew Parker
By Robert Andrew Parker
Located in Long Island City, NY
Robert Andrew Parker, American (1927 - 2024) - Trees, Year: circa 1961, Medium: Gouache on thin wove paper, signed and titled in pencil on verso, Size: 17.75 x 23 in. (45.09 x 58.42...
Category

1960s Abstract Expressionist New York - Landscape Drawings and Watercolors

Materials

Gouache

Cacti, Surrealist Ink Drawing by Wojtek Kowalczyk
Located in Long Island City, NY
In this intricately hand-drafted and drawn piece by Polish artist Wojtek Kowalczyk, a railroad track seems to stretch on into infinity. On the left, t...
Category

2010s Surrealist New York - Landscape Drawings and Watercolors

Materials

Paper, Ink

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Tayo Heuser, Nomad, 2013, Ink on handburnished paper, Abstraction, Meditative
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category

2010s Abstract Geometric New York - Landscape Drawings and Watercolors

Materials

Paper, Ink, Handmade Paper, Pigment

Watercolor Painting American Modern Painting Bridge Harbor Female Artist 1950
Located in Buffalo, NY
Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...
Category

1940s American Modern New York - Landscape Drawings and Watercolors

Materials

Archival Ink, Watercolor, Archival Paper, Acrylic

The Fall and Forest Print
By Robert Strati
Located in New York, NY
Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...
Category

2010s New York - Landscape Drawings and Watercolors

Materials

Porcelain, Ink, Digital

Seashells 6, Beach-strewn seashells from Sanibel Island, Graphite on Paper
By Mary Reilly
Located in New York, NY
This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek beach-strewn seashells from her travels to Sanibel Island boast bubbl...
Category

2010s American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Graphite

"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
Category

Early 20th Century American Impressionist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

VFD 1, watercolor, California, Industrial building, architecture, fire training
By Ferdinanda Florence
Located in Riverdale, NY
VFD #1 is a watercolor painting of a California industrial site where fire training drills take place. It is 11x8 unframed. Ferdinanda Florence was born in Washington, DC, and grew...
Category

2010s Contemporary New York - Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Flowering Hillside, grayscale photorealist graphite landscape drawing, 2018
By Mary Reilly
Located in New York, NY
In her newest landscape drawing, Flowering Hillside, Mary Reilly explores the full tonal depth of graphite. She finds all of the soft subtleties of gray in her movement from the mome...
Category

2010s Photorealist New York - Landscape Drawings and Watercolors

Materials

Paper, Graphite

Bowers
By Michael Kotasek
Located in Sag Harbor, NY
Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...
Category

Early 2000s American Realist New York - Landscape Drawings and Watercolors

Materials

Watercolor

7-28-22, Impressionist, abstracted landscape drawing with colored pencil
By Sandy Litchfield
Located in New York, NY
Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...
Category

2010s Impressionist New York - Landscape Drawings and Watercolors

Materials

Paper, Color Pencil

Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker
By Louis Wolchonok
Located in New York, NY
Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker. Sight size: 18 x 23 1/4 inches. Estate stamped verso. This drawing is the study for a large oil we ...
Category

1930s American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

CLE Series: Under and Beyond
By Thomas R. Roese
Located in New York, NY
"Under and Behind" Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and urban neighborhoods surrounding him,...
Category

21st Century and Contemporary Photorealist New York - Landscape Drawings and Watercolors

Materials

Acrylic, Color Pencil, Graphite

High Fashion Paris Women, Framed Watercolor Painting by Charles Levier
By Charles Levier
Located in Long Island City, NY
Artist: Charles Levier, French (1920 - 2003) Title: Red Head Year: circa 1965 Medium: Watercolor, signed l.r. Image Size: 19.5 x 15.5 inches Size: 28 x 21.5 inches
Category

1960s Fauvist New York - Landscape Drawings and Watercolors

Materials

Watercolor

High Cliff at “Dog Pool”
By Ogden Minton Pleissner
Located in New York, NY
Signed lower left: Pleissner
Category

