Paintings in Paris

Christ and St John the Baptist embracing Studio of Joos van Cleve (1485 – 1541), Antwerp First half of 16th century Oil on oak panel, h. 55 cm, w. 43 cm A 17th century ebonized wood frame Framed: h. 100 cm, w. 83 cm Provenance: • Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom • Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve) • Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters) • By descent, private European collection The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom). This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.) It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...

Jean Marcel POUSSART Sedan (Ardennes), 1891 – 1972 Oil on canvas 19 x 25 cm (26.5 x 32.5 cm with the frame) Signed upper left "JM Poussart" Nice oval frame from the 19th century Exce...

Proof of the Unreal n°17/19 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Raphaelle PIA (born in 1942) Papier douché 4, 1980 Acrylic paint on paper Titled, signed et dated “1980” lower right Dimensions of the work : 50 x 65 cm Sold without frame Raphaëll...

Acrylic & oil on canvas Aude de Voc is a self-taught contemporary painter born in 1978 who lives and works in Paris, France. Desiring to transform, confront and mix materials, her w...

Antoine Williams Zarra (1820-1892) was an international man of mystery. When not painting in the rural village of Barbizon and its environs, he was mo...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

Artist André Strauss was known for painting outdoors, on the motif. It gives his paintings a wonderful freshness and immediacy - you feel as if you were right there, in the grounds o...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Madonna and Child with Saint John the Baptist and angels Circle of Joos Van Cleve (1485 – 1541) 16th century Antwerp school Oil on oak panel Dimensions: h. 32 cm (13 in.), w. 28.5 cm...

Self-portrait as an Oriental Oil on canvas 56 x 46 cm Monogrammed lower left After his first training with the brothers Achille and Eugène Devéria, Glaize began his career at the S...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

An original and unique painting by contemporary artist Eric Alfaro in acrylic on cotton canvas. On display at our Parisian gallery. Painting is signed by the artist, accompanied with...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Oil on cardboard Vakhtang Khelashvili is a Georgian artist born in 1993 who lives and works in Tbilisi, Georgia. His artistic name is Ikotgy, he is futuristically minded and motivat...

Acrylik on canvas Barongan dance is a regional art form in Central Java. This barongan dance is very famous among the people, in this barongan dance it reflects the characteristics...

"For Granted I.", 2024, Paris, France "For Granted I." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green and...

Oil on aluminium dibond "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a place whe...

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

Julien Airault (B.1979) Untitled Oil on canvas 89 x 116 cm / 35.04 x 45.67 inches With frame : 95 x 122 cm / 37.40 x 48.03 inches 2024 Born in 1979, Julien Airault is a French paint...

FOUR HARPOONS 2021 Paris, France "Four Harpoons" (Abstract, Bold, Neutral, Black Painting on Wood; 50cm x 30cm) Abstract painting. Neutral color palette of black and white on wood....

1993 Oil on canvas. Signed « Bernard Buffet » upper right and dated « 1993 » upper left. Dedicated « For Bernard and Dominique. Affectionately » on the reverse. Countersigned « Berna...

An original and unique painting by contemporary artist Eric Alfaro in acrylic on cotton canvas. On display at our Parisian gallery. Painting is signed by the artist, accompanied with...

Here is your chance to have your own private chapel with devotional objets and saint figures - in the form of this lovely painting by Joseph Bergès (1878-1956). Berges was born in the South East of France in the Pyrenees, not far from the Spanish border. After studying at the Academy of Fine Arts in Toulouse, he was accepted at the Paris Academy. However, although his career took him to Paris, a remained very much attached to his homeland, a pious, rustic area with many chapel such as the one he portrayed here. Having studied with the Masters Eugène Cormon and Léon Bonnat , Bergès exhibited at the Salon des Artistes Français from 1907. He was obtained a second Grand Prix de Rome in 1908 for the painting The Death...

