New York - Interior Paintings

Bernard Nacion 1. Untitled (Press Conference), Late 20th Century Watercolor and mixed media on artist board Image: 6 x 8 in. Board: 10 x 12 in. 2. Untitled (Old Man), Late 20th Cen...

Bernard Nacion Untitled (Santa Claus Over Los Angeles), Late 20th Century Watercolor and pastel on artist board Image: 7 x 9 3/4 in. Board: 15 x 20 in. Bernard Nacion is a creative ...

Bernard Nacion Untitled (Waiting By The Phone), Late 20th Century Acrylic and mixed media on artist board Image: 10 x 12 in. Mat: 12 x 14 in. Signed verso: B. Nacion In this piece, ...

Bernard Nacion Untitled (Waiting By The Phone), Late 20th Century Collage with magazine cut outs on artist board Image: 11 x 9 in. Mat: 16 x 13 in. This collage features portraits o...

Bernard Nacion Untitled (Celebrity), Late 20th Century Watercolor and pastel on artist board Image: 10 x 14 in. Board: 14 x 18 in. Portrait of an unidentified celebrity. Bernard Na...

Bernard Nacion Untitled (World on a String), Late 20th Century Acrylic on paper 15 x 10 in. Bernard Nacion is a creative whose imaginative compositions take many different shapes. H...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

This painting is one of various works by the artist depicting narratives in a narrow vertical format primarily influenced by the works of the German artist Max Beckmann . It is a lar...

Bernard Nacion Untitled (Style of Rembrandt), Late 20th Century Ink and pencil on artist board 19 3/4 x 15 in. This illustration shows a group of Dutch gentlemen in the style of Rem...

Antique American modernist interior scene oil painting. Oil on canvas. Framed.

Impressionist still life painting on panel of red tomatoes on a rustic wood table with a pale blue background "Season", painted by David Konigsberg, in 2023 oil on paper, mounted on ...

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

Cy Twombly’s chair by Manuel Santelices Ink, gouache, and watercolor on paper Image size: 12" H x 9" W inches. Unframed 2023 Manuel Santelices explores the world of fashion, soci...

Friends have brought over their dog to the artist's Tuscan farmhouse, and join in preparing an Italian meal. Fenske, always seeing potential for paintings in everyday life, decided t...

Antique American modernist interior scene with a nude woman oil painting. Oil on canvas. Framed. Image size, 22L x 26H.

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

2023, Acrylic on canvas

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Antique French impressionist signed still life oil painting by Leon Detroy (1857/59 - 1955). Oil on canvas. Signed. Framed. Image size, 13L x 10H.

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

2023, Oil on linen

2023, Acrylic on canvas

2023, Acrylic on canvas

2023, Acrylic on canvas

2023, Acrylic on canvas

2023, Acrylic on canvas

2023, Acrylic on canvas

2023, Acrylic on canvas

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

Antique American impressionist signed dog portrait oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 16H.

"Lilacs, Coffee, Wine" is a Neo-Impressionist rustic still life in Tuscany. Familiar characters in Fenke's kitchen table still lifes include a tea pot, Moka pot, cheese, red wine, a ...

"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion The board measures 9 1/2 x 15 1/2. Provenance: Mervin Jules Estate. Bio A painter, illustrator, pri...

Antique American modernist still life oil painting. Oil on canvas. Framed. Image size, 16L x 20H.

Antique impressionist nude interior portrait painting. Oil on canvas, circa 1950. Housed in a vintage frame. Image size, 14L x 20H.

19th Century Italian Orientalist Masterpiece Painting "Four Women In The Harem" circa 1880, in the Circle of Rudolf Ernst. Oil on canvas. "The O...

Vintage American modernist interior scene oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 24H. Great color and a nice period modern wood frame. Ready to hang.

Original painting by Richard Combes

Anne Finkelstein’s hard-edged architectural paintings are built upon a foundation of poetry and history. Inspired by a lifetime of walking through New York City, Finkelstein’s own se...

signed in the lower right Kever watercolor on paper 19 3/16 x 17 1⁄8 inches (49.2 x 43.7 cm.) PROVENANCE Dr. Katherine Kromm Merritt, Stamford, Connecticut, until circa 1990, from whom acquired by Private Collection, Vinalhaven, Maine, until 2015 In the warm morning glow of a country kitchen, a young boy entertains his little sister seated in a high chair. In return her adoring glance speaks volumes. The dramatic angling of the baby’s high chair, whose design harks back to the seventeenth century, animates the scene. Through an economy of means and a limited palette of largely brown and orange, Jacob Simon Hendrik Kever captures the richness of the moment and its idyllic rusticity. Josef Israels was the first to encourage Kever to study painting. He began his training at the Koninklijke Academie voor Beeldende Kunsten, Amsterdam, in 1869, studying with Petrus Franciscus Greive until 1872. From 1874 - 1875 he attended the Rijksakademie van Beeldende Kunsten, also in Amsterdam. From 1878-1879 under the tutelage of Charles Verlat he was enrolled in the Koninklijke Acaemie voor Schone Kunsten in Antwerp. His subjects included portraits, cityscapes, landscapes, flowers, genre and interior scenes in watercolors, oils, and etchings. Throughout his career he worked in Blaricum, Nunspeet, the province of North Brabant and Eemnes. Although not technically considered a member of the Laren School he also lived there from 1877-1879 and again in 1905-1922. He further maintained an apartment in Amsterdam near the Oosterpark where he resided during the winter months. The area must have constituted somewhat of an artist’s community as his neighbors were Geo Poggenbeek, Nicolaas Bastert and later Willem Witsen...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.