20th Century New York - Landscape Drawings and Watercolors

Materials

Watercolor

Birch Mystery, trees, female figure, neutral tones, collage on archival paper
By Audrey Anastasi
Located in Brooklyn, NY
Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...
Category

2010s Surrealist New York - Landscape Drawings and Watercolors

Materials

Charcoal, Archival Paper, Acrylic, Mixed Media

Landscape Sketch, Impressionist Graphite Drawing by John Koch
By John Koch
Located in Long Island City, NY
John Koch, American (1909 - 1978) - Landscape Sketch, Year: circa 1970, Medium: Graphite on Paper, Size: 13.75 x 20 in. (34.93 x 50.8 cm)
Category

1970s Impressionist New York - Landscape Drawings and Watercolors

Materials

Graphite

Church in Prague, Pastel Drawing by Kamil Kubik
By Kamil Kubik
Located in Long Island City, NY
Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)
Category

1990s Contemporary New York - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Woodstock, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Woodstock (77), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Eve Nethercott's serene depict...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

House, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - House (46), Year: circa 1959, Medium: Watercolor, Size: 9 in. x 12 in. (22.86 cm x 30.48 cm), Description: Looking toward the white hou...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Forest Floor, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Forest Floor (P1.27), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered with...
Category

1960s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Canal, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Canal (P2.51), Year: 1947, Medium: Watercolor on Paper, Size: 13 x 12 in. (33.02 x 30.48 cm), Description: Viewed through the shimmer...
Category

1940s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Forest, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Forest (P2.65), Year: 1958, Medium: Watercolor on Paper, Image Size: 10 x 12 inches, Size: 11 x 13.5 in. (27.94 x 34.29 cm), Descript...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Fleurs Naturels, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Fleurs Naturels (P2.53), Year: circa 1960, Medium: Watercolor on Paper, Size: 14 x 11 in. (35.56 x 27.94 cm), Description: Looking do...
Category

1960s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Wooded Landscape, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Wooded Landscape (P3.1), Year: 1958, Medium: Watercolor on Paper, Size: 18 x 23.5 in. (45.72 x 59.69 cm), Description: Peering out in...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Stairway to the Sea, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Stairway to the Sea (85), Year: 1949, Medium: Watercolor, Size: 15 in. x 18 in. (38.1 cm x 45.72 cm), Description: Leading down to the ...
Category

1940s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Nissequogue (Hecate's Garden), Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Nissequogue (Hecate's Garden), Year: 1959, Medium: Watercolor, Size: 13 in. x 20 in. (33.02 cm x 50.8 cm), Description: Eve Nethercott'...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Alley Pond Park, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Alley Pond park (P6.9), Year: 1952, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Reflecting onto t...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Flushing Armory, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Flushing Armory (P6.6), Year: 1949, Medium: Watercolor on Paper, Size: 15 x 19.5 in. (38.1 x 49.53 cm), Description: Looking up throu...
Category

1940s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Surf Bald Head Cliff, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Surf Bald Head Cliff (P4.26), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Viewed from...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Aimhi Lodge, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Aimhi Lodge (P5.4), Year: 1951, Medium: Watercolor on Paper, Size: 15.5 x 22 in. (39.37 x 55.88 cm), Description: Peering through the...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Rocky Shore, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Rocky Shore (P4.6), Year: circa 1960, Medium: Watercolor on Paper, Size: 13.5 x 18 in. (34.29 x 45.72 cm), Description: Looking out o...
Category

1960s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Bronx Park, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Bronx Park (P4.28), Year: 1959, Medium: Watercolor on Paper, Size: 13.5 x 21 in. (34.29 x 53.34 cm), Description: A unique watercolor...
Category

1950s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

"Chrysler Building" Leon Dolice, New York City Street Scene, Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice Chrysler Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the yo...
Category

1930s American Modern New York - Landscape Drawings and Watercolors

Materials

Pastel, Paper

Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920
By William Zorach
Located in New York, NY
William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...
Category

1920s New York - Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Wheat Field and House, Signed Pastel on Paper by Oliviero Masi
By Oliviero Masi
Located in Long Island City, NY
Wheat Field and House Oliviero Masi Italian (1948) Date: 1987 Pastel on paper, signed and dated lower right Size: 12 x 19 in. (30.48 x 48.26 cm)
Category