Edmond Suau (1871-1929) Une Académie, Standing man, oil on canvas signed lower left 88 x 70 cm In quite good condition, some damages - small lacks of painting - in the lower part, ...

If Carom Billards is your game, this is the ultimate painting for you. If it is not, you will simply marvel at the artist's playfulness, adventurousness and style. Large and bold, the artwork includes a Margritte-esque surrealist figure with a bowler hat, grattage - note the intricate herringbone structure of the background - and sculptural fissure of the red ball to represent the end grain. The result is breathtaking. If you want a focal point for a room, this one is for you. Guy Bourdin, the ground breaking fashion and advertising photographer, specialised in fascinating narratives, dramatic effects with intense color saturation, hyper-realism and cropped compositions. He often incorporated fantastical elements, vivid colors, and bold compositions into his images, creating a captivating, dreamlike atmosphere Bourdin's style was influenced by his background in surrealism and painting...

Alphonse de NEUVILLE Saint-Omer, 1835 - Paris, 1885 Oil on wood panel 14.5 x 24 cm Signed lower right Alphonse de Neuville painted french soldiers during the war of 1870. For his wo...

Oil on canvas Elene Melikidze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. She started painting since childhood in various...

Happiness is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions (unframed) are 70 × 150 c...

Mixed media (acrylic, gouache,oil) on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of E...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

The Rape of Europa By Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, w. 45 cm Moulded and ebonized...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

An original and unique painting by contemporary artist Eric Alfaro. Painting is signed by the artist, accompanied with it's certificate of authenticity and sold framed with a wooden ...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the Unite...

TN680-D is a unique diptych painting by Japanese contemporary artist Hachiro Kanno. The painting is made with ink and acrylic on canvas, dimensions are 200 × 200 cm (78.7 × 78.7 in)....

March is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 97 × 130 cm (38.2...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...

"For Granted II.", 2024, Paris, France "For Granted II." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green a...

Acrylic & oil on canvas Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for several ...

Unique and original painting, ready to hang. Campbell La Pun’s unique spray can paintings merge street art sensibilities with vibrant pop culture influences, transforming ordinary s...

Contrapuntal (8/23) is a unique acrylic on panel, gloss finish painting by contemporary artist James Lumsden, dimensions are 60 × 50 cm (23.6 × 19.7 in). The artwork is signed, sold...

Elysium II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 130 × 180 cm (51.2 × 70.9 in). The artwork is signed, sold unframed and com...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. Measuring 81 x 60 cm, the overall size including its original large oak frame...

Louise Marie-Jeanne HERSENT, born MAUDUIT (Paris, 1784 – Paris, 1862) A young woman reading a letter. Study figure Oil on canvas Signed and dated in the middle on the right 100 x 8...

Mimosa II is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, silver leaves on Japanese paper mounted on wood, dimensions are 41 × 2...

Acrylics on canvas Carole Leprince is a French artist born in 1966 who lives & works in Houilles, France. Over the years, her personal photos have been the inspiration for painting...

Acrylic on canvas Artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Mast...

Acrylic paint on canvas Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Marketing...

Albert LYNCH (1851-1936) French "Rêverie" Oil on canvas Signed lower left Canvas: 43 1/4" high x 24 3/4" wide Frame: 49 5/8" high x 30 3/4" wide Albert LYNCH: Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann...

VESUVIUS 2022 PARIS, FRANCE Graphically textural, yet bold, this abstract piece comes framed, and offers a neutral color palette. Inspired by the eruption of Mount Vesuvius in 79 AD...

No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...

Marguerite AROSA (1850-1903), French "Baigneuse" (Bather) Oil on canvas Signed lower left Canvas: 66 1/5" high x 50" wide Frame: 74 1/5" high x 57 1/2" wide This painting was e...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

Cosmos II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, black leaves and copper leaves on Japanese paper mounted on panel...

Henri d'Anty Brittany : The Red Roofs Original oil on canvas Handsigned bottom left On canvas 60 x 73 cm (c. 24 x 29 inch) Excellent condition

We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...