signed in the lower left Artz oil on canvas 26 x 19 ⅝ inches (66 x 50 cm.) PROVENANCE D. Sala & Zonen, Leiden , prior to 1936 Private Collection, Florida, circa 1968 until the present time Much like their seventeenth century counterparts, a group of painters known as the Hague School in the 1870s came to embrace as their subject matter the native Dutch landscape and the everyday lives of its rural inhabitants, most notably the fisher folk of the coastal villages. Within ten years the Hague School artists’ works would prove so popular that incredibly a mania for all things Dutch would be felt throughout the world, and would dominate the art in Holland until well after the turn of the century. By embracing simple themes remarkable for their ordinariness, the Hague School succeeded in striking a chord with a public whose own placidity was constantly being rattled by the evolving modernity of the times. Conveyed through the employment of subtle tones, hazy skies and subjects of happenstance their mix of nostalgia and realism enchanted viewers. The Hague became the center of the movement because it was semi-rural surrounded by meadows, polders, waterways, dunes and woods, and nearby Scheveningen provided a wealth of material for artists seeking to paint the shore and its fishing community. Jozef Isräels was considered the dean of the Hague School and David Adolphe Constant Artz his most important follower. Artz began his training in 1855 at the Amsterdam Academie under Louis Roijer and Johannes Egenberger, and would remain in Amsterdam until 1864. During this period, he would be influenced by August Allebé but more importantly a lifelong friendship with Jozef Israëls formed. In 1859 they traveled together to Zandvoort. He would also be the first of the Hague School artists to follow Isräels’ lead of working on the beach at Scheveningen. In 1859 Artz publically exhibited for the first time, taking part in the Tentoonstelling von Levende Meesters (Exhibition of Living Masters). In 1864 he left Amsterdam to live in Zweeloo, Drenthe for a year. From 1866 until 1874 he shared a studio with Jacob Maris and Frederick Hendrik Kaemmerer. He was one of the first of the Hague School artists to work in Paris (Jacob Maris having preceded him by one year) enabled by his patron and benefactor Johannes Kneppelhout. Artz created quite a commotion upon his arrival by including in his baggage a large collection of Scheveningen peasant costumes. As previously in Holland, Artz during his sojourn in Paris continued to paint beach scenes and interior views that featured the fishing communities of the North Sea. During this period Artz became interested in Japanese prints which had recently become available in Paris, and painted a few genre scenes of interiors with Japanese décor and subjects. While based in Paris he also traveled to Scotland from May-June 1869, Germany in November of that year, England in 1870 and Italy in January, 1872. By 1874 he returned to the Netherlands to live permanently in The Hague. Artz in his own time was held in high esteem by the public as well as his fellow artists. He was awarded gold medals at exhibitions in Munich and Vienna, as well as a Diploma and Medal of Honor in Dresden. In 1879 he was made Knight of the Oaken Crown of Luxembourg and in 1889 also became a Knight of the Order of St. Michael of Bavaria. In 1880 he received an Honorable Mention at the Salon in Paris and won a gold medal in 1883 at the International and Colonial Exhibition, Amsterdam. In Paris he was a member of the Société Nationale des Beaux Arts and a Chevalier of the Legion of Honor by 1889. He also served as Vice President of the International Jury of Award at the 1889 Exposition Universelle, Paris. In 1893 four works by Artz were chosen to be included in the World’s Columbian Exposition, Chicago. An American reviewer wrote of this show “The works of giants like Rembrandt, Van der Neer, Ruysdael, Holbein and Franz Hals are almost equaled now by masters like Israels, Mesdag, Bosboom, Maris, Mauve and Artz”. Artz’s entries A Girl Knitting, The Pet Lamb, Idle Hours on the Dunes and Girl Sleeping on the Dunes were listed under the category of “Immortal Works”. His works formed part of museum collections of Amsterdam (Rijksmuseum and Municipal Museum); Cambridge, England; Chicago; Dordrecht; Glasgow; Haarlem; The Hague (Gemeentemuseum and Mesdag Museum); Leewarden; Montreal; New York (Brooklyn and the Metropolitan Museum); Oxford; Rotterdam; St. Louis; Tulsa and Zandvoort. Much enamored with the picturesque dwellings of the rural population, a favorite subject of the Hague School was the depiction of a family group gathered around a table sharing a simple meal. Ronald de Leeuw in his introduction for The Hague School Book remarked that the group “derived poetry from a view of the kitchen”. Artz excelled at this type of interior scene in which every detail has been carefully recorded in emulation of his seventeenth century predecessors. Vincent van Gogh, an admirer of the Hague School in general and Artz in particular, wrote to his brother Theo in a letter dated Etten, Friday, August 26, 1881 about an exhibition in The Hague he had just visited in which he described a drawing by Artz of an “old man and woman eating porridge, very important, very good and serious.” There is a large version of At Grandmother’s (131.5 x 91.5 cm.) in the Rijksmuseum, Amsterdam. It was painted in 1883 and shown in an exhibition in The Hague in 1884 where it was purchased by the museum. This undoubtedly must have sparked interest in the composition and created a demand for the image to be replicated as several versions of the composition in varying sizes are recorded, and Artz was known for executing repetitions of his own works. Regarded as one of the highlights of the collection in the Philbrook Museum of Art in Tulsa, Oklahoma is another version by Artz of At Grandmother’s. The iconic nature of the image must have appealed to contemporaries as the perfect summation of the mix of idealism and realism that characterized these artists and their times. In a cottage under a wooden beamed ceiling a grandmother with her two granddaughters clothed in the traditional garb of Katwijk (where the artist spent his summers and maintained a cottage in the dunes) sit on wooden chairs around a gate-leg table in a kitchen sharing a simple meal of bread and an apple. The grandmother carefully slices a piece of bread while the younger girl looks on expectantly. Her sister sips milk from a small delftware bowl watching...

