Spain - Armchairs

The angled lines of the Jet collection are inspired by the swift spoilers of aviation, gifting it with a glaring look and an aerodynamic silhouette that looks like it is about to tak...

1950s Spanish pair of wicker on wood frame chairs.

Classic armchair designed and produced by “Móveis Cimo” in 1940s, made of solid “imbuia” wood, curved “imbuia” plywood and brass details. Very strong and c...

Armchair structure base in cast aluminum. Seat, backrest are in plywood with exteriors in walnut nature effect NG EN2 upholstered in aged camel V18 Various fabrics and leather...

Vintage set of four 1970s Spanish bamboo peacock chairs.

Armchair model “Lady” designed by Marco Zanuso and edited by Arflex, made with solid wood structure and black metal legs. Bouclé wool upholstery Koala model edited by Pierre Frey. Fo...

Bamboo and Hand-Stiched Rope Armchair

Modular Italian armchair circa 1970. The armchair is made of a solid wood structure covered in foam and upholstered by hand in a beige bouclé. It is a comfortable and versatile modu...

Sofa model “Ander” Side Gallery edition Manufactured by Side Gallery Barcelona, 2018 Wood frame, linen upholstery Measurements: Armchair 78 cm x 114 cm x 75 H cm 30.70 in x...

1870s French Louis XVI style white lacquered and velvet upholstered armchair.             

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

1970s Spanish armchair of bamboo wicker tall back rest.

Set of five wooden armchairs upholstered in brown velvet. They come from renowned La Meridiana restaurant in Marbella, famous in the 1980s for being Marbella's Jet set meeting place....

Pair of armchairs From the series “Additional System” Manufactured by Sormani Italy, 1968 From the archives of Side Gallery Barcelona Aluminium,...

18th century Peruvian "frailero" wooden chair with stretched leather seat and back.

Bamboo and wicker chair with armrests in brown tones.

18th century French armchair upholstered with the original chinoiserie tapestry.

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Materials: Fabric Dimensions: D 85 cm x W 64 cm x H 60 cm (SH 37 cm) G...

1980s set of eight kettal garden chairs with armrests.

Marco Zanuso Woodline Armchair For Cassina Marco Zanuso’s exploration of support structures upon which to anchor the seat dates back to the design for an armchair entered in a MoMA...

Bamboo and rattan armchair in the style of Viggo Boesen, Netherlands 50's Very comfortable.

Pair of handmade light brown wooden armchairs with string rope back and seat.

1990s Chinese oriental wooden armchair.

Vintage 1950s Spanish pair of white painted hand woven wicker and bamboo armchairs.

1950s Set of four wooden chairs painted in pink.

'Meltdown Chair, PE Pink' is a piece by English artist Tom Price, from the Meltdown Series. This chair is made entirely from polyethylene sheets, no other material is added. The artist creates a knotted mass of pink polyethylene sheeting and then he presses it on a heated metal seat-shaper former. The sheets melt and, when they cool and subsequently harden, the shape of the seat is created, while the remaining plastic is heated and sculpted into solid twisting forms. Tom Price thus alters the structural and aesthetic qualities of the plastic material, giving rise to interesting contrasts in texture and form within the same object. Launched in 2007, the Meltdown Series earned Tom Price widespread international acclaim for his innovative production processes and eye-catching approach to working with commonplace plastic products. The way of assembling the plastic material and the mostly unpredictable patterns created by the heating method ensure that every piece is unique and unrepeatable. This design pieces are true sculptural objects, while at the same time being fully functional and very robust. Meltdown Chairs are included in the permanent collections of several Museums, including SFMOMA San Francisco Museum of Modern Art (US), the Denver Art Museum (US), The Nelson Atkins Museum (US), Chatsworth House (UK), MKG Hamburg (Germany) and the Amore Pacific Museum (South Korea). Works from the Meltdown Series have been exhibited extensively throughout the USA, South America, Europe, the Middle East, and Asia. They have been included in many high-profile museum exhibitions, including SFMOMA San Francisco Museum of Modern Art (US), MAD Museum of Art and Design New York (US); The Mint Museum (US); Denver Art Museum (US); Design Museum Holon (Israel); Design Museum Gent (Belgium); NRW Forum Dusseldorf (Germany); The Latvian National Museum of Art in Riga (Latvia). They have also featured at international art and design fairs, including Design Miami Basel (Switzerland); Sao Paolo Design Festival (Brazil); Cheongju International Craft Biennale (South Korea), Design Days Dubai (United Arab Emirates); Gwangju Biennale (South Korea) and Lodz International Design Biennale (Poland). Finally, the series has been featured in multiple publications, including: The Campaign for Art...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Cassina offers a new reinterpretation of the iconic model dated 1935: i...

