South Carolina - Animal Prints
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Item Ships From: South Carolina
'Wading Egret' — Japanese Woodblock kacho-e
By Ohara Koson
Located in Myrtle Beach, SC
'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with fresh colors,...
Category
Early 1900s Naturalistic South Carolina - Animal Prints
Materials
Woodcut
'Carp and Water Chestnut' — Showa lifetime impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson (1877-1945), 'Carp and Water Chestnut', color woodblock print, 1926. A fine impression, with fresh colors, on cream Japan paper; the full sheet, in excellent condition.
Signed 'Koson' with the artist’s red seal 'Koson'. Published by Watanabe Shozaburo. With the Watanabe 'C' seal in the lower right margin, indicating a lifetime impression printed between 1929-1942.
Image size 13 1/2 x 7 1/4 inches (343 x 184 mm); sheet size 14 1/2 x 7 1/2 inches (368 x 191 mm). Archivally sleeved, unmatted.
Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. S39.1, pl 169.
Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago).
In Japanese art, the carp represents good luck and good fortune.
ABOUT THE ARTIST
Koson Ohara...
Category
1920s Showa South Carolina - Animal Prints
Materials
Woodcut
'Bighorn' — Mid-Century American Regionalism
Located in Myrtle Beach, SC
William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...
Category
1940s American Realist South Carolina - Animal Prints
Materials
Lithograph
'Inside the Flowers' (Java Sparrow and Peach Blossoms) — Mid-Century Japanese
Located in Myrtle Beach, SC
Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A superb impression, with fresh, delicate colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 12 3/4 x 18 1/2 inches (324 x 470 mm); sheet size 14 3/4 x 20 3/16 inches (375 x 513 mm).
Published by The Momose Print Company of Tokyo.
ABOUT THE ARTIST
Uemura Shoko (1902-2001) was the son of the famous shin-hanga artist Uemura Shoen...
Category
1950s Showa South Carolina - Animal Prints
Materials
Woodcut
Lion Défendant sa Proie (Lion Defending Its Prey)
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
1930s Modern South Carolina - Animal Prints
Materials
Engraving
'Mazeppa' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
1820s Romantic South Carolina - Animal Prints
Materials
Lithograph
'Pups in the Pit' — American Realism
Located in Myrtle Beach, SC
William Wind McKim, 'Pups in the Pit', lithograph, 1967, edition c. 50. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/8 to...
Category
1940s American Realist South Carolina - Animal Prints
Materials
Lithograph
Asie (Asia) from the series Atlas
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...
Category
1930s Modern South Carolina - Animal Prints
Materials
Engraving
Whaling – Vintage Monumental Zoology Lithograph
Located in Myrtle Beach, SC
Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected.
Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900.
This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...
Category
Early 1900s Naturalistic South Carolina - Animal Prints
Materials
Lithograph
'Foul Rope (Left)' — Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist South Carolina - Animal Prints
Materials
Etching
'Le maréchal flamand' (The Flemish Blacksmith) — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category
1820s Romantic South Carolina - Animal Prints
Materials
Lithograph
'Cheval de Mecklembourg' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...
Category
1820s Romantic South Carolina - Animal Prints
Materials
Lithograph
Leucippus Fallax (Buffy Hummingbird) — Original Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Myrtle Beach, SC
John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...
Category
1850s Realist South Carolina - Animal Prints
Materials
Lithograph
'Horse Attacked by Tiger' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
1820s Romantic South Carolina - Animal Prints
Materials
Lithograph
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Previously Available Items
'Barn Swallows and Willow' — 1920s Japanese Woodblock Kacho-ga
Located in Myrtle Beach, SC
Ito Sōzan, 'Barn Swallows and Willow', color woodblock, c. 1920. Signed 'Sozan' in black ink, upper right, with the artist’s red seal beneath. A superb, skil...
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1920s Naturalistic South Carolina - Animal Prints
Materials
Woodcut
'Rabbits and the Moon' — Showa, Pre WWII impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson, 'Rabbits and the Moon', color woodblock, 'oban tate-e', 1931. Signed 'Shoson' with the 'Shoson' red seal, lower left. A very fine impression, with pronounced woodgrain ...
