Stamford / Westport - Paintings

Bright impressionist views done with almost pointillist brushwork are rare and even more so from this vantage point in Provincetown. It is in a h...

This impressionistic winter landscape painting by Molly Doe Wensberg features a cool blue, green, and white palette. The artist captures a s...

Conceived of as one half of a diptych, together with Twelfth Night Red, the title of this painting suggest a reference to William Shakespeare’s play Twel...

Saturday Morning has translucent jewel tones and is beautifully painted. Done during the early 1960's it was a favorite subject for the artist to depict boats coming into harbor as ...

This small abstract painting by Tony Iadicicco is made with oil paint on gallery wrapped canvas. Three parallel dark blue-grey horizontal lines are located at the top of the composit...

This fabulous Portrait of Andre Cottavoz's patron, Mark Rosenhaft is an expressive and memorable work. Everything about it is super - from the individu...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

This original painting by Christine Averill-Green features a cool blue and metallic silver palette with a vibrant yellow accent. A blue and white vas...

This abstract painting by Roger Mudre is made with acrylic paint on gesso paper. It features a cool palette, with wash layers of circular shapes that are overlapped over one another,...

A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...

This abstract coastal landscape painting by Kelly Rossetti is made with oil paint on paper. It features a cool blue palette with contrasting pink and orange tones across an abstracte...

This mid-sized abstract statement painting by Julia Contacessi features a cool palette with washes of deep blue, warm grey, and a metallic gold accent that flows through the center o...

A coastal scene, Sunyata is painted with a unique intensity. The painting itself measures 42 x 64 inches so other dimension is framed. In a lovely wood stained frame. Through this intensity, Sarah has found expression for a range of moods that encompass the whole human condition—awe, grief, anger, and joy are all represented here in haunting forms. These are the emotions that inspired the work and they are expressed metaphorically and spiritually, directly and indirectly in her works: her awe at the beauty of the natural world touched by the hand of the divine; her anger at the willful destruction of our planet and its resources; her grief in the form of a wave crashing against rocks; and her joy and exhilaration as sunlight bursts through the branches of a willow tree. Sunyata was directly inspired by lines from Keats’ “When I have Fears:” Then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink Signed: Gillespie lower right Marked: Sarah Gillespie...

This original painting by Teodora Guererra features a pink and green palette with circular, abstracted pink floral shapes assembled at the center of the composition on a pale green b...

This traditional landscape painting by Molly Doe Wensberg features a warm palette, capturing a scene of lush yellow rolling hills and deep green patches of t...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This large horizontal abstract statement painting by Kelly Rossetti features a cool blue palette with deep charcoal and pale pink accents throughout. The artist layers the colors usi...

This abstract painting by Sue De Chiara is made with acrylic paint on canvas. It features a light blue-grey palette, with white circular shapes applied in light, loose strokes across...

This traditional landscape painting by Molly Doe Wensberg features a cool palette and a loose, impressionistic style, capturing a forest scene with the white trunks of birch trees at...

This mid-sized abstract statement painting by Julia Contacessi features a cool palette with washes of deep blue, warm grey, and a metallic gold accent that flows through the center o...

This abstract floral encaustic painting by artist Linda Bigness features a cool blue palette with metallic gold leaf accents. The painting is made with e...

This abstract floral encaustic painting by Linda Bigness features a cool green and blue palette, with subtle warm muted orange accents and large organic botanical forms and line work...

This abstract oil painting by Tony Iadicicco features a light grey palette. The painting has an abstracted landscape composition, with a stark horizon line running through the compos...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a light, neutral palette with a grid-like pattern throughout the abstract composition. The artist layers paint on the canvas, creating texture among softly blended colors. The painting itself is 24" x 36" and measures 27" x 37" 1.5" framed. It is signed by the artist in the lower right-hand corner of the painting and is framed in a very thin floater frame with a silver face and brown sides. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School...

This abstract painting by Teodora Guererra features a light blue, white, and grey palette with floral shapes assembled at the center of the composition. The artist applies thick laye...

