Tim McGuire

Hallway in Green

2019

A large oil painting of a wooden table, bountiful with books, apple blossoms, and scattered fruit. Traditional wooden chairs are slightly p...

An oil painting of an interior soaked in hues of blue. A traditional wooden chair is pulled out from a small wooden table, where an open bo...

An oil painting of a colorful interior. A red wooden chair is pulled out from a small wooden table, where a bowl of plums rests beside a vase of sunflowers, a coffee mug, an open book or journal, and a traditional-style bell lamp. The wall appears to be a green striped pattern, and is adorned with one of McGuires paintings of a Blue House in Nova Scotia. McGuire's bright colors, and off-kilter perspective reminds one of masters like Vincent Van Gogh. Framed in a traditional black frame with gold trim (as pictured). Framed dimensions: 38 x 34 inches Painting dimensions: 32 x 38 inches Tim McGuire...

An oil painting of an interior, a country home in Tuscany. This is actually the dining room of fellow painter, Ben Fenske. Natural light rushes in through windows and an open doorway...

Painted from life in the artist's backyard, a grouping of branches bloom apple blossoms, gathered in a large mason jar, and propped up on a traditional wood chair. A canvas covered in green hues. The effects of light and shadow cast colorful highlights all around, in McGuire's stylized depiction of reality. Tim McGuire...

An oil painting of a grouping of flowers against a blue background. A mason jar holds water, and soaks the stems of these brown-eyed-susans, and daisys. Negative space is tangible via use of shadows. Tim McGuire...

"Nightstand" by Lu Haskew Oil 24x20" framed, 20x16" image size A colorful antique oil lamp is accompanied by some fresh cut flowers and a lace drape cascades over the table in this r...

Melanie Parke infuses her impressionist still lifes with a hint of modernism, pairing down her subject to a collection of vibrant colors and energies. A play between interior and ext...

"Primary Tulips" by Lu Haskew Oil 24x26" framed, 20x22" image size Signed lower right, a still life of red, yellow and blue (purple) tulips and iris ABOUT THE ARTIST: Lu considered...

Melanie Parke's vibrant, highly colorful and beautiful Matisse-like still lifes of lush interiors populated by birds, bowls, flowers, furniture, fruit, plants and fabrics are joyous...

Melanie Parke's vibrant, highly colorful and beautiful Matisse-like still lifes of lush interiors populated by birds, bowls, flowers, furniture, fruit, plants and fabrics are joyous glimpses into Parke's domestic world and those of her friends much in the way Matisse also chronicled his own studio and living arrangements. "Raspberry Jam" is bursting with color, a delightfully dense composition of a red wall and red table, bright blue bird and flowers real...

A charming oil on panel by French post impressionist painter Pierre de Belay painted in wonderful vibrant colours. The work depicts a street scene on a sum...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

"Garden" is an impressionist landscape painting by Maestro Elena Georgieva. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STYLE: Impressionist, Contemporar...

Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the partic...

Flowers, garden, children, turquoise,green, spring No frame 80 x 90 cm Framed cm. 94 x 100 GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found...

Yellow Tulips and Red Tulips is an original oil on linen painting full of vibrant colors typical of McGuire's work. Thick paint and stylized elements paired with a command of drawing...

Harvest Still Life​ by Lu Haskew Oil 18x25" image size, 24x31" framed Still Life of an abundant vegetable garden harvest with onions, eggplant, cabbage and tomato ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Vintage Turp Can by Teresa Vito 16x12" oil Still Life, 18x14" framed Signed lower right, framed in blue stained wood. A nod to Mondrian is provided in more than one way in this vibrant still life. The special edition Grumbacher turp can that the artist obtained while working at Denver's Meininger's Art Supply...

Native Beauty by Lu Haskew Still Life Oil painting 12x16" 19x23" framed, linen matte with gold wood. This painting depicts a Fall collection of a Native basket, Mixed Autumnal Zinn...

Silver Teapot by Lu Haskew Oil 12x16" image size, 18x22" Framed (Linen Liner and Gold) Still Life of a silver teapot with grapes and pears ABOUT THE ARTIST: Lu Haskew 1921-2009 "L...

My Roses with Peaches by Teresa Vito 20x16" oil Floral Still Life Bouquet of Roses surrounded by a table full of peaches Signed lower right ABOUT THE ARTIST: Teresa Vito's paintings reflect the beauty she sees all around her. She loves painting living energy, whether it is the outdoor landscape, berries and flowers picked for a still life, or the unending variety of the human face. Vito has been a full time oil painter since 1992. She currently lives in Pueblo, Colorado. Vito has won numerous national and regional awards including an Award of Excellence, Best Portrait and Best Still Life Awards from Oil Painters of America. She also received the Best of Show award from the Artists of Colorado Exhibition held at the Colorado History Museum. Teresa Vito grew up in a one store town in upstate New York. She had never met an artist or had gone to an art gallery until she went to college. She chose to major in art because she loved to draw. College offered no clue as to how to become an artist so she decided to try to figure it out on her own. With $250 and a train ticket to Denver (she had never been west of Ohio) carrying a suitcase, a purse and a portfolio of nude drawings, Vito began her artistic journey. During her twenties she did every job she could find that was art related. Vito worked in a frame shop and gallery, at art supply stores, made posters and newspaper advertisements and created display windows in downtown Denver. The year the Art Students League in Denver opened, she maneuvered a job there running a small art supply store. It was here she found out about the world of Artist's Workshops. Vito learned as much as she could looking through the door of the many classes taught by master artists, who were in fact making a living with their art. With this inspiration Vito saved up enough money in 1992 to live cheaply for a year and become a full time artist. She has never looked back and strives to continue to be the best possible painter she can be. She now teaches workshops with gratitude and generosity, to share in all that she has learned. Vito has a BA in Fine Art from the State University of New York at Geneseo and has taught and studied at the Art Students League at Denver and the Loveland Academy of Fine Arts. She has expanded her knowledge by taking numerous workshops over the years with artists Quang Ho, Ramon Kelley...