New York - Interior Paintings

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform...

An eye-catching oil painting of multi-colored flowers. A dedicated student of botany and anthropology, the artist reveals her creative ability in this distinct tableau. An up close c...

Artist: Pietro Bulloni, Italian (1947 - ) Title: La Tavola Year: 2010 Medium: Oil on Canvas, signed, dated, and titled verso Size: 23.5 in. x 23.5 in. (59.69...

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...

An oil painting of the interior of The National Gallery museum in London. A multi-figure composition, of people inside a grand room filled with some of the world's most famous paintings, including John Constable's 1821 painting "The Hay Wain", and J.M.W. Turner's moody 1801 painting "Dutch Boats...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

"Wildflowers" is a bright contemporary impressionist oil painting still life. A bouquet of wildflowers consists of freshly picked Tuscan flowers; red poppies, white and yellow daisie...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are...

oil on stretched canvas signed an dated on reverse. Basso's highly original pastels and oil paintings are romantic yet thought provoking narratives. His whimsical works are alive wit...

Artist: Pietro Bulloni, Italian (1947 - ) Title: Interal Letto Year: 2010 Medium: Oil on Canvas, signed, dated, and titled verso Size: 23.5 in. x 23.5 in. (59.69 cm x 59.69 cm)

this is oil on wood panel with a rough sandy textured surface . it comes ready to hang with a black frame that nicey complements the color scheme

A still life oil painting of brilliant red tomatoes on a checker patterned tablecloth. This work is a reflection of the artist's belief that ordinary things possess great beauty. Af...

A still life oil painting of a basket of potatoes and a box of salt on a wooden table. This work reflects the artists's discerning eye in the discovery of beauty amongst ordinary, everyday objects. The blue box of salt is complimented by the blue light pouring through the glass pitcher. Painting Dimensions: 21.65 in x 29.5 in Framed Dimensions: 26.65 in x 34.5 in Framed in a handmade Italian gold leaf...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

A Still life painting of a small cheesecake, adorned with strawberries, blueberries, and cream. Placed upon a layer of parchment paper, against a grey backdrop. Sarah Lamb is known for her poetic still lifes that utilize classical painting techniques, yet are very contemporary in mood. Framed dimensions: 17 x 25 inches Sarah Lamb is a talented and dynamic realist painter. With classical skill—and through transparency, depth and texture—she captures the minute details of everyday objects in her dramatic still lifes and luscious landscapes. She makes us love the familiar and see beauty in the mundane. Born in Petersburg, VA, with a passion for art and an appreciation for the past, Sarah spent a semester at the Studio Art Center International in Florence, Italy before graduating from Brenau Women’s College with a BS degree in Studio Art in 1993. Following a summer workshop in Santa Fe, NM with renowned classical painter Jacob Collins, she spent two years painting at The Ecole Albert Defois in the Loire Valley with classical realist artist Ted Seth Jacobs. In 1997 she moved to New York and spent the next 6 years studying and painting under Jacob Collins at the Water Street Atelier. During this time, she had successful one-woman shows in major galleries in Atlanta, Houston, and San Francisco and was represented in art galleries in Alexandria, VA, St. Simon’s Island and Gainesville, GA, Sag Harbor, NY and Madison, CT. More recently, she has had sell-out, one-woman shows at the Spanierman Gallery in NY, the Meredith Long Gallery in Houston, TX and the John Pence Gallery in San Francisco. She has been featured in magazines such as American Artists, American Art Collector and Southwest Art as one of America’s most talented young painters. British-born art critic, John A. Parks, wrote that “Sarah Lamb brings to her work a robustly sensual grasp of the world. Her keenness of eye and joyful brush make the whole enterprise feel freshly alive as she reminds us what the really wonderful things in life are.” Sarah splits her time between Houston, Texas and in Pennsylvania's Brandywine Valley with her husband, artist, David Larned...

An impressive still life (oil on panel) of vibrant clementines in android white and blue dish. The attention to detail and the striking ability to find the beautiful within the mund...

