New York - Landscape Paintings

5-3600 Oil on artist board Set in a vintage wood frame Image size 9.5x7.5"

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wang. Image size 17 H x 12.5 W

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Cafés in the streets of Paris portrayed in the distance. The artist mostly us...

Oil on canvas. Signed verso. Framed.

#5-3044 West Indies ,Culebra island of Puerto Rico ,oil on artist board, displayed in a wood frame, signed backward by Ericson 1936.

5-3048 Oversized acrylic floral painting on canvas applied to board Set in a vintage wood frame Neapolitan artist P. Russo

A wonderful Impressionist summer pastoral scene of a colorful and quaint home by the stream. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

3940 Dutch bucolic landscape oil painting on canvas Image size 9x11"

Highlighting the rural beauty and solitude of life in the farm country, Laura Mann's paintings have a timeless and atmospheric quality that call for reminis...

3725 Gouache and ink on paper applied to board Set in a vintage gilt wood frame Signed in middle

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

Title: Summer Medium: Oil On Board Painting Size: 9 x 12inches Frame Size: 12 x 15inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist: ...

Very finely painted American impressionist landscape painting. Housed in a great period impressionist frame. Partial signature remains lower left. Has the feel of an important pie...

5-3617 Acrylic on artist board Set in a silvered wood frame Image size 13.5x10.5"

#5-3514 Countryside Scene Painting Circa 1920 ,oil on canvas applied to a board, signed by Victor Lawson ,displayed in a new wood frame.Image size 19.5 ...

5-3599 Floral arrangement set in silvered wood frame Image size 8x8"

#5-3062a Black & White Forest, contemporary acrylic on wood board displayed in a black and white wood frame, signed lower left by M.Mirabella .Image size 19.5 H x 19.5 W

Title: Untitled Village Medium: Oil on canvas Size: 28.5 x 39 inches Frame: Framing options available! Note: This painting is unstretched Year: 2000 Circa Artist: Li Jiangdon...

Charles Green Shaw Tabac, circa 1935 Signed on the reverse Oil on canvasboard 5 3/4 x 8 3/4 inches Provenance: Washburn Gallery, New York, 1982 Private Collection (acquired from the above) Christie's, The Collector, October 20, 2021, Lot 307 Private Collection, Scarsdale, New York (acquired directly from the above) Literature: Hilton Kramer, "Charles Shaw: In the Minimal Tradition," New York Times, February 21, 1982, Section 2, p. 25. Charles Green Shaw was born in 1892 to a wealthy New York family. He lost both his parents at a very young age; his mother died when he was just three years old. Despite the early loss of his parents, Shaw lived the whimsical life of a New York socialite. As a beneficiary to an inheritance based in part upon the Woolworth fortune, he was brought up surrounded by the well-bred, well-groomed and well-moneyed citizens of New York’s elite social class. His social status as an adolescent was cultivated while spending summers in Newport and attending Christmas balls at Mrs. W.K. Vanderbilt’s. At age six, Shaw began to take an interest in drawing, and by nine, he was known to have a fondness for sketching historical costumes. After graduating from Yale University in 1914, Shaw spent a year studying at Columbia University’s School of Architecture. Subsequently he served for eighteen months as a Lieutenant in World War I. After his service, Shaw returned to New York and tried his hand as a businessman selling real estate, but his attempt was short lived. In the early 1920s, Shaw began his career as a journalist and novelist. He achieved professional success, writing consistently for magazines such as The New Yorker, Vanity Fair and The Smart Set. Shaw’s writing was a record of his approvals and disapprovals of the social crowd to which he belonged. His profession along with his social pedigree, brought him in contact with a number of the most significant figures of the 1920s such as, F. Scott Fitzgerald, Sinclair Lewis, George Gershwin, George Jean Nathan and the American artist George Luks. Some of his profiles included celebrity caricatures used as illustrations, these were the publics’ first look at Shaw’s artistic ability. In 1928, a collection of Shaw’s articles and interviews were published in one volume titled, The Low Down. Just previous to the stock market crash and the end of the Jazz Age, Shaw left New York and traveled to Paris and London. He arrived in Paris in 1929. In an autobiographical note Shaw suggests it was on this trip when he first began to paint seriously. London also acted as a great source of motivation for the budding artist. He began to sketch everyday in St. James’s Park, making large pastels of its vistas in the style of Cezanne. When he returned to New York in 1932, Shaw considered himself a painter. Success for Shaw came quickly with his first solo exhibition mounted at the Valentine Gallery in 1934. The following year Albert Eugene Gallatin included works by the artist in an unprecedented solo exhibition at his Gallery of Living Art at New York University. Shaw further cemented his reputation as an artist through his association and friendship with fellow abstract artists Morris and Gallatin. The trio soon was regarded as ‘the Park Avenue Cubists’. As a founding member of the American Abstract Artists, Shaw became an impassioned defender of the style. His 1938 essay in the American Abstract Artists yearbook, “A Word to the Objector”, acted as a defense against those who failed to see the illustrative quality of abstract art and scolded those who disregarded American artists as serious Abstractionists. He was also an influential force at the Museum of Modern Art, where he sat on the Advisory Board from 1936 to 1941. In the later years of Shaw’s life he continued to produce abstract paintings, yet in a more private manner. He was known to be a reserved man— a ‘gentleman’; not much is known about his personal life in these later years. During this time he maintained his career as a writer, publishing the well-known children’s book, It Looked Like Spilt Milk in 1940 and two books of poems in 1959 and 1962. In 1974, Shaw died...