Della-Volpe loved painting the figure and he loved approaching the structure of color in his work. The Garden Table was done at the strong point of his career where he combined real...

"Find Us in the Fields" is a contemporary still life oil painting with green hues. An oil painting by American painter, Kelly Carmody. An assortment of wildflowers gathered in a gla...

An oil painting of a neutral-toned interior, man sits comfortably, playing a guitar. Painting dimensions: 14 x 16 inches Framed dimensions: 19.5 x 21.5 inches

Framed dimensions: 28.5 x 33.5 inches

This title nods to a virtual, technical world, one that opposes the world of oil painting: sensual, physical, and warm. This work represents a space inspired by a Mediterranean aes...

"In the Guest Room" painted in 2022 by Carl Grauer Contemporary Still Life Painting of a view into the Guest Bedroom Acrylic on Canvas in Custom Frame 16 x 12 inches, 19.5 x 15.5 x 2 inches framed in custom grey painted wooden frame Signed en verso In a new series titled Qu(i)e(t)er Interiors, Carl Grauer turns inward and brings us into an intimate space; his home. From a place of repose and safety, this environment provides warmth, comfort, and a stage to observe relationships among objects, beings, and the passage of light. His perspective tracks varied emotions, different points of view, and how the light is experienced by candlelight or sunlight reflected on walls and hardwood. “I found peace in observing the changes in light, and observing with slowness and mindfulness that comes during times of meditation.” Simple household objects are the subject of the rather complex compositions with layered perspectives. Grauer merges adept technical abilities with a penchant for authentic expression. This painting recalls the Dutch masters with its composition and soft application of paint. Sunlight streams in through the bedroom window, raking across a bed made up with white cotton sheets, and pooling onto the brown hard wood floor. This work is intimate, tranquil and is exquisite in its technical rendering. Artist Bio: Carl Grauer is a painter based in Poughkeepsie, NY in the beautiful Hudson Valley. He primarily works in oil, painting mostly portraits and figure-based contemporary realistic paintings. Born in rural Kansas, Grauer left to complete his degrees in human biology and his MFA in medical illustration...

"Gerber Daisy" by Carl Grauer Contemporary Still Life Painting of Pink Flower Pot on Kitchen Window Sill Acrylic on Canvas in Custom Frame 40 x 30 inch...

This work has a unique composition…the window and painting are of roughly the same size, which gives the work a certain equilibrium within its square shape. We dive, here, into an in...

An expertly rendered pair of ballet slippers, from the classically trained painter, Melissa Franklin Sanchez. The dreamy background is created by Franklin Sanchez's unique choice to paint on copper...

Vintage modernist artist studio. Oil on canvas. Framed. Image size, 24H x 20L.

This is an oil painting done from life with the artist's young son''s life-size poster of Boba Fett behind her. Known for painting fantastical, sometimes self-reflective narrative s...

This Painting, "Geeky Shelves", is a 30x30 oil painting on canvas by artist Trip Park. Featured in the painting is a bookshelf featuring colorful stacks of books and bindings . Park'...

Alexander Redein (American, 1912 - 1990) At Home, 1975 Oil on board 12 x 15 3/4 in. Framed: 17 1/2 x 21 3/8 in. Signed lower right: Redein Inscribed verso: At Home 1975 Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...

American realist painter Steven Levin continues his "Books and Butterflies" series with this still-life. Butterflies flit around cut lilacs and an open book. The wings of the butterf...

Signed lower right: Irving R. Wiles