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Item Ships From: Santa Fe
Sunrise Moments, August 25, 2013, 7:15:36 am, Eagle Nest Lake, New Mexico
By David H. Gibson
Located in Sante Fe, NM
In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Sunrise Moments, August 25, 2013, 7:14:32 am, Eagle Nest Lake, New Mexico
By David H. Gibson
Located in Sante Fe, NM
In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Morning Along Cypress Creek, January 30, 2010, 7:50 AM, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Morning Along Cypress Creek, February 1, 2009, 7:47 AM, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...
Category
Early 2000s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Sounds of Silhouette
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silk, Sumi Ink, Archival Pigment
Nuance 1
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silk, Sumi Ink, Archival Pigment
For the Only 2
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten countries as a part of the cultural exchange programs, Up with People and The Ship for World Youth. When her time with those groups ended she moved to the United States, where she discovered photography and started incorporating it with calligraphy. Chaco has led demonstrations and has taught calligraphy workshops at the Dallas Museum of Art, The Crow Asian Art Museum, Greenhill School, and Saint Mark’s School of Texas among others. Chaco’s artwork has been exhibited in Dallas, Santa Fe, New York and Los Angeles and Paris.
Process Statement
My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Sumi Ink, Archival Pigment
House of the Poet 1
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silk, Sumi Ink, Archival Pigment
SAKURA Front 2, unique photograph on silk with sumi ink brushwork
By Chaco Terada
Located in Sante Fe, NM
SAKURA Front 2, unique photograph on silk with sumi ink brushwork
Chaco Terada, originally from Japan, was trained at a young age in the art of cal...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Sumi Ink, Archival Pigment
Swan on Lake, Pyin U Lwin, Myanmar
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Mountain Tree, Study 2, Danyang, Chungcheongbukdo, South Korea
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Domaine de Chaumont-sur-Loire, Study 2, France
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Droopy Tulips
By Kate Breakey
Located in Sante Fe, NM
Artist Statement
For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Blue Vase, Two Dead Flowers
By Kate Breakey
Located in Sante Fe, NM
Artist Statement
For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Carnation in a Bottle
By Kate Breakey
Located in Sante Fe, NM
Artist Statement
For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Highway50, Wells, Nevada; September 14, 2018
By Steve Fitch
Located in Sante Fe, NM
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Highway 66, Peach Springs, Arizona; April 10, 2022
By Steve Fitch
Located in Sante Fe, NM
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Highway 93, Boulder City, Nevada; April 12, 2022
By Steve Fitch
Located in Sante Fe, NM
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Highway 50, Wells, Nevada; September 14, 2018 (Shell Crest)
By Steve Fitch
Located in Sante Fe, NM
Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Cypress Creek, November 19, 2000, 7:32AM, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
28 x 50" 8-ply mat for an additional $203.00
-
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
November Moment, Cypress Creek, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
28 x 50" 8-ply mat for an additional $203.00
-
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Weaver's Canyon, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region.
Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Cloud, Laguna Indian Reservation, New Mexico
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Silent Sound, Sandstone Formation, Page, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Wave Dance, Sandstone Formation, Page, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Limpia Creek, Fort Davis, Texas
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region.
Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category
21st Century and Contemporary Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Zion No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Zion No. 6
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Zion No. 59
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Shiprock No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Lake Blanche No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Mt. Nebo No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Grandeur to Olympus No. 868
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Grandeur to Olympus No. 872
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Dead Horse Point No. 36c
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Mt. Olympus No. 3
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Capitol Reef/Factory Butte No. 89
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Capitol Reef Mesa No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Bryce No. 70
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Bryce No. 26
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Antelope Island No. 779
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Antelope Island No. 766
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Santa Fe - Landscape Photography
Materials
Archival Pigment
Timpanogos Back No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Two Leaning Trees, Study 2, Kussharo Lake, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Six Sipetca Trees, Shibecha, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Fuyugakoi in Snow, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Ororon Line, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Orumnai Ice, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Hyomon, Study 2, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-wh...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Silver Gelatin
Mt Watkins Sunrise No. 2 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Mount Watkins Sunset No. 1 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Yosemite Gateway No. 3 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Half Dome No. 3 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Cathedral Rock No. 1 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Half Dome No. 2 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Yosemite Weston Sky (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Half Dome Singularity No. 1 (with 3D printed landscape)
By Edward Bateman
Located in Sante Fe, NM
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...
Category
2010s Contemporary Santa Fe - Landscape Photography
Materials
Archival Pigment
Kyle looking at a bird's nest, Little Death Hollow, 5/15/96
By Mark Klett
Located in Sante Fe, NM
Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson...
Category
1990s Contemporary Santa Fe - Landscape Photography
Materials
Inkjet
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