New York - Abstract Prints

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Lithograph, stencil on vélin paper. Paper Size: 12.375 x 8.687 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and...

Héliogravure on vélin paper. Paper Size: 15 x 11.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Special Edition for the Museu...

Artist: Charles Ross, American (1937 - ) Title: Jupiter 1925 - 1949 Year: 1979 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 100, AP XX Size: 41 in. x 29 in. (104....

Héliogravure on vélin paper. Paper Size: 15 x 11.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Special Edition for the Museu...

Juan Valladares (Peru, b. 1938) "Divinite de l'Enfance" (épreuve d'artiste), Abstract Etching/Aquatint signed and titled in Pencil, Late 20th Century, 1977 Colors: Black, Brown, Gre...

An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Sky Bars Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150, T/P Image: 26.5 x 24 inches Paper Size: ...

Héliogravure on vélin paper. Paper size: 20.5 x 26.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo Picasso,...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Blue) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, AP ...

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour (Coppel SA 11) Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper. Signed, titled and numbered 8/50 in pencil lower left, framed. Block 209 x 251mm (8 1/4 x 9 7/8in) Sheet 249 x 310mm (9 3/4 x 12 1/4in) Framed by Bark 14 1/2 x 16 inches BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...

Artist: Bruce Porter, American (1948 - ) Title: Flute-Like Voices Year: 1993 Medium: Woodcut on Wove paper, signed and numbered in pencil Edition: 11/20 Image Size: 33 x 23.5 inches

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Tit I Michael Steiner, American (1945) Date: 1979 Screen...

Untitled - Man and Bird I Dimitri Petrov, American (1919–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 22 x 29.5 inches Size: 22 x 30 in...

Artist: Gregory Amenoff, American (1948 - ) Title: El Santurio de Chimayo Year: 1986 Medium: Lithograph, Signed and numbered in Pencil Edition: 40 Paper Size: 37 x 38 inches (93.98 x...

Artist: Kyohei Inukai Title: Spiro Flower Year: circa 1978 Medium: Serigraph, Signed and numbered in pencil Edition: 200 Paper Size: 30 x 22 inches

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Green Mandala Year: 1969 Medium: Screenprint on Scintilla paper, signed and numbered in pencil Edition: 75 Paper Size:...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 360 Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: AP 35 Image Size: 25.5 x 20 inches Size: 29 ...

A lithograph print by Karel Appel from 1974. An expressionist portrait of a brightly colored Rooster "Le Coq". Artist: Karel Appel, Dutch (1921 - 2006) Title: Le Coq from Sunshine ...

Artist: Evelyn B. Johnson Title: Space Sounds No. 2 Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 2/25 Image: 27 x 21 inches Paper Size: 30 x 22 inches

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), this pie...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1991 Medium: Screenprint, estate stamped verso and numbered in pe...

Justin Pollmann "The Show Must Go On" 2022 Inkjet Transfer Collage, Monotype 22"x19" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pape...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1991 Medium: Screenprint, signed, numbered, dated and titled in pencil...

Artist: Lennart Nyström, Swedish (1944 - ) Title: Three Sheets (Brown) Year: circa 1975 Medium: Serigraph, signed and numbered in pencil Edition: 40/95 Siz...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250,...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Artist: Jack Brusca, American (1939 - 1993) Title: USA Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 28 in. x 26 in...

Collotype on vélin du Marais paper. Paper size: 14.5 x 11.125 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et al. Pablo...

Vintage 1984 Kenny Scharf Exhibition Poster: Original Kenny Scharf illustrated exhibition poster published by Tony Shafrazi Gallery in conjunction with the Fun Gallery, New York, NY 1984. Fun, cool, vibrant original 1980s pop art without breaking the bank. Medium: Offset Lithograph, 1984. Dimensions: 23 x 24.75 inches (folded open). Condition: Fold-lines as issued; good overall vintage condition. Muralist, painter, sculptor, and installation artist Kenny Scharf (American, b. 1958) is best known for his fantastical, large-scale paintings of anthropomorphic animals...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif IV, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm...

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Portals Year: 1976 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 80 Image Size: 24 x 18 inches Size:...

Covers 3 Orange (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 5 of 20. This piece i...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - M Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 19.5 inches Size: 20 x ...

Artist: Robert Indiana, American (1928 - ) Title: Fire Bridge: Chrysler Museum at Norfolk, December 1 - January 15 Year: circa 1965 Medium: Screenprint on Fabriano Paper Size: 30 x ...

Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...

Robert Natkin monotype (unique) on paper signed in marker on the front Pencil signed, and inscribed with heart doodle: "For Dorothy and Arthur with my Love Natkin" Provenance: collec...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 366 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 25 x 20 inches Size: 22.5 in....

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 3 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Artist: David Simpson (American, b. 1928) Title: Ovograph Year: c. 1969 Medium: Serigraph, signed and numbered in pencil Edition: 50 Image Size: 29.5 x 22 inches Size: 40 x 2...

Artist: Lloyd Fertig, American (1943 - 1995) Title: Untitled - Purple Abstract Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 22 in. x 22 in. (55.88 c...

Cragmont by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...

Raymond Pettibon Black Flag, 1981: Rare early Raymond Pettibon Black Flag Punk Flyer - illustrated by Pettibon on the occasion of: Black Flag, Stains, Youth Gone Mad, Caustic Cause,...

Artist: Rita Simon, American (1938 - ) Title: Spacescape Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 30 Image Size: 32 x 24 inches Size: 36...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Embryo Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 130 Image Size: 18 x 25 inches Size: 22 x 29.5 in. (5...

Silkscreen on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 8 x 6 inches. Notes: From the album, Paul Klee, Paintings Watercolors 1913 to 1939,...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 84 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Victor Vasarely (Hungarian/French, 1906-1997), "Yllam", Screenprint in Colors, circa 1950, numbered edition "190/200" lower left, signed in pencil lower right, silver-tone frame. Ima...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Artist: Georgette Batlle Title: Collage Elements III Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 125 Size: 44 x 30 in. (111.76 x 76.2 cm)

Original serigraph published in 1997, printed by master printer Alain Buyse. This work, titled Alter Ego, measures 14 x 19.5 inches and exemplifies Förg’s distinctive exploration of ...