Santa Fe - Paintings

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

acrylic, mixed media on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his piece...

"Portrait of Horace" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classicall...

Navy, yellow blue Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

"Barque sur la Seine (Boat on the Seine)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper Studio stamp and INV Nbr. 1710RT 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

acrylic, paintstik on canvas Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He starts...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

acrylic on canvas blue green white

"Portrait of The Sage" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (16 x 14 1/2 frame) inches Emin Abbasov is classically ...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

acrylic, oil paintstik on canvas blue gray black Thomas has taken the influences of the flora of Chinese ink drawings. He translates those ideas into spontaneous modern abstractions...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Purple, orange, green, sage, lilac, yellow, rust, peach, salmon 13 x 13" oil painting on canvas with frame. Inspired by the drama of nature and light, Cynthia creates abstracted land...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 frame) inches Emin ...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

Red white beige khaki orange brown rust maroon black Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

James Koskinas_ Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. Warm palette juxtaposed against cool gray background. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

mixed media on panel My paintings explore the themes of light, atmosphere, and the emotional impact of nature. The bold, expressive brushstrokes and saturated hues in my work aim to...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

acrylic, paintstik on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces ...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

digitally manipulated image printed and adhered to canvas, framed I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the b...

acrylic on canvas blue white yellow red orange can hang vertically or horizontally Thomas starts with several layers of acrylic, using processes of contrasting colors and surface te...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

acrylic, ink on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates those idea...

acrylic, mixed media on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

Scotch Broom 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the essenc...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

acrylic, ink on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates those idea...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

12 x 12" oil, aluminum leaf on panel Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Represen...

acrylic, sumi ink on canvas, framed in maple black, red, yellow, white Thomas Slate uses large gestural drawings to create energetic abstractions. The la...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

acrylic, paintstik on canvas Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates t...

acrylic, sumi ink on canvas black white red blue Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his p...

still life from Santa Fe artist Rush Cole BIO Rush Cole grew up loving the richness of Life! As she matured, she expressed her delight at being in this world by drawing and painti...

still life from Santa Fe artist Rush Cole BIO Rush Cole grew up loving the richness of Life! As she matured, she expressed her delight at being in this world by drawing and painti...