Great example from well listed and important contemporary artist Brian Blood (Born 1962). Oil on board. Framed. Signed. Image size, 12H x 9L.

5-3000 Acrylic on artist board Set in a silvered frame Image size 16x16"

Oil on canvas. Framed. Signed.

5-2854a Acrylic on canvas Unframed

Vintage mid century abstract painting. Feels like an abstract cityscape of New York City. Oil on canvas. Framed. Signe...

"French White", is a 30x40 oil painting on canvas by artist Leslie Peck featuring a majestic white bull standing in a stately, regal pose. A dark background with a grass covered foreground provides drama and mystery. Peck's use of hand-mixed paint provides a silky, buttery finish. About the artist: Leslie Anne Peck is a native of Buffalo, New York. She moved to New York City to attend the Fashion Institute of Technology where she received her Bachelors Degree in Fine Art. In 1987 Leslie spent a year studying art in Italy at the Scuola di Lorenzo De Medici in Florence and subsequently apprenticed in Rome with renowned illustrator Alessandro Biffignandi. Leslie began a freelance career in romance book...

This painting by artist Ray Simonini titled "Ethel" is a 8x10 farm animal oil painting on canvas featuring a portrait of a pink pig against a colorful background. About the artist:...

#5-3293a Impressionistic style landscape, vintage acrylic palette technique on a board,signed by Savino,displayed in a wood frame.

#5-3491 Forest oil on canvas applied to a board, displayed in a gilt-wood frame Signed by Crossetti lower right. Image size 19.50 H x 23 W

Finely painted and highly detailed winter landscape painting. Oil on board. Framed. Signed.

John Grillo Untitled Abstract Expressionist Painting, 2002 Oil on canvas Signed and dated on the back of the frame by the artist. 11 × 9 inches Unframed (though the canvas is stretch...

Oil on canvas. Framed.

Vintage American modernist abstract painting. Oil on board. Framed.

Original Oil Painting by Richard Combes

Very well done and interesting vintage Italian impressionist painting. Oil on canvas. Framed. Signed.

This painting by artist Ray Simonini titled "Buttercup" is a 24x24 oil painting on canvas featuring a portrait of a brown and white rabbit soaking in the rays of a warm spring sun. ...

Exquisite antique painting of terrier dogs by Jacques Cartier (1907 - 2001. Oil on board. Framed. Image size, 15H x 18L.

3294 Pineapple Still Life, vintage acrylic on board displayed in a wood frame,signed by Savino. Image size 9.5 H x 7.5 W

Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...

#5-3065 Impressionist Landscape, a 1940's Autumnal scene , oil on canvas displayed in a wood frame.Illegible signature lower right.Image size 13.5 H x 19 w

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

Antique American impressionist still life painting. Oil on board. Framed.

This unique painting on canvas is from my ongoing Snoopies series I began making in 1999. The two large color fields of blue are a metallic paint, each a different blue. The processi...

Charles DuBack Clear Reflections Signed upper right and titled on verso Oil on canvas 26 1/2 x 33 1/2 inches Charles Steven DuBack was born in Fairfield, Connecticut in 1926, the fi...

This piece is a pertinent example of Charles Genge most sought after works, depicting a colorful view of the Forest. As a British Post Impressionist artist, most of Genge's works wer...

Charles DuBack Tree Landscape, 1987 Signed and dated lower right Oil on canvas 21 x 16 inches Charles Steven DuBack was born in Fairfield, Connecticut in 1926, the first (of ten) bo...

Original Oil Painting by Richard Combes

A powerful 19th century landscape and portrait painting. A young dutch woman lacing up her skates. Really rare and well painted. Oil on canvas, lain to board. Housed in a beautif...

"Moon Over the Harbor" is an oil painting showing a vast seascape at night. The foreground is cloaked in shadow, appearing as a black mass wrapping around the shore. A duo of treetop...

3938 French Figural park landscape oil on canvas in a gilt wood frame Image size 19.5x29.5" I

5204 French oil pastel carrige ride Signed Grohden Image size 9.5x 12.5"

5031. Antique gouache Indian painting on paper Image size 9x6"

Antique American impressionist landscape oil painting by Arthur E. Ward (1863 - 1928). OIl on board. Framed. Signed.

5-3365 Oil on artist board of on enchanted lily pond Set in an ornate hand painted wood frame Image size 12.5x15.5"

"Factory Town" Contemporary American Industrial Oil Painting Maine Realism. 20 1/2 x 29 inches. Signed and dated '87. Oil on Panel. Provenance The Cool...

This painting depicts an impressionistic scene of a figure with an umbrella in a Snow Filled NYC streets by the Flatiron on 5th Avenue. The thick brush strokes and fun marks creates ...