Nasser Ovissi, (Iranian, Born 1934) "Four Blue Squares" oil on canvas painting. Very fine quality painting by Persian Artist Nasser Ovissi who is considered to be known as the "Picasso of Iran". This paintings is four in one. Each corner of the painting represents something else in the Middle-Eastern tradition. The top right corner is representing the passion for Arabian horses. The top left corner is representing the traditional fish and eyes against evil eye. The lower right corner is representing the traditional turquoise colored ceramics. The lower left corner is representing the Holy House of Prayer. Very interesting and unique combination, this painting will create a beautiful, warm energetic in any room that it's placed. A true, modern Iranian masterpiece. Oil on canvas, unframed. Signed. Size: 30" high x 40" wide Nasser Ovissi is an American-Iranian painter whose work is characterized by stylized figures of Arabic women and horses. Set amidst geometric patterns and decorative elements, his figures seem to merge into and out of the space behind them. “My work is dedicated to the beauty of life and I hope those who experience my work will walk away with an experience of beauty.” Born in Tehran, Iran in 1934, Ovissi studied Law and Political Sciences at the University of Tehran before studying Fine art at Beaux Fine Art in Rome. The artist has achieved numerous awards and honors, including being exhibited at the 1959 Paris Biennial and a grand prize at the 1962 Biennale of fine arts of Tehran. Ovissi lives and works in Reston, VA. His works are included in the collections of the Contemporary Art Museum in Madrid and the National Art Gallery of Greece in Athens. Artist Exhibitions: 1957 Tehran, First Prize 1959 Paris Biennial 1960 Tehran, Exhibition in Farhang Hall, during the International Congress of Music 1961 Exhibition in Bombay, India New Delhi, International Exhibition of Contemporary Art Tehran, Iran, First Prise in Drawing Competition 1962 Tehran Biennial (Abyaz Palace), Grand Prize of the Biennial Venice, Italy Biennial 1963 Paris, Museum of Modern Art; Exhibition of Iranian Painters Sao Paulo Biennial, Brazil 1964 Tehran Biennial, Grand Prize 1965 Rome, National Museum of Oriental Art 1966 Milan, San Fedele Gallery 1968 Rome: Gallery 88 Florence, International Biennial of Graphic Arts New York, Columbia University, Modern Iranian Art Italy, Gold Medal at the Campione International Salon 1969 Zurich, Huber Gallery 1970 Ankara, Fine Arts Gallery 1971 Rome, Temple University Athens, Fine Arts Salon New York, Columbia University Washington, Agra Gallery 1972 Paris, Autumn Salon, Grand Palais Paris, Guiot Gallery Ottawa, National Art Center Ottawa, University of Ottawa Baltimore, John Hopkins Gallery Brussels, Palace of Fine Arts 1973 Belgrade, Museum of Modern Art Monaco, International Art Exhibition (Grand Prize) 1976 Basel, Feriart 1977 Madrid, Bruaugut Gallery 1978 Valence, Artis Gallery 1978 Madrid, Contemporary Art Museum 1979 Caracas, Guipuzcoa Gallery 1981 Washington, D.C., Calvert Collection 1982 Dallas, International Art Exhibition 1983 Houston, Texas, Galeria Arte 1984 Pasadena, Pacific Asia Museum Washington, D.C., Calvert Collection Washington, D.C., World Bank New York, Leila Taghinia-Milani Gallery 1985 Paris (France), Mille et Une Nuits New York: Taghinia-Milani Gallery Washington, D.C., Calvert Collection 1986 New York, Mussavi Art Center Washington D.C., Fine Arts Gallery, Georgetown Park Vancouver (Canada), The Art Circle Visalia (California), The Art Circle 1987 New York, Art Expo Cadiz (Spain), Sato Grande Fairfax (Virginia), Broadway Gallery 1988 Los Angeles, Galeria Arte Washington, D.C., Fine Arts Gallery, Georgetown Park McLean (Virginia), Abott Gallery Geneva (Switzerland), Bronz Gallery 1989 New York, Mussavi Art Center San Francisco, Hourian Art Gallery 1990 Montreal (Canada), Maison d'Art Saint Laurent Maui (Hawaii), Metropolitan Art Gallery 1991 Montreal (Canada), Maison d'Art Saint Laurent Austin (Texas), University of Texas Art Gallery New York, Elaine Benson Gallery Maui (Hawaii), Metropolitan Gallery Boca Raton (Florida), Curzon Gallery 1992 Maui (Hawaii), Metropolitan Gallery New York, Space Gallery McLean (Virginia), Tower Club Los Angeles, Beverly Hills Town Center 1993 Cambridge (Massachusetts), Harvard University Maui (Hawaii), Metropolitan Gallery Boca Raton (Florida), Curzon Gallery Washington, DC, Very Special Art Gallery 1994 Tokyo (Japan), Metropolitan Gallery Maui (Hawaii), Metropolitan Gallery Osaka (Japan), Metropolitan Gallery Detriot (Michigan), Michigan University Montreux (Canada), Aurom Gallery Boca Raton (Florida), Curzon Gallery 1995 Washington, DC, Designer Art Gallery 1996 Great Exhibition at Art Festival, Kuwait 1997 Montreal (Canada), Maison d'Art Saint Laurent Tokyo (Japan), Metropolitan Gallery Maui (Hawaii), Metropolitan Gallery Osaka (Japan), Metropolitan Gallery 1998 Fez (Morocco), Sufi Music Festival Los Angeles (California), Exhibition Art Centre Hawaii, Dole Gallery 1999 London (U.K.), Bourlet Gallery Montreux (Switzerland), The Oriental Palace...