Charlotte Perriand Doron Hotel Outdoor Armchair For Cassina Already in the interior decor line, Cassina introduces a solid teak outdoor version of the iconic Doron Hotel design arm...

Salto and Sigsgaard Council Chair Wood Types: Oak, Upholstery: Nevada Leather Black For One Collection. The Council Chair, designed in 2011 by Kasper Salto & Thomas Sigsgaard, was ...

Set of 4 armchair from the 19th century in Rennaisance Louis XVIII style. In leather, solid wood and bronze. Good condition.

Set of five vintage 1970s Spanish woven wicker on wood white garden armchairs.

Philippe Starck Volage Ex-S Night Armchair For Cassina A design sofa by Philippe Starck for the Volage EX-S Night Sofa concept that transforms the nighttime zone into an island of w...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

1970s Spanish bamboo and willow wicker rocking chair.

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

1950s Spanish woven rope bottomed wooden armchair with spindle legs.

Set of armchair and 2 chair First Empire Napoleon III early 19th Century France measure armchair: 86cm x 64cm x 54cm measures chairs: 82cm x 50cm x 45cm wood proveniente : Roman...

The armchair designed by Angel Mombiedro with a curved shape throughout its structure with a metal frame and seat and back upholstered in dark blue velvet.      

These chairs or armchairs work very well as seats in an entrance or hallway. . They are wide chairs but despite everything they are light. This pair of a...

The Hug contemporary chaise longue and ottoman is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 16 / 12 mm is complemented by the flexibil...

Marco Zanuso Antropus Armchair For Cassina A design armchair upholstered entirely in leather or fabric. Added depth lends shape to the comfortable, roomy seat flanked by sensuously ...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

Pair of armchairs with structure and legs made of solid wood and reupholstered in white wool. Norway, late 20th Century. Our white armchairs boast a striking minimalist aesthetic, f...

The Italian armchair model "Elettra," designed by B.B.P.R. and produced by Arflex, features a solid wood structure and sleek metal legs. This iconic lounge chair was awarded the pres...

Woodline armchair designed by Marco Zanuso in 1964, relaunched in 2015. Leather and stained walnut wood. Manufactured by Cassina in Italy. A...

Chinese Ming Style Carved Wood High Back Black Throne ArmChairs. The pieces are complementary with different sizes for male and female.

Mid-20th century sculptural chair. Composed of remains of ancient farming implements. Handmade of olive wood and walnut structure, France, 1940s. Every item LA Studio offers is chec...

Armchair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. With its refined details and welcoming forms, the stackable Dine Out armchair has a solid teak fram...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Set of armchair and footrest Manufactured by Forma Moveis,  Brazil, 1950 Iron structure, fabric upholstery Pair of purple velvet Mid-century modern velvet armchairs made in Brazil. Measurements: 100 cm x 60 cm x 70 H cm (armchair) 39.37 in x 23.62 in x 27.56 H in (armchair) Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 (similar model). Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

The “Repose” contemporary armchair belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

Experience timeless elegance and exceptional craftsmanship with the Pierre Jeanneret Armchair, originally designed circa 1950 and relaunched in 2019. Manufactured by Cassina in Italy...

Armchair Manufactured by Guillermo Santomá Edition side galley Barcelona, 2018 Tibetan sheep fur, foam, porex.

Michael Anastassiades Flutz Armchair For Cassina A chair designed by Michael Anastassiades as an oxymoron, with an austere metal structure that embraces a comfortable, inviting sea...

Designed by Paolo Deganello for the Archizoom Group in 1973 as an unorthodox interpretation of the modern design armchair, the audacity of its shapes is echoed in the experimental use of materials. Manufactured by Cassina in Italy. The AEO chair...

Mid-20th century sculptural chair. Composed of remains of ancient farming implements. Handmade of olive wood and walnut structure, France, 1940s. Every item LA Studio offers is chec...

Pair of Provencal armchairs in beech wood, backrest with four carved bars, turned legs and X-shaped crosspiece, the seat is made of straw, one of them original, the other was incorpo...