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New York - Abstract Prints

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Item Ships From: New York
Miro a l'Encre I (Cramer 161), Surrealist Lithograph by Joan Miro
By Joan Miró
Located in Long Island City, NY
Joan Miro, Spanish (1893 - 1983) - Miro a l'Encre I (Cramer 161), Year: 1972, Medium: Lithograph on Wove Paper, signed in the plate, Size: 13.5 x 10 in. (34.29 x 25.4 cm), Frame S...
Category

1970s Surrealist New York - Abstract Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Fauvist New York - Abstract Prints

Materials

Lithograph

International Meeting Plaza, Signed/N 25-color silkscreen, beloved female artist
By Thelma Appel
Located in New York, NY
Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authe...
Category

2010s Contemporary New York - Abstract Prints

Materials

Pencil, Color, Screen

LeWitt, Composition, Ficciones (after)
By Sol LeWitt
Located in Southampton, NY
Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...
Category

1980s Conceptual New York - Abstract Prints

Materials

Screen

Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract New York - Abstract Prints

Materials

Color, Linocut, Woodcut

(Abstraction) by DD
Located in New York, NY
This image is an extravaganza of modernist motifs. The monogram 'D.D.' is at the lower right.
Category

Mid-20th Century American Modern New York - Abstract Prints

Materials

Woodcut

Nakian, Composition, In Memory of My Feelings (after)
By Reuben Nakian
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: ...
Category

1960s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

Soulages, Sans titre, Pierre Soulages, Peintres d'aujourd'hui (after)
By Pierre Soulages
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Lithograph III (1047), Framed Modern Abstract Lithograph by Joan Miró
By Joan Miró
Located in Long Island City, NY
Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Lithograph III...
Category

1970s Modern New York - Abstract Prints

Materials

Lithograph

Kandinsky, Plate (folio 12), Société internationale d'art XXe siècle (after)
By Wassily Kandinsky
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the block and unnumbered, as issued. Notes: From the album, XXe siècle Paris, Hommage à Wassily Kandins...
Category

1970s Modern New York - Abstract Prints

Materials

Woodcut

Elevation Exhibition print (Hand Signed by Brice Marden) Minimalist lithograph
By Brice Marden
Located in New York, NY
Brice Marden Elevation print (Hand Signed by Brice Marden), 2019 Offset lithograph. Hand Signed by Brice Marden Boldly signed in black marker by Brice Marden on the front 24 × 34 3/4 inches Provenance: Acquired from Gagosian gallery Publisher: Gagosian Gallery, NY Unframed Produced in 2019 on the occasion of the exhibition "Brice Marden: It reminds me of something, and I don’t know what it is." at Gagosian. This signed example was acquired directly from Gagosian gallery before they sold out. About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category

2010s Minimalist New York - Abstract Prints

Materials

Lithograph, Offset

The DeMoiselles D'Avignon Issue
By Andrea Mary Marshall
Located in New York, NY
ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, br...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Calder, Composition, Musée National d'Art Moderne, Paris (after)
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Hartung, P. 1960-166, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Untitled
Located in New York, NY
John Martini’s monoprints and drawings meditate on life, death, and the sins between. He presents vignettes of nightmarish visions seeped with religious r...
Category

2010s New York - Abstract Prints

Materials

Ink, Monoprint

Bernar Venet, Acute Uneven Angles (A), Gravure aquatint burnishing and Drypoint
By Bernar Venet
Located in New York, NY
Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 42 from the limited edition of 75 by the artist on the front ...
Category

2010s Minimalist New York - Abstract Prints

Materials

Etching, Aquatint, Engraving

Family Group
By Henry Moore
Located in Brooklyn, NY
This is an exhibition poster titled "Family Group" by renowned artist Henry Moore, published in 1992 by Shorewood Press in Connecticut. It features Moore's iconic depiction of a fami...
Category

1990s Modern New York - Abstract Prints

Materials

Offset

Family Group
Family Group
$100 Sale Price
60% Off
Apparition, Surrealist Lithograph by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Apparition, Year: 1954, Medium: Lithograph, signed and numbered in pencil, Edition: 17/30, Image Size: 14.75 x 10.5 inches, Size: 19.75 x 15...
Category