A still-life oil painting of pink peonies. Artist Bio Viktor Butko was born in 1978 in Moscow, into a family of artists. He often visited the studio of h...

Couple / Love / Romance / Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins w...

Gasslander lived and worked in Chicago and also visited Provincetown in the 1930s; he made portraits and city views. This Surreal Scene is unusual in his oeuvre both for its extreme ...

An incredibly elegant oil painting of a variety of purple flowers arranged in a glass vase. The hues are heightened against a black backdrop. A cl...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

"The Gatekeeper" is a mysterious painting, seemingly both a portrait and a situation – perhaps a portrait of a barrier. Gatekeeping suggests inclusion a...

"Toys In The Attic" addresses subject matter that continues to fascinate the artist – on one hand the tools of painting, drawing and art making – brushes, pens, pencils and crayons. ...

Antique American modernist interior portrait oil painting. Oil on board, circa 1930. Unsigned. Displayed in a period modernist frame. Exhibition provenance verso. Image size, 25"L ...

"Blessings" is a small painting of vegetables on the kitchen counter, in the artist's home in Fiesole, Italy. Melissa Franklin Sanchez softly m...

Brian Leo Time For Cake 2018 Acrylic tin stretched canvas 20 x 20 inches Brian Leo was born in New Jersey in 1976, and is currently living in New York City. He is a graduate of Rut...

"Poinsettia" is an oil painting of the signature red plant blossomed against a light backdrop, in a minimalist pot, a cement cube. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

An oil painting of figures inside The American Hotel, in Sag Harbor, on a busy Friday Night. Kelly Carmody stood outside on the front porch of the Hotel, and painted the indoor scene...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Artist: Harry Lane Title: Art Shipping and Receiving Year: Circa 1950 Medium: Oil on Board, signed lower right Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) ...

Landscape painting of Speedway gas station sign by Edie Nadelhaft- oil on canvas, 10 x 20 inches An avid motorcyclist, Edie Nadelhaft takes annual weeks-long tours of the country's ...

"Poinsettia 2" is an oil painting of the signature red plant blossomed against a light backdrop, in a minimalist pot, a cement cube. A refined pop of red for the Holidays. Painting dimensions: 14 x 11 inches Framed dimensions: 16.5 x 13.5 inches Matthew Weigle...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

The large abstract painting "BONGWATER" by Jeffrey Kurland is an acrylic on canvas measuring 60" tall by 72" wide. BONGWATER is new work from the long hot summer of 2020. Often emplo...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Oil on canvas STATEMENT by AUDREY ANASTASI: Considering myself primarily a feminist artist, painting other women, most of my work focuses on the human face, figures, animals and natu...

An original oil on canvas by listed New York female artist Enid Smiley.

Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins with a meticulous arrangement...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Oil painting of a houseplant, situated in a living area beside a window. Light from the outdoor sun casts inside, a bright reflection onto the ground . P...

colorful ribbons Oil on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

"Yellow Teapot" is a bright impressionist still life with red tray and glass bottle. Painted from direct observation, in the painters Tuscan home. Bio...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone s...

"Social Butterfly" is one of Chantzaras' latest series of pop art style and classical colorful influences of this still-life flower painting. The colors are bold and playful. The tit...

An original oil on canvas painting by French artist Jean Daumier (b. 1948). This endlessly charming work depicts three young women inside a museum in the artist's signature style, ...

"Purple Flowers and Eggs" is a small, vertical, oil painting, painted directly from life, using classical techniques. A mixingg of purple and yellow flowers arranged in a narrow, glass vase, centrally placed. Behind, a small carton of brown eggs lays open. All against a dark background. Light reflects and shadows cast through the translucent vase...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are...

French painting entitled "La Salle de Bains de Madame." Stamped "J. Vermont" on verso. Custom framed in a hand-made, cherry stained, oak wood frame. Imag...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

An oil painting of a boat yard at nighttime. Boats at rest behind a locked chain-link fence. Street lights glow with hot orange auras. The full moon peeks out glowing a cool bright w...