New York - Interior Paintings

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

Robert W. Petrick City Life Acrylic on Canvas 36 x 36 x 1 inches This dynamic abstract "Construction" by Robert W. Petrick is inspired by city life. East Village, New York. Int...

Edwina Lucas was born and raised on Long Island, New York. The arts have always played a major role in her life. At the age of five, Lucas was taught the fundamentals of oil painting...

"Teapot" is an oil painting by Daniela Astone. A contemporary realist still life in bright yellow, silver and peach. Daniela Astone was born in Pisa, Italy, in 1980 and raised in Po...

"Sunflowers" is a rustic still life of yellow flowers in blue and white vase. Amy Florence creates a dark interior that is brightened by the three sunflowers that casually rest in th...

Ernest Crichlow Portrait of a Woman, 1968 Signed and dated lower right Oil on canvas 55 x 40 inches Provenance Private Collection, Hempstead, New York Estate of the above A Harlem...

Impressive Paris school modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 29L and overall 36 by 43 inches.

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

Antique American modernist interior scene with a nude woman oil painting. Oil on canvas. Framed. Image size, 22L x 26H.

Vintage American realist still life. Oil on canvas. Unframed.

5162 Vintage American framed oil painting signed Linda Haber Image size 17x13"

While the painting may be signed on the lower right side "Sorolla" it is not by the famed artist Joaquín Sorolla y Bastida. It is most likel...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

"Welcome Home" is an oil painting by American realist Maryann Lucas. It depicts a vase full of flowers sitting on a table w gathered linen and a pair of pears. A wooden windowsill l...

This is for an original Oil Painting by the famous New York Jewish Artist Tully Filmus Painting Depicts a orchestral Quartet of men beautifully painted and Amazing Good Condition ...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Oil on canvas. Framed. Signed.

Antique American modernist abstract oil painting. Oil on board, circa 1950. Signed.

This bright and colorful floral painting, "Pinch of Pink", is an 8x8 still life oil painting on board by Maryann Lucas. Featured is a bountiful pink bouquet of flowers with green leaves. The maroon...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Friends have brought over their dog to the artist's Tuscan farmhouse, and join in preparing an Italian meal. Fenske, always seeing potential for paintings in everyday life, decided t...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Antique American school museum interior oil painting by Nathaniel E. Reich. Oil on board, circa 1940. Signed. Image size, 32L x 24H. Housed in a period wood frame.

"Persimmons" is a realist still life painted with a neutral toned palette. Painted with Oil on Copper. The painting shows two branches with fruit and subtle red-orange and green leav...

Impressive early American modernist interior scene oil painting. Framed. Oil on board. Signed verso. Image size, 20 by 27 inches.

This beautiful painting by Jeroen Allart is part of his minimalist landscape and interior painting he did in his home country the Netherlands. 'A farm st...

An oil painting of a man resting on a bed. His arms reach to the left of the panel, and one leg bent, the other extending towards the end of the bed and the viewer. The edges of the ...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

An oil painting of a a hallway interior. "Hallway in Green" presents to us a sunlit interior from one large window on the left. Forms McGuire incorporates creates playful geometric c...

Very impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Exceptional...

Narrative, colorful and surreal fantasy of a room interior. The image incorporates many of the recurring symbols in the artist's work such as hearts fe...

A vivid and densely populated cockfighting scene painted in 1950 and signed Allatteini L., lower right, with the inscription St. Thomas 50. This large-scale oil captures the spectacl...

5117 Vintage oil on canvas of a Cat by the window

This oil painting is a portrait of artist Page Ogden capturing a moment in time when she was sitting at a table reading a book by American artist John Hardy.

5116 Flower arrangement on the back poarch with a view of the garden Signed Oldyna Dynowska 96

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

"Red Flowers and Grapes" is a contemporary impressionist still life painted Florence, Italy. Amy Florence conjures a feeling of liminal space as day turns to night in this still life painting. As the blue darkness descends on the outside world, you can almost smell dinner being cooked just out of view in the lighted interior. Framed Dimensions: 31.6 x 27.7 inches Artist Bio: Amy Florence is a London born artist working out of her studio in Florence, Italy. She trained at the Charles H...

Vintage American modernist interior scene oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 24H. Great color and a nice period modern wood frame. Ready to hang.

Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...

"Summer Blue" Still life of Blue Hydrangeas in a glass vase. Melissa Franklin Sanchez was born in 1984, in Warwickshire, England. In 2002 she graduated from her humanistic studies: ...

female bathers by visionary artist Stephen Basso

An impressionist still life painting. The seat and back of an antique wooden chair are centered in the composition. On the colorful seat of the c...

This is a hand painted acrylic and spray paint on canvas piece framed by Pez Barcelona - signed on reverse Pez creates his own unique characters and is a worldwide sensation in the ...

Pair of Roman scenes attributed to Annibale Gatti. Inscribed on reverse "A Gatti". 19th century. Oil on board. Paintings measure 14.5" x 4.5" without frames.

Vintage modernist ballerina portrait oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a modernist wood molding. Excellent condit...

A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...

Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.

A unique American oil painting depicting two stylized interior views in neon colors.

Impressive 1970s modernist interior scene. Great palette and a sophisticated composition. Oil on canvas. Framed. Signed and dated verso.

An impressionistic painting of Fenske's recognizable blue teapot reflecting a window with a view of the Tuscan countryside. A glass and a bottle of wine, a...

"Horse Sketch 2" is an oil painting by Amy Florence, a study of an Alfred Munnings painting, an artist she takes inspiration from. A horse is standing against a pale green ground, c...

Dutch School Late 18th century Oil on panel 6 1/4 inches x 5 1/2 inches (15.9 x 14 cm) Framed: 14 x 12 inches (35.5 x 30.5 cm) Signed lower right This delightful study of a lute pl...