1980s Modern New York - Landscape Drawings and Watercolors

Materials

Pastel

L'Escalier, Watercolor Painting by Guy Dollian
Located in Long Island City, NY
Artist: Guy Dollian (1887 - 1964) Title: L'Escalier Date: 1926 Medium: Watercolor on paper, signed and dated lower left Image Size: 18.5 x 11.5 inches Frame Size: 27 x 19.5 inches
Category

1920s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Low Reservoir, colorful Abstract Impressionist landscape gouache
By Sandy Litchfield
Located in New York, NY
Sandy Litchfield found peace and inspiration in regular solitary walks through nature throughout the pandemic. Her most recent body of work diaristically documents her constitutional...
Category

2010s Abstract Impressionist New York - Landscape Drawings and Watercolors

Materials

Paper, Gouache, Color Pencil

"The Red Silo" Winold Reiss, Rural Regionalist Landscape, Sunny Day on Farm
By Winold Reiss
Located in New York, NY
Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...
Category

Mid-20th Century American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Flight to Egypt
By Anna Walinska
Located in New York, NY
Oil on paper. Signed and dated 'Walinska 57' (lower left). image size 20 x 13 1/2 in. framed size 28 1/3 x 22 1/2 inches Provenance Martha Jackson Gallery Anderson Gallery, Buffalo...
Category

1950s American Modern New York - Landscape Drawings and Watercolors

Materials

Paper, Oil

George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
By George Grosz
Located in New York, NY
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert. Provenance: Hirschl & Adler and 511 Gallery...
Category

1930s Expressionist New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Rouen
By Frank Will
Located in New York, NY
"Rouen" is a watercolor by Frank- Will , it is extremely large in size and from an important place in the history of France. This is where the tower of Joan of Arc is located and wh...
Category

1920s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

Approaching Slains Castle #8, black/white monotype, architecture ruin
By Agnes Murray
Located in Brooklyn, NY
Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...
Category

2010s Photorealist New York - Landscape Drawings and Watercolors

Materials

Monotype, Archival Ink, Archival Paper

Modern American Industrial Drawing Factory Graphite Framed Black and White
Located in Buffalo, NY
A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY. Housed in a contemporary frame presentation this unique work ...
Category

1930s Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Graphite

André Hambourg Eiffel Tower Watercolor
By André Hambourg
Located in New York, NY
André Hambourg (French, 1909-1999) Le Marchande Tour Eiffel (The Eiffel Tower Merchant) Watercolor on paper Sight: 12 1/4 x 17 1/4 in. Framed: 19 3/4 x 24 1/4 x 2/3 in. Titled lower ...
Category

20th Century French School New York - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Women Walking, Abstract Painting on Paper by Omar Rayo
By Omar Rayo
Located in Long Island City, NY
An early painting by Omar Rayo from 1955. An abstract geometric work with multi-colored shapes on a surrealist horizon. Artist: Omar Rayo, Colombian (1928 - ) Title: Mountains Year:...
Category

1950s Abstract Geometric New York - Landscape Drawings and Watercolors

Materials

Paper, Acrylic

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway
By Louis Wolchonok
Located in New York, NY
42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...
Category

1920s American Realist New York - Landscape Drawings and Watercolors

Materials

Paper, Pencil

David Roberts, Tombs of the Mamelukes
By David Roberts
Located in New York, NY
David Roberts, Tombs of the Mamelukes. David Roberts (1796-1864) antique lithograph of the "Tombs of the Mamelukes, Cairo" from the 1st edition in gilt frame, England, 1849. Dimensi...
Category

Mid-19th Century New York - Landscape Drawings and Watercolors

Materials

Paper

Tidal Pool, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Tidal Pool (65), Year: 1961, Medium: Watercolor, Size: 8.5 in. x 22 in. (21.59 cm x 55.88 cm), Description: Rendered in neutral hues of...
Category

1960s Impressionist New York - Landscape Drawings and Watercolors

Materials

Watercolor

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