New York - Figurative Sculptures

KAWS SHARE, KAWS TAKE: Set of 2 black KAWS figurative sculptures, each new & unopened in original packaging. Medium: Painted Vinyl Cast Resin (applies to each). SHARE: 12.4 x 6.3 inches. TAKE: 13.4 x 6 inches. Condition: New, unopened in original box; excellent condition (applies to each). Each from a sold out edition of unknown. Stamped on the underside of each foot. Shipped securely from New York. KAWS uses two of his characters here to convey opposing human attitudes. In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred. In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. T...

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible grey KAWS SEPARATED figure is derived from the Brooklyn based artist’s larger scale sculpture of same (originally constructed in 2019), and is a key highlight of the major 2021 KAWS Brooklyn...

Hebru Brantley Flyboy, 2018: A rare example of this coveted Hebru Brantley Flyboy - inscribed with a drawing on the outer packaging. New in its original packaging. Medium: Painted c...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

A gilt bronze Female figural sculpture depicting a young woman, slightly unveiled, sitting atop a variegated marble fountain, fitted atop a squared bronze base decorated with foliage...

Linda Stein, Iron Knight 625 - Contemporary Art Ceramic Wall Sculpture Iron Knight 625 is from Linda Stein’s Knights of Protection series, which she started after being forced to ev...

This golden "Memoria" female figural statue depicts a seated young woman, holding a stylus in one hand and tablet with the words "j'évoque du passé les ...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the ...

Linda Stein, River Knight 617 - Contemporary Bronze Indoor or Outdoor Sculpture River Knight 617 is one of Linda Stein's most iconic works. It is from her Knights of Protection ser...

This work is made out of ceramic terracotta and is in a Pre-Columbian style. It is a reproduction of sculptures typically found in the Colima culture in western Mexico. These origina...

Italian Marble statue of a laughing Young mother and her child embracing on a fragmented bench with low relief details by Antonio Frilli (Italian, 1860-1920). This example is characteristic of other Frilli sculptures of joyful children, a subject he frequented. Signed ''A. Frilli'' and inscribed ''Firenze'' by incision to top of base. Artist Bio: Antonio Frilli's prolific gallery produced a variety of commercial sculptures...

"Bending Backwards" Wood, Acrylic, Resin This piece is unique, signed on verso, and includes a certificate of authenticity. Isabel Sierra aka The Love Whip is a mixed-media artist b...

KAWS The Promise (black): A unique KAWS Companion featuring a blue & green globe being affectionately shared between parent & child. This timeless, hi...

Linda Stein, Shaman 635 - Contemporary Bronze Indoor or Outdoor Sculpture Shaman 635 is one of Linda Stein's most iconic works. It is from her Knights of Protection series, which s...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the ...

Hayward Oubre The Trap, c. 1960 Painted wire sculpture 40 H. x 16 1/2 W. x 21 D. inches Provenance: Estate of the Artist Deeply attached to his Souther...

Linda Stein, Case 1203 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Case 1204 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Summer Knight 616 - Contemporary Art Metallic Wall Sculpture Edition Summer Knight 616 is from Linda Stein’s Knights of Protection series, which she started after being...

Linda Stein, Knight Spirit 675 - Contemporary Art Metallic Wall Sculpture Edition Knight Spirit 675 is from Linda Stein’s Knights of Protection series, which she started after being...

Linda Stein, Picnic Case 928 - Contemporary Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the t...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including Pop and Classical art. Interested in street art, the self-taught artist references an array of cultural touchstones in his densely layered, often stencil-sprayed paintings; his allusions include corporate mascots, historical figures, actors, comic book characters, and artists. His sculpture similarly embraces popular culture, though it is also directly influenced by the work of the French artist Arman, who exhibited commercial objects as sculpture in the 1960s. Similarly insisting that popular culture and aesthetic production are linked, Alben inverts Arman’s structure by reimagining touchstones of art history such as the Venus de Milo as a configuration of crushed Coke cans

"Maneater" Wood, Acrylic Paint, Resin This piece is unique, signed on verso, and includes a certificate of authenticity. Isabel Sierra aka The Love Whip is a mixed-media artist base...

"Drooling Over You" Wood, Acrylic Paint, Resin This piece is unique, signed on verso, and includes a certificate of authenticity. Isabel Sierra aka The Love Whip is a mixed-media ar...

"Mouthwatering" Wood, Acrylic Paint, Resin This piece is unique, signed on verso, and includes a certificate of authenticity. Isabel Sierra aka The Love Whip is a mixed-media artist...

KAWS Black & Pink BFF (set of 2) new, unopened in its original packaging. A well-received variation of KAWS' large scale BFF sculpture is in Los Angeles's Playa Vista neighborhood. ...

