New York - Portrait Paintings

JAMES WOLANIN "Ciao Bella Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

Antique American modernist portrait oil painting. Oil on canvas. Framed.

Antique American modernist interior portrait oil painting. Oil on board, circa 1930. Unsigned. Displayed in a period modernist frame. Exhibition provenance verso. Image size, 25"L ...

Artist: Francesco Paolo Michetti, Italian (1851 - 1929) Title: Rosella Year: circa 1900 Medium: Oil on Canvas, Signed Size: 30 x 20 inches [76.2 x 50.8 cm] Framed: 40 x 30 inches [10...

Portrait of Man (16) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

Signed in red, u.r. Oil on canvas Listed price includes $150 additional cost for framing. This work is offered by ClampArt in New York City.

Irving Ramsay Wiles, 1861-1948 A Fashionable Young Lady Oil on canvas 28 1/8 x 22 5/8 inches Signed lower right: Irving R Wiles Illustrator, teacher, and painter Irving Ramsey Wiles was adept at portraits, figural works, and landscapes characterized by the informal elegance of cosmopolitan American art at the turn of the twentieth century. Wiles received his earliest art instruction from his father, landscape painter and teacher Lemuel M. Wiles (1826–1905), and at the age of eighteen, in 1879, exhibited his first painting at New York’s prestigious National Academy of Design. After one year’s study at the Art Students League in New York, under the influential painter-teachers William Merritt Chase and J. Carroll Beckwith, Wiles went to Paris for further study. He enrolled in the Académie Julian, a popular school among American artists, and then worked in the studio of French academic painter Charles Auguste Émile Durand, known as Carolus-Duran (1837–1917). During his student years Wiles painted watercolor street scenes of Paris, and he also traveled in Italy and in the French countryside. Wiles returned to New York in 1884 and exhibited two of his sketches. These attracted the notice of the art editor of the popular Century Magazine, who asked the young artist to make illustrations for the journal. Wiles’s illustrations appeared in other publications as well, and he also supported himself by teaching at his studio and at his father’s summer art school in upstate New York. Wiles was elected a member of the progressive Society of American Artists and, after one of his works won a prize there, to the National Academy of Design as an associate member; full membership followed in 1897. By that date, Wiles was able to devote himself more fully to portraits and figural compositions in oils, paintings that mark the influence of his teacher Chase, who remained a lifelong friend. Like his mentor, Wiles also worked in watercolor and pastel and belonged to several organizations devoted to those media, which enjoyed revivals in late-nineteenth-century America. He exhibited his work widely and won numerous awards throughout his career. In the late 1890s, Wiles and his father moved their summer classes to Peconic, on the North Fork of New York’s Long Island...

This equine racing painting "Irad Ortiz" by artist Anne Wolff is a 24x18 original oil painting on canvas. Featured is the back view of famous jockey Irad Ortiz on horseback. He is ...

English School, Portrait of a Gentleman, Oil on Canvas, circa 1830, the figure seated in an armchair, unsigned, according to a typed label verso depicting "Lord John H. Morelan(d)", ...

Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

Signed in red, u.r. Oil on canvas mounted to Masonite 85 x 45 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City...

Paul Kostabi is known for his wildly fun, expressionistic, and colorful portraits. This painting is a perfect definition of his most popular works. Red, bright whites, greens, and blues disperse in a frenzy of splatters, fast brush strokes, and speckles ascending across the canvas. Art measures 24 x 18 inches Paul Kostabi (Paul Indrek Kostabi) was born in 1962 in Whittier, California. He is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. He became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Anne Siems has created this stunning watercolor on Strathmore Cold press paper. All archival materials. Paper size: 24x18 inches Suggested Frame size: 30x24x1.5 inch ANNE SIEMS (...

A pop piece depicting Marilyn Monroe juxtaposed with Andy Warhols iconic Campbells Soup. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is abl...

This painting depicts a whimsical portrait of a young woman with dark hair and a head wrap against a viridian green background. The bright colors used and...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Modernist portrait and landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 14L.

Antique American signed modernist oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 42H.

