New York - Figurative Sculptures

Eutrope Bouret (French, 1833-1906) "Sans Famille" [Without Family] Patinated Bronze Sculpture, late 19th century, the standing musician carrying a harp, on a rockwork base, signed, a...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Javier Calleja Little Mickey Plush (set of 2): Standout, highly decorative limited edition Javier Calleja Mickey Mouse art toys created by Calleja in ...

ALBERT ERNEST CARRIER BELLEUSE French, (1824-1887) Silvered Figural Bacchante Torcheres on Pedestal Silvered and Gilt bronze; one figure inscribed ...

Albert-Ernest Carrier-Belleuse (1824 - 1887) Female Figural Bronze Sculpture Melodie (Melody)  A young lady with a lyre  in bronze with a dark green patina 19th Century  31" H x ...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay Male LGBT Beefcake Each plaque is 16 x 10 x 1 1/4 inches. Two are vertical and one is horizo...

ROMAN OPERA HOUSE is a stoneware clay sculpture with Copper Green glaze by Brooklyn, New York artist Rene Murray. It measures 19"H x 23"W x 11"D. The sculp...

Joe Peters Nautilus, 2009 Borosilicate Glass 11h x 10w x 4d in

"Pioneer Family," 23 1/2 x 16 1/4 x 10 3/4 inPlaster. c. 1927. Unsigned. Realism The Smithsonian has a cast of this sculpture in its collection. Pictured on the cover of “The Sculpt...

Yayoi Kusama Red & Black Pumpkin 2019: An iconic, vibrantly colored pop art piece - this rare, sought-after red Kusama pumpkin sculpture features the universal polka dot patterns and...

Artist: Marian Weisberg, American XXth Title: Opossum Year: circa 1969 Medium: Resin-cast Sculpture, signature inscribed on base Size: 7 x 7 x 3.5 in. (17.78 x 17.78 x 8.89 cm)

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

FRANZ BERGMAN Austrian, (1861-1936) A Fine Quality Austrian cold-painted Bronze Table Lamp and Sculpture Depicting an Arab merchant, stamped...

Artist: Anthony Quinn, American (1915 - 2001) Title: Spirit of Zorba Year: 1984 Medium: Bronze Sculpture, signature, date and edition inscribed Edition: 49, AP Size: 16.5 x 9.5 x 8....

Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirit’s. They look Angry, but not at You. They are Protecting you from Bad Spirits! The m...

A charming allegory for Dawn Date: 19th Century  Origin: Italian Material: Carrara Marble  Signed F. Vichi , Firenze. Dimensions: 41" H x 10" Diameter  A spellbinding female figural...

Artist: Telly Mia Title: Fertility Venus Medium: Bronze Sculpture, signature inscribed Size: 20 in. x 11 in. x 10 in. (50.8 cm x 27.94 cm x 25.4 cm)

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 J...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

This 3D art piece is made of 9 hand-painted laser-cut Plexiglas pieces that were mounted to an archival foam board backing, framed with a white wooden 2" frame. Each buddha sculpture...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

After Paul Dubois (French, 1829-1905) "Le Chanteur Florentin" [The Florentine Singer] Patinated Bronze Sculpture, the standing singer resting on a pedestal whilst playing a lute, on ...

"Cat Under the Bridge" is a miniature bronze animal sculpture with a black brown patina. The cat seems to have been suddenly discovered and looks very surprised. It is very life-like...

Bronze life-size male head with a dark brown patina. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in charac...

Alfred Desire Lanson (French, 1851-1898) "Geisha" Patinated Bronze Sculpture, late 19th century, cast by Casse & Delpy edit. foundry, the figure standing on a circular base, signed. ...

An abstract modern cubist rendition of a mother playing with her child by Chaim Gross (Austrian, 1904 - 1991). Chaim Gross is known for these playful works and similar works can be f...

This image is from a mini fanzine created by the artist and spread through downtown New York. If pigeons could talk would they rat us all out. Instead of framing his work he prefers ...