Keith Haring Bearbrick 400% (set of 2 works): Unique, timeless collectibles trademarked & licensed by the Estate of Keith Haring. This Bearbrick set reveals Keith Haring's iconic art...

Pablo Picasso’s rendering of a white dove on a black earthenware plate is a classic example of the artist’s fascination with the bird. Although prevalent throughout his work, this do...

Hayward Oubre Hitch Hiked, 1960 Signed on Base: OUBRE 60 Painted wire sculpture 45 H. x 21 W. x 19 D. inches Provenance: Estate of the Artist Deeply at...

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Provenance: Private Collection, Spain. Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings. Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible black KAWS SEPARATED figure is derived from the Br...

A large and early sand cast aluminum modernist sculpture of a giraffe by Cuban American artist Manuel Carbonell. Pedestal included. Measures: Height is 73” with base. Carbonell’s early sculptures where sand cast and unique. This is an edition of 1/1. Included is the original sketch of the work. Signed, circa 1967. Provenance: Ted Materna. Materna discovered Carbonell in the early 1960s. He produced Carbonell's gallery catalogs and helped promote him through his public relations firm in NYC. Manuel Carbonell (1918-2011) was regarded as the last of the Cuban Master Sculptors. He was part of the generation of Cuban artists, which includes Wifredo Lam and Agustin Cardenas, that studied at the Escuela Nacional de Bellas Artes "San Alejandro", Havana Cuba. Carbonell's inexhaustible vision and his ever changing-style are the product of a brilliant talent and academic background. Ceaselessly searching for the essence of form and the absence of details, he empowered a sense of strength, monumentality and simplicity to his work. Exhibited in New York's Schoneman Gallery for over 17 years. In 1976, he presented to the White House "The Bicentennial Eagle," now part of the Smithsonian collection. He is known for two of Miami's largest landmarks: the 53-foot bronze monument...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...

Knight Emerged 641 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Heroic Vision 561 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kni...

KAWS FAMILY 2021: A well-received work and variation of KAWS' larger FAMILY sculpture - this highly collectible KAWS Companion set was published on the occ...

Knight of Healing 614 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's...

KAWS Black Holiday Companion (KAWS Taipei): This figure features KAWS' signature character COMPANION in a resting seated position. KAWS Holiday Taipei was published in 2019 to commem...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

The most extraordinary relics discovered by Joshua Goode and the Aurora-Rhoman Institute of Archaeology and Cultural Relics during recent archaeological expeditions. The first eviden...

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

Village Knight 674 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

KAWS 'Holiday' Companion Seoul: This figurine was published by All Rights Reserved to commemorate the debut of a large scale KAWS floating figure for Seoul’s Seokchon Lake during summer 2018. New in its original packaging. Medium: Vinyl figure. Year: 2018. Dimensions of figurine: 8.25 x 1.5 inches (can also be displayed in package, which measures 11 inches in height). Unopened; excellent condition. From a sold out/ out of print edition of unknown. More on KAWS Holiday Companion: Seokchon Lake, which is located in the South Korean capital's Songpa district, previously hosted the world-famous inflatable "Rubber Duck" on a tour of its waters in 2014. "I just wanted to do a water piece," said KAWS, "I was just thinking about being on vacation, and when you just drift in a pool and stare upwards, and that's really the beginning of the work. I feel like, in these times, we need things to help us relax." (source: CNN) KAWS is a fine artist, illustrator, painter, sculptor, product designer, and toymaker. His cartoonish style—including his best-known characters with X-ed out eyes—has its roots in his early career as a street artist, when he began replacing advertisements with his own, masterful acrylic paintings in the early 1990s. Related Categories Shepard Fairey. Damien Hirst. Pop Art. Kaws Figurative sculpture. Kaws open edition...

KAWS Sesame Street: Complete Set of 5 plush figures: KAWS’ timeless interpretation of the 5 most popular Sesame Street characters – Elmo, Bert, Earn...

Cellini Bronze Works, NY cast. Inscribed base edge. Edition unknown. Malvina Hoffman conceived the Mongolian Dancer in 1932, as part of her Races of Ma...

After Jean-Antoine Houdon (French, 1741-1828) a bronze bust of Benjamin Franklin on a white marble base, circa 1880 This bronze bust of Benjamin Franklin after Jean-Antoine Houdon,...

Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obtain this kind of words. √Mei recalls something that catch the attention, that is intermittent and that can change. For the three following artworks we decided to decline the root starting from the concepts of light and sound, using a set of different languages, such as English, Russian, Sanskrit, Latin, Avestan, Greek and Persian, and to create shapes...