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 11H.

Oil on canvas Signed in black, l.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art move...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

This painting by artist Ray Simonini titled "Luna" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white horse against a colorful bright background. Afternoon...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

"Face 3" by Anne Siems, is a captivating figurative-narrative portrait painted on white clay panel. It features a beautiful female face and dark hair with red flora. ANNE SIEMS (b....

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

Signed in red, u.r. Oil on canvas mounted to Masonite 68 x 38 inches 74 x 44 inches, framed $8500.00 + $400.00 framing This artwork is offered by ClampArt, located in New York City...

Very impressive and a rare early work by Frederick E. Conway (1900 - 1973). Oil on board. Incredibly framed. Signed.

A pop piece depicting Muhammed Ali with Chanel. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is able to engage his viewer with contrasting h...

This painting by artist Ray Simonini titled "Savannah" is a 36x24 farm animal oil painting on canvas featuring a portrait of a brown and white...

This painting by artist Ray Simonini titled "Sue Ellen" is a 8x10 farm animal oil painting on canvas featuring a portrait of a dark brown cow ...

"Self Portrait, sketch" is a realist oil on canvas painting. It is a self portrait of the artist, Steven Levin, sitting in a warmly lit room on a chair with a vase full of paint brus...

Striking French impressionist portrait of a young girl. Oil on board. Original carved frame. Circa 1950's. Signed illegibly lower right.

Title: Baby Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Oil on canvas Signed, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art movement. He ...

Self-Portrait with Angel (2) by John F. Leonard, American (1921–1987) Date: circa 1970 Oil on Board Size: 22 in. x 18 in. (55.88 cm x 45.72 cm)

Vintage American signed interior scene oil painting. Oil on canvasboard. Signed. Framed. Image size, 14L x 11H.

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

Homage to the late great musician Bob Marley. Acrylic paint on sheet music wheat pasted to canvas. Finished with resin. About the Artist: Jack Florczy...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Outstanding portrait of two dogs. Sam Spode was an Irish painter of horse and dog portraits from the late 18th century through the early 19th century. His dog portraits are very rar...

A wonderful landscape reminiscent of the great American artist Camille Carrot done. The details are masterfully done with beautiful brush work and wonderfully rich and lush color pal...

Portrait of Woman by Stream in Traditional Robe and Hat Di Li Feng, Chinese (1958) Date: 2001 Oil on Canvas, signed l.l. Size: 38.5 x 31 in. (97.79 x 78.74 cm) Frame Size: 51 x 46 in...

Title: Mural Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is uns...

Three 9x12 oil portraits from 1949 Artist Unknown. These portraits came together as a set.

This equine racing portrait "Moondance Joy" by artist Anne Wolff is a 20x16 original oil painting on canvas. Depicted is a frontal close up view of the famous thoroughbred mare Moon...

Nice modernist portrait for sale here. Oil on board. Signed. Nicely framed. Image size, 9L x 10H.

Figurative portrait oil painting on panel of a young girl by Judith Raphael Size: 7 x 5 inches (unframed) Judith Raphael creates portraits invented from various sources, including photos from family albums, children, grandchildren, cell phone snaps of friends, magazines, and always art history. Influenced by European painters like Balthus, Lucien Freud, and Paula Rego. Raphael portrays young girls whom she adapts in aggressive postures to gently mock the macho stance of classical male sculpture...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Afternoon Year: circa 1965 Medium: Oil on Canvas, signed Size: 20 x 16 in. (50.8 x 40.64 cm) Frame Size: 26 x 22 inches

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

Beautiful woman on a stack of macaroons. Vibrant colors, whimsical. About The Artist Elise Remender’s love of painting began at an early age as she created imaginary worlds in ...

This piece, "Chester", is a 22x32 equine oil painting on canvas by artist Marie Channer. Featured is a portrait of a dark brown horse in the warm light of stable, illuminating the bo...

An outstanding oil painting depicting a portrait of a seated girl sewing. The subtle tones and bright pops of colors are what makes this piece so attractiv...

Title: Chubby Series Hero Dream - Flash Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...