Ohio - Paintings

This is an original work by world famous artist Hunt Slonem.

Deep blue contrasting muted yellow in this two painting composition. Hang separate or together. Two 11"x14" paintings. :: Painting :: Abstract :: This piece comes with an official c...

Ever Upward 48 X 48 Mixed media, oil paint on canvas This painting was created in collaboration with Ned Seibert. Nancy Seibert began her art studies in Washington D.C. at George W...

This is an original work by world famous artist Hunt Slonem.

Multicolored Birds on Black Branch on White Scored Background Surface

Cherryhead by Hunt Slonem Bunnies on Red Background with Diamond Dust Hunt Slonem is an American painter, sculptor, and printmaker whose work uniquely combines representational ima...

This is an original work by world famous artist Hunt Slonem.

This is an original work by world famous artist Hunt Slonem.

Swirling blues accented with primaries and black. White space on the edges makes color leap off the canvas. :: Painting :: Abstract :: This piece comes with an official certificate o...

Multicolored Parrot Birds (Macaws) on Branches on Multicolored Surface

This is an original work by world famous artist Hunt Slonem.

Signed, titled and dated verso 1980 (11–’80) Provenance: Irving Galleries, Palm Beach, Florida 1985; Private Collection, Palm Springs, CA Exhibitions: M. Kno...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

Clarence Van Duzer (American, 1920-2009) The Sea, c. 1950 Asphaltum, encaustic and silver leaf on masonite Signed upper left 48.5 x 48 inches In the annals of Cleveland art history,...

John Opper (American, 1908 - 1994) Untitled, 1959 Oil on board Signed and dated lower right 14.75 in. h x 18 in. w. 20 in. h. x 24.5 in. w., as framed John Opper described the 1930s...

Black Outline Bunnies on Red

This is an original work by world famous artist Hunt Slonem.

Joseph B. O'Sickey (American, 1918-2013) Evening Still Life Oil on canvas Signed lower right 32 x 24.5 inches 34.25 x 27.25 inches, framed Joseph O'Sickey, born in Detroit in 1918, ...

Charles Salis Kaelin (American, 1858–1929) Harbor and Town Oil on canvas 25.75 in. h. x 27.75 in. w., as framed 18 in. h. x 20 in. w., canvas Described as an artist whose "love of nature amounted to a passion," Charles Salis Kaelin was one of the earliest American exponents of Divisionism. A respected member of the art colony at Rockport, Massachusetts, Kaelin's colorful renderings of Cape Ann...

Evocative, contemporary portrait of a woman wearing a hat by celebrated, twentieth-century California landscape painter, Ronald Shap. Washes of thin, gold-colored paint, which we bel...

This piece has "Richter" style smears in bright paint with a muted shrapnel grid overlaying the saturated field. It's one of my favorite smaller paintings I have done. The feel is ve...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Cynthia Bissell (American, 1924-2000) Changing Bear Maiden, 1962 Oil on canvas Signed and dated lower right 20 x 50 inches 26 x 56 inches, framed Cynthia Bissell was an American art...

“My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I’m ...

This is an original work by world famous artist Hunt Slonem.

The School of Art 64 X 69 Mixed Media Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, al...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper An Illuminated manuscript folio...

Untitled (Big Momma in Profile) Signed by the artist lower right: "Sedrick Huckaby III" Tempera and gesso on book board (Board size) 32 x 20 inches Frame: 40 x 28-1/2" (101.6 x 72.4 cm.) Exhibited: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, September 20-November 19, 2019 Illustrated: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, page 29 A copy of the catalog accompanies this work when purchased Provenance: Valley House Gallery Sedrick Huckaby's large-scale paintings draw inspiration from his family history and his African-American roots. Born in Fort Worth, Texas, Mr. Huckaby received his B.F.A. from Boston University in 1997 and his M.F.A. from Yale University in 1999. He has taught as a professor at Tarrant County College in Forth Worth and currently is a professor of water media at the University of Texas in Arlington. Mr. Huckaby has been honored as a Fellow at the Fine Arts Work Center in Provincetown, at the Skowhegan School of Painting and Sculpture, as a Kate Neal Kinley Memorial Fellow at the University of Illinois, and as a Brandeis Mortimer Hays Traveling Fellow, which gave him the opportunity to study the works of European masters abroad. His own work has been included in exhibitions at the Studio Museum in Harlem and the Park Avenue Armory in New York City, at the African American Museum in Dallas, at the San Angelo Museum of Fine Arts in Texas, and at the Hammond House Museum in Atlanta. His work A Love Supreme, comprised of pieces forming an 80-foot long painting of quilts...

Louis Bosa (American, 1905, 1981) Rockport , 1971 Oil on Masonite Signed lower right, signed, dated and titled verso 10 x 16 inches 17 x 23 inches, framed Born in Codroipo, a small ...

Large oil still life of green and cream pumpkins and squash by American artist, Kira Mountjoy-Pepka. Signed, unframed. Soft warm light enters on the left, and cools to the right of this contemporary and spontaneous still life. This piece has year-round appeal as a rare squash painting...

Paul Riba (American, 1912-1977) Wart Hog Oil on paper Signed lower right 18 x 15 inches 24.25 x 21 inches, framed Paul Riba was a painter of Magic Realism. He explored the unreal j...

Charles Mayes Wigg (British, 1889-1969) Sailing the Norfolk Broads Oil on canvas Signed lower left, signed and inscribed verso 12 x 16 inches 16 x 20.5 inches, framed Charles Mayes Wigg was a British landscape artist working mostly in watercolours and as an etcher, with only occasional paintings in oils. The Norfolk coast and scenery of the Broads gave him the subjects for his work, and his etchings were mostly of boats. He exhibited regularly at the Norwich Art Circle between 1909 and 1936, at the Royal Academy in 1915 and also with the British Water-colour Society. Wigg was born in Nottingham, England on 13 January 1889. The eldest son of Mayes Wigg, a bank manager, and Agnes Wigg (formerly Sudbury), he grew up at Watton and Cromer in Norfolk and was educated at Gresham's School. In 1911, he arrived at the Norwich School of Art and later studied with Frank Spenlove-Spenlove at his Yellow Door School of Art in Beckenham, Kent. During the First World War, Wigg served with the British Army and saw active service at Gaza. In 1916, he was invalided out of the army with severe leg injuries, and was left with a disability for the rest of his life. Returning to his career as an artist and illustrator, he subsequently found life afloat easier than life on land and for many years lived and painted in a house-boat on the Norfolk Broads. He also had studios at The Thatched House, Brundall, his parents' home, and at Rose...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

This is an original work by world famous artist Hunt Slonem.

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

A lovely, 1918, French Impressionist oil painting depicting a view of the town of Martigues, France by Antoine Ponchin (1872-1933). Antoine Ponchin was a landscapist, achieving the...

Black Outline Multicolored Butterflies, Black Guardians. Multicolored

Spanish Beauty (Portrait of the Artist's Wife) Oil on canvas, c. 1940's Signed upper right "A.G. Warshawsky" (see photo) According to the daughter-in-law of the artist, this painting...

Louis Bosa (American, 1905-1981) The Beach, c. 1960 Oil on board Signed lower left 11.75 x 19.5 inches 20 x 28 inches, framed Born in Codroipo, a small village only a few miles fro...

Red Black Bird on Red

Layered torn paper collage

Layered torn paper collage

I Know I'm Paranoid by The Connor Brothers

An amazing, magical realism painting by renowned artist, Herbert Laurence Davidson (1930-2018). This painting depicts a young boy’s innocent discovery on the beach of a sand sculptur...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Clarence Holbrook Carter (American, 1904-2000) Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929 Watercolor on paper Signed and dated lowe...

Multi Colored Butterflies on Gold background

This is an original work by world famous artist Hunt Slonem.

Pride in Prejudice by The Connor Brothers Oil on Canvas

Thelma Frazier Winter (American, 1905-1977) On the Balcony Pastel on paper Signed lower right 20 x 16 inches Thelma Frazier Winter was an American enamelist, ceramic sculptor, and p...

Abel Warshawsky (American, 1883-1962) Still Life Oil on canvas Signed upper right 32 x 25.5 inches Provenance: From the Alexander Warshawsky Estate Impressionist painter A.G. Wars...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

Sally Lachina (American, 20th Century) White Stone, 1994 Acrylic on canvas Signed and dated lower right, signed, dated and titled verso 42 x 42 inches Sally Lachina is an American a...

Multicolor Butterflies, Blue Sparkle on Resin

Turkey in the Trees, c. 1922 Watercolor on paper Signed lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a mast...

Standing Female Nude Oil on canvas, c. 1910 Signed lower left corner (see photo) Condition: Excellent Housed in a 22K Gold Leaf Frame Canvas size: 24 x 18 1/8 inche...

Clarence Holbrook Carter (American, 1904-2000) City Scape, 1978 Acrylic on scintilla Signed and dated lower right 30 x 22 inches A surrealist mid-century figural abstract painting....

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

Louis Bosa (American, 1905-1981) Venice Canalscape, c. 1950 Oil on board Signed lower right 11.75 x 21.75 inches 19.75 x 29.75 inches, framed Born in Codroipo, a small village only ...

Blue Bunnies on Multi Silver