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1930s Showa South Carolina - Animal Prints
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Woodcut
'Bullfinch on a Flowering Plum Tree' — Japanese kacho-e, c. 1900
By Ohara Koson
Located in Myrtle Beach, SC
'Bullfinch on a Flowering Plum Tree', color woodblock, c. 1900. Signed 'Koson with the artist's red seal 'Koson'. A fine impression, with pronounced woodgrain and fresh colors, on cream, wove Japan paper; the full sheet in excellent condition. Stamped 'MADE IN JAPAN' in the bottom right margin, verso. Published by Daikokuya. Image size 13 7/16 x 7 1/4 inches (341 x 184 mm); sheet size 14 3/8 x 7 1/2 inches (365 x 191 mm). Archivally sleeved, unmatted.
Literature: 'Crows, Cranes and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001, pg 173.
Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago).
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Koson Ohara...
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Early 1900s Naturalistic South Carolina - Animal Prints
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'Mandarin Ducks' — Japanese Woodblock Print, c. 1910
Located in Myrtle Beach, SC
Kogyo Tsukioka, 'Mandarin Ducks', color woodcut, c. 1910. Signed 'Kogyo', lower right. A fine impression from a later printing, on cream Japan paper, with fresh colors; the image printed to the sheet edges, in excellent condition. Image size 9 1/2 x 9 7/8 inches (241 x 251 mm). Archivally sleeved, unmatted.
One of about fifty kacho-e (bird and flower prints) in the shikishiban (almost square) format designed by Tsukioka Kōgyo for the publisher Daikokuya (Matsuki Heikichi) around the turn of 20th century.
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Kogyo Tsukioka (1869-1927) was a Japanese artist of the Meiji period. He was a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō...
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Ohara Koson (1877-1945), 'Eagle on Snow Covered Pine', color woodblock print, c. 1905. Signed 'Koson' with the artist’s red seal 'Koson'. A very fine impression, with fresh colors on cream Japan paper; embossing in the snow-laden branches and the falling snow rendered with hand-splashed ‘gofun.' The full sheet in excellent condition; stamped 'MADE IN JAPAN' lower left, verso. Published by Nishinomiya Yosaku; a pre-WWII impression.
Image size 13 11/16 x 7 7/16 inches (348 x 189 mm); sheet size 14 1/2 x 8 1/8 inches (368 x 206 mm). Archivally sleeved, unmatted.
Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. pg. 86, pl. 67.
ABOUT THE ARTIST
Koson Ohara...
Category
Early 1900s Showa South Carolina - Animal Prints
Materials
Woodcut
Cat (Neko)
Located in Myrtle Beach, SC
Nishiyama Suisho, 'Cat (Neko)', color woodblock print, 1921. Signed 'Suisho' with the artist’s red seal beneath. A fine impression, with fresh, undiminished colors, with metallic gol...
Category
1920s Showa South Carolina - Animal Prints
Materials
Woodcut
Cockatoo on Pomegranate — Lifetime Impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson, 'Cockatoo on Pomegranate', color woodblock print, 1927. Signed 'Shoson' with the artist's, red seal 'Shoson'. A fine, life-time impression, with fresh colors—deep black...
Category
1920s Showa South Carolina - Animal Prints
Materials
Woodcut
Stampede
By Carl Rungius
Located in Myrtle Beach, SC
Carl Rungius, 'Stampede", etching, 1925, edition not stated. Signed in pencil, lower right. A fine impression, on off-white wove paper, with wide margins (1 3/4 to 2 3/8 inches), in ...
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1920s Realist South Carolina - Animal Prints
Materials
Etching
Rabbits and the Moon
By Ohara Koson
Located in Myrtle Beach, SC
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The Gazelle
Located in Myrtle Beach, SC
'The Gazelle' from the folio 'Bestiaire', with illustrations in hand-stenciled pochoir; designs by Simon Bussy; prose by Francis Miomandre. Published by G....
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1920s Art Deco South Carolina - Animal Prints
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