19th century grand tour carving of the "Medici" lion. Carved green porphyry granite. This is an unusually large size. Pieces carved porphyry granite are uncommon. It's hardness makes...

Exquisite Pair of Neoclassical bronze Bacchus and Bacchante figures cast in a dark patinated bronze. The pair rest on on white marble bases set with relief cast gilt plaques. 18th C...

Linda Stein, Shaman 635 - Contemporary Bronze Indoor or Outdoor Sculpture Shaman 635 is one of Linda Stein's most iconic works. It is from her Knights of Protection series, which s...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

Le Garde Du Harem, "The Harem Guard" A Monumental Orientalist Patinated Bronze Sculpture by Georges Charles Coudray (French, 1862-1932) Le Gar...

Keith Haring Bearbrick 400% Figures: Set of 4 works (c.2019-2021): Unique, timeless Keith Haring collectibles, each trademarked & licensed by the artist's estate. The partnered figur...

Luca Madrassi (Italian, 1849-1919) "The Fencer" Patinated Bronze Sculpture, late 19th century, the standing figure dressed as a fencer holding his sabre, a mask and glove at his feet...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Hand made working Pull Toy He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Carl Kauba (Austrian, 1865-1922) "Desperado" Patinated Bronze Sculpture, 20th century, the U.S. Cavalryman and his horse mounted on a rocky outcrop, signed, and stamped "Austria", on...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Nison Tregor Born in Lithuania of Polish parents, Nison Tregor studied sculpture at the Warsaw Academy of Fine Arts. After immigrating to the United State...

An original unique mixed media painting and sculptural creation by well listed artist Enrico Embrolli. Enrico Embroli is a mixed media artist born in the small Western New York town...

"Barge Toiler" by Max Kalish is a Mid 20th Century modern Depression-Era sculpture from his Labor series. The WPA era work is made of plaster. Max Kalish (1891 – 1945) Barge Toiler 12 x 8”x 4 inches Patinated plaster Signed and monogramed BIO Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

Polo Pony and Rider Harrison Tweed . Charles Rumsey was an 8 goal polo player with Meadowbrook Polo Club on Long Island NY. He was an avid sportsman, equestrian and artist. His ab...

Title: Horse - Taal Mayon Year: 1981 Medium: Terra Cotta Sculpture, signed and dated Size: 20.5 in. x 23 in. x 6 in. (52.07 cm x 58.42 cm x 15.24 cm)

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...

After Francois Christophe Armand Toussaint (French, 1806-1862) "Dancing Indian" Patinated Bronze Sculpture, circa 1880, cast by Graux-Marly Freres Foundry, on a circular base inscrib...

Jean Baptiste Clesinger (French, 1814-1883) "Zingara" Patinated Bronze Sculpture, 1857, cast by F. Barbedienne, the Neapolitan dancer upholding a tambourine, signed "J Clesinger, Rom...

'Johnny' by Futura: Futura Figurative Pop Art Sculpture. The ‘Johnny’ vinyl art figure from NYC graffiti legend Futura is inspired by a classic 80s horror...

Henri Honore Ple (French, 1853-1922) "La Nymphe" Patinated Bronze Sculpture, late 19th century, the draped standing figure with outstretched arms resting on a tree, signed to base "H...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals the late iconic artist’s artwork from the mid 1980s wrapping the figure in its entirety. Housed in a standout Keith Haring collectors box. Complete sold out & out of print. Medium: Vinyl Figurine...

BLUE HANDLE HORSE is a stoneware clay sculpture with blue clay inlay by Brooklyn, New York artist Rene Murray. It measures 24"H x 18"W x 7"D. It's an encha...

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

The perfect gift to your loved ones!! This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. Th...

Vincent Desire Faure de Brousse (French, 1876-1908) "Mephistopheles and Monkey" Patinated Bronze Sculpture, late 19th century, the standing figure in Renaissance costume and accompan...