This traditional landscape painting by Molly Doe Wensberg features a cool palette and a loose, impressionistic style, capturing a forest scene with the white trunks of birch trees at the center of the composition. Yellow and orange dabs of paint create foliage in the trees and forest...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This abstract painting by artist Ned Martin features an eagle in flight, with the background and subject abstracted into small, geometric shapes and sections, with an almost pixelate...

This horizontal abstract painting by Teodora Guererra features a blue, teal, lavender and white palette. The artist layers thick strokes of paint using a palette knife in broad, hori...

This impressionistic winter landscape painting by Molly Doe Wensberg features a cool blue, green, and white palette. The artist captures a l...

This abstract painting by Ned Martin is made with oil paint and aluminum on board. It features two blue and green birds, one at the top right-hand corner and one at the bottom left, ...

This is an abstract encaustic painting by Linda Bigness with silver and gold leaf on board with neutral sides. The painting features a multicolored palette with vibrant teal, red, ye...

This minimalist layered painting is by David Skillicorn. Hw began his career as a documentary filmmaker and is a self-taught artist. His process is one of applying paint liberally, c...

This abstract painting by artist Christine Averill-Green is made with oil and mixed media on canvas. Blue, purple, and teal colors blend together beautifully and are juxtaposed by metallic gold paint embellishments, causing the painting to change in altering light. The artwork features organic line work and calming colors. Averill-Green has been exhibiting her artwork in galleries and museums in Upstate New York for over 40 years. She received her B.A. in Art and an M.S. in Art Education. Artists such as Richard Diebenkorn, Euan Eglow, Antonio Lopez Garcia, and her teachers Catherine Kehoe...

Impressionist artist Purdy often paints figures in tranquil settings that include windows and flowers. The colors of yellow, soft blues and whites here convey a sunny setting. He oft...

This abstracted painting of a dog by Russell Miyaki features a loose, energetic style and vibrant, colorful palette. The artist layers wide brush strokes and thin lines to create a black and white dog's form from the shoulders up, wearing a blue collar, on a bright, contrasting pink background. The painting is made with acrylic paint on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s corset...

This large abstract painting by Kelly Rossetti is made with acrylic paint and raw canvas pieces assembled on gallery wrapped canvas. It features a light pink and blue palette with ge...

This original abstracted landscape statement oil painting by artist Bri Custer features a warm, earth-toned palette and thick, loose paint strokes over the surface of the canvas, cre...

This contemporary abstract painting by Sofie Swann features a bold palette, with two simple house shapes situated side-by-side at the center of the composition over a black backgroun...

This textured abstract diptych by Teodora Guererra features a light blue, grey, and white palette. The artist layers thick strokes of paint using a palette knife over board, creating...

This contemporary realistic landscape painting by Carol Young captures a barn in a rural setting. It features a vibrant palette, with ...

This abstracted painting of a Pit Bull dog features a loose, energetic style and a warm neutral palette. The artist layers wide brush strokes and thin, swirling lines to create the dog's full form in warm tones on a light grey background. The painting is made with acrylic paint on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s...

This large abstract statement painting by Kelly Rossetti is made with acrylic paint and raw canvas pieces assembled on gallery wrapped canvas. It features a light pink and deep blue ...

This horizontal abstract painting by Ned Martin is made with oil paint and 24K gold leaf on aluminum. The artist's signature square and rectangular patterned composition serves as a ...

This abstract painting by Teodora Guererra features a deep teal and pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping strokes...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

This abstract encaustic painting by Linda Bigness is made on board and features a vibrant multicolored yellow, turquoise, and muted pink palette with a neutral grey background and ne...

This impressive and unique beach related abstraction has a lovely soft peach color palette. Inspired by his experience in Normandy France during the war, Della-Volpe has turned a re...

This abstract oil painting by Tony Iadicicco features a blue monochromatic palette. The painting has an abstracted landscape composition, with three...

Painted in 1961 in the south of France, Le Paysage's jewel tones and energetic, thick brushwork lure you into not a literal landscape of paint and asks you to discern it's true content. It has charm, expressiveness, abstracted content and idiosyncratic nature! A delight to hang