1950s Surrealist New York - Abstract Prints

Materials

Lithograph

Hartung, P. 1957-81, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Hartung, P. 1960-165, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Hartung, P. 1958-10, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui, 1962. Pub...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Lanskoy, Chagrins inutiles, André Lanskoy, Peintres d'aujourd'hui (after)
By André Lanskoy
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 102; Mourlot 428-449), Derrière le miroir (after)
By Joan Miró
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...
Category

1960s Surrealist New York - Abstract Prints

Materials

Lithograph

de Staël, Sans titre, Nicolas de Staël, Peintres d'aujourd'hui (after)
By Nicolas de Staël
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

The Cascade from Indelible Miro, Surrealist Offset Lithograph after Joan Miro
By Joan Miró
Located in Long Island City, NY
Joan Miro, After, Spanish (1893 - 1983) - The Cascade from Indelible Miro, Year: 1972, Medium: Offset Lithograph, signed in the plate, Size: 14 x 9.75 in. (35.56 x 24.77 cm), Fr...
Category

1970s Surrealist New York - Abstract Prints

Materials

Lithograph, Offset

Sultan Twelfth Night, hand signed Vintage
By Donald Sultan
Located in Brooklyn, NY
This limited edition color lithograph poster was created for the 1981 production of Shakespeare’s Twelfth Night, directed by David Mamet, a close associate of Donald Sultan. Printed ...
Category

1980s Contemporary New York - Abstract Prints

Materials

Offset

Jacaranda
By Walter Darby Bannard
Located in New York, NY
Walter Darby Bannard Jacaranda, 1980 Screenprint on Rives BFK Paper Hand signed, numbered 74/100 and titled on lower front 24 3/4 × 38 inches Provenance Bert Gallery, Providence, Rho...
Category

1980s Color-Field New York - Abstract Prints

Materials

Screen

Derriere Le Miroir no.204 Rear Cover
By Eduardo Chillida
Located in Brooklyn, NY
This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...
Category

Late 20th Century Abstract New York - Abstract Prints

Materials

Lithograph

An Honest Man Has Been President: JIMMY CARTER (Sheehan 112) Silkscreen Signed/N
By Robert Indiana
Located in New York, NY
Robert Indiana An Honest Man Has Been President: Homage to Jimmy Carter (Sheehan, 112), 1980 Color silkscreen on off white wove paper 23 1/2 × 19 3/5 inches Pencil signed and numbere...
Category

1980s Pop Art New York - Abstract Prints

Materials

Screen

Sam Durant The Other Side/El Otro Lado Protest Art Mexican American Flags 70/100
By Sam Durant
Located in New York, NY
Sam Durant The Other Side/El Otro Lado (Regionalism, Nationalism, Imperialism), 2005 United States and Mexican flags with embroidery Stamp numbered 70 from the edition of 100 24 × 37...
Category

Early 2000s Contemporary New York - Abstract Prints

Materials

Cotton, Nylon, Mixed Media

Batman and Robin offset lithograph card (hand signed by Mel Ramos) ex-UACC pres.
By Mel Ramos
Located in New York, NY
Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...
Category

1990s Pop Art New York - Abstract Prints

Materials

Postcard, Offset, Ink

Celadon Muse
By Brice Marden
Located in New York, NY
Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...
Category

Early 2000s Contemporary New York - Abstract Prints

Materials

Etching, Lithograph

Giacometti, Sans titre, Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 65, 1954. Published by Aimé Maeg...
Category

1950s Modern New York - Abstract Prints

Materials

Lithograph

Picasso, Danseurs et musicien (Orozco 214), Grabados al linóleo (after)
By Pablo Picasso
Located in Southampton, NY
Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...
Category

1960s Cubist New York - Abstract Prints

Materials

Linocut

Estève, Le Lithographe, Maurice Estève, Peintres d'aujourd'hui (after)
By Maurice Estève
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Picasso, Sans titre (J/Vollard 193; Monod 10485), Hélène chez Archimède (after)
By Pablo Picasso
Located in Southampton, NY
Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 11.4 x 8.7 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné referenc...
Category

1950s Cubist New York - Abstract Prints

Materials

Woodcut

Condo, Compression IV, Drawing Paintings (after)
By George Condo
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...
Category

2010s Contemporary New York - Abstract Prints

Materials

Archival Pigment

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
By Tracey Emin
Located in New York, NY
Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...
Category

2010s Contemporary New York - Abstract Prints

Materials

Cotton, Screen, Mixed Media, Laid Paper

Matisse, Composition, Verve: Revue Artistique et Littéraire (after)
By Henri Matisse
Located in Southampton, NY
Héliogravure on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, De la couleur,...
Category

1940s Fauvist New York - Abstract Prints

Materials

Lithograph

Kandinsky, Klänge, Société internationale d'art XXe siècle (after)
By Wassily Kandinsky
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, décembre 1966, Cahiers d'Art publiés sous ...
Category

1960s Modern New York - Abstract Prints

Materials

Woodcut

Composition (Vallier 102), Les Paroles Transparentes, Georges Braque
By Georges Braque
Located in Southampton, NY
Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio, Les Paroles Transparentes, Lithographies Originales de Georges Braque, 1955; published by Les Bibliophiles de l'Union Française, Paris, under the direction of Félia Léal; printed by Mourlot Frères, Paris, May 11...
Category

1950s Modern New York - Abstract Prints

Materials

Lithograph

Flashback VII, Abstract Lithograph by John Chamberlain
By John Chamberlain
Located in Long Island City, NY
Artist: John Chamberlain Title: Flashback VII Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 28 x 20 inches
Category

1980s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

da Silva, Midi, Vieira da Silva, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

da Silva, Port dans le Nord, Vieira da Silva, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Condo, Heads and Toes, Drawing Paintings (after)
By George Condo
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...
Category

2010s Contemporary New York - Abstract Prints

Materials

Archival Pigment

da Silva, La bataille des couteaux, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Tobey, L'automne, Mark Tobey, Peintres d'aujourd'hui (after)
By Mark Tobey
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Sans titre (Cramer 67; Mourlot 206), Société internationale d'art XXe siècle
By Joan Miró
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, ...
Category

1960s Surrealist New York - Abstract Prints

Materials

Lithograph

Composition (Duthuit 108), Verve: Revue Artistique et Littéraire
By Henri Matisse
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Matisse, Henri, et a...
Category

1940s Fauvist New York - Abstract Prints

Materials

Lithograph

Untitled
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

1990s Abstract New York - Abstract Prints

Materials

Woodcut

Tàpies, Composition (Galfetti 315), Derrière le miroir (after)
By Antoni Tàpies
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...
Category

1970s Post-War New York - Abstract Prints

Materials

Lithograph

Estève, Arabesque de la nuit, Maurice Estève, Peintres d'aujourd'hui (after)
By Maurice Estève
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

Giacometti, Sans titre, Derrière le miroir (after)
By Alberto Giacometti
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 98, 1957. Published by Aimé Maeg...
Category

1950s Modern New York - Abstract Prints

Materials

Lithograph

de Kooning, Composition, In Memory of My Feelings (after)
By Willem de Kooning
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...
Category

1960s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

Derriere le Miroir cover
By Saul Steinberg
Located in Brooklyn, NY
This edition of Derrière le Miroir (DLM), numbered 205, features the artwork of Saul Steinberg, published in 1973 by ARTE in Paris, France. The cover, along with the contents, showca...
Category

Late 20th Century Contemporary New York - Abstract Prints

Materials

Lithograph

Derriere le Miroir cover
$200 Sale Price
20% Off
Rare Op Art Mid Century Modern Geometric Abstraction 1969 silkscreen Signed 6/9
By John Grillo
Located in New York, NY
John Grillo Untitled Op Art Mid Century Modern, 1969 Color silkscreen on art paper with deckled edges Signed and dated lower right; numbered 6/9 lower left Limited Edition of only 9...
Category

1960s Abstract Expressionist New York - Abstract Prints

Materials

Screen

Leslie, Composition, In Memory of My Feelings (after)
By Alfred Leslie
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...
Category

1960s Pop Art New York - Abstract Prints

Materials

Lithograph

Challenging Confusion - P1, F14, I1, Geometric Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...
Category

1970s Abstract Geometric New York - Abstract Prints

Materials

Screen

Composition (Cramer 211; Mourlot 1051-1072)
By Joan Miró
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...
Category

1970s Surrealist New York - Abstract Prints

Materials

Lithograph

Sans titre, Derrière le miroir
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141...
Category

1960s Modern New York - Abstract Prints

Materials

Lithograph

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