Palm Springs - Sculptures and Carvings

Khmer Ekamukhalinga, a sandstone sculpture of a Linga fronted with a small relief face of Siva. The simple phallic form has a square base (Brahma, the creator), an octagonal mid-sect...

Japanese Buddhist assembled wood sculpture of Kannon-Bosatsu (Avalokitesvara), the God of Compassion, standing male figure with abundant cloak draper...

A wonderful 20th century carved painted wooden Chinese horse purchased in 1985 from a prominent Hong Kong Gallery. A copy of the original receipt will be...

Antique Thai Buddhist Temple Pediment. An architectural remnant of an assembled teak triangular gable carved with elaborate and symmetrical “kanok” veget...

Antique Japanese Wood Miniature Mask Netsuke, an unsigned work depicting Hannya, the female horned demon popular in Noh performance plays, a solid hardwood piece carved in high relie...

Antique Burmese Carved Wood Panel of a Court Scribe. The standing heavenly being holds a manuscript with a brush in the right hand writing scriptur...

Japanese solid wood fruit and flower display basket, carved from one piece of burl wood in an oval shape with single large overhead handle in a natural form with nodes, grottos and p...

Thai Gilt Bronze Figure of a Seated Buddha, depicted with legs crossed in the virasana position with the right leg resting on the left leg, soles up, the hands in the earth touching ...

A unique pair of carved wood elephants with bone tusks raised shown with front feet on an integral carved wood plinth. A similar, if not the same, pair appeared in the closing scenes of "Auntie Mame...

Thai Sandstone Carving of the Head of A Buddha Image, Ayutthaya, 15th Century. This sculpture has carved features with full lips outlined with an incised line known as a “trace”, the “U” of the chin broad, long aquiline nose , protruding large and arched eye lids with the eyes narrowly open revealing the pupils, over  arching brow continuing the line of the nose, short forehead,  a thin raised outline as the hairline surrounding the face, 6 rows of round boss hair curls to the domed usnisa covered in 5 rows of hair curls, large ears with attenuated earlobes reaching to the break at the neck, flat top to the usnisa and a flat area to the back of the head. The facial surface gessoed lacquered and gold leafed, the rest of the head with Varied surface mottling and lacquer remnants mostly revealing the sandstone texture of the material. Mounted with a post and drilled interior hole to a large solid teak block as a contemporary stand. Condition: A sculpture fragment from a large Buddhist Image, The head has been removed at the neck and the flat area at the top of the head would indicate that another mortared segment would have originally been attached possibly an undulant unalom finial, otherwise remarkably fine. Measuring: 23-1/8 inches high overall, the sculpture is 15 inches high x 10 inches wide x 10-1/4 inches deep. The wood base is 8-1/8 inches high x 7-7/8 inches wide x 7-5/8 inches deep. Provenance: with Kenneth Brown Jewelers...

Chinese pair of wood carved Fu Dogs, rendered from a single block of hardwood each, with exquisite detailing in a naive style, the dogs are opposing, crouched on their haunches, each...

Antique Japanese miniature model of a suit of armor made for the Boy’s day display. Constructed of a lacquered paper cuirass, upper arm guar...

A pair of 19th century, possibly earlier, wood carved monks, largely intact, with painted eyes. Some minor traces of gilt. These are incredibly well detail...

Antique Thai Buddhist Temple Gable Panel. The teak triangular shape featuring a carving of a seated Buddha on a lotus plinth, depicted with legs crossed in the virasana position wit...

Antique Burmese Buddhist Decorative Backboard Mandorla Panel. A style of surround for a seated Buddha image reminiscent of a Burmese transom in shape. The peaked triangular panel in...

Arakanese Gilt Lacquered Bronze Mahakyain phara (Royal Oath) Buddha Image, a seated figure depicted in the bhumisparsa (earth touching) mudra, with small “fruit” in left hand, a maje...

Burmese Dry Lacquer Head from a seated Buddha image, Shan States. The black lacquer head with enigmatic smiling expression, downcast eyes, over arching eyebrows, yellow glass inset h...

Cambodian wood votive urn, carved of turned wood creating a stupa like form with tiered lotus bud finial and urn on pedestal base, decorated in monochro...

Antique Burmese Shan Wood, Lacquer and Gold Leafed Buddha, 19th Century. The image sits on a waisted lotus base with raised lacquer  details, seated in padmasana, the lotus position ...

Japanese Takeda Hina Ningyo, of a pair of seated ministers for the Girl’s day display, each costumed in matching brocades characteristics the house of Takeda, supported on lacquered ...

Burmese Mandalay carved wood figure of the standing Buddha on a square base, the left hand is in the varada or boon-granting mudra the right held up towards the chest, costumed in ed...

Antique Chinese Niddy-Noddy. A wood skein reel, simple three-part construction, composed of a central handle with middle hand grip worn smooth squared ends with relief sectional carv...

Antique Shan (Tai Yai) Jambupati Buddha Image, wood, lacquer and gold leaf, Konbaung Empire (1752-1885) A crowned style that displays Northern Thai iconography merged with the aesthetic of Burmese rule in the region. The figure is depicted in the popular Theravada seated position of padmasana, (interlocking legs position) and the hand mudra in bhumisparsa (earth touching) wherein the feet are souls  up, the fingers of the right hand extend beyond the right shin and the left hand palm up resting above the lap. Remnants of the leaf-like kirita crown remain.  The image is dressed in Burmese royal costume with thayo rolled lacquer relief decoration modeled into cuffs, epaulettes, knee pads and a detailed “U” shaped necklace covering the chest. There is also a lappet of clothing between the legs draping down toward the base. The figure is seated upon a tall and waisted throne pedestal having rows of lotus petal grooves on the diagonal portions . The  base and body are carved from one solid piece of hard wood. All covered in black lacquer with thayo lacquer details, red pigment for the lips and gold leaf overall. The Jambupati style Buddha illustrates the tale of the Buddha’s life when he came across the arrogant King Jambupati, a king who terrorized his subjects and who lacked humility and compassion for his people. The Buddha on meeting the King asked that he forsake his evil ways and instead practice kindness to his fellow man. Ignoring the Buddha’s request, the King continued to terrorize the people. The Buddha then in his efforts to change the King of his evil ways, one day magically appeared to him in resplendent royal attire. King Jambupati was in awe of the Buddha’s appearance prostrated himself in obeisance and from that day onward accepted the Buddhist precepts. In Southeast Asian countries like Burma, where rulers have very high if not semi-divine status, tales of this type, reinforced the need for the leader to worship the Buddha, the King of Kings. Condition: Heavy deterioration of the underside of the base as well as the interior portion of the crown, other losses include crown flanges, the crown spire, earrings, the tip of the left thumb, one base corner edge, rolled lacquer losses and general wear of the gold leaf surface, all commensurate with age and wear. Measuring: 22.25 in. high x 8.75 in. wide x 7.75 in. deep(56.5cm x 22.2cm x 29.7cm). Weight: 10.8 lbs. Age: Late 18th century. Provenance: Lark...

Antique Japanese Yokogi, a fish shaped fulcrum for the pot hook assembly over the hearth, a naively carved Tai (Sea Bream) with large head pierced for the hooked pole and the large tail pointed upward with a metal loop for the cord attachment, incised carving for facial details and scales, encrusted patina from use. Wood storage box made of hinoki. Excellent condition. 5-7/8 in. high x 14-3/4 in. long x 4 in. wide. Weight: 4 lbs. 4 oz. Late Edo, Circa 1800. Published in a Japanese newspaper in 1964 (article and translation available). Provenance: with Kingo Kondo, Kyoto 1964 Ken Domon...

Thai gilded copper alloy sculpture of Phra Malai visiting the damned to hell, a standing monk image with a basket slung over his right shoulder costumed in ...

Japanese Rosoku-tate or Shokudai (candle stand) a lathe turned wood in a slender baluster form with attached concave circular base and broad circular wood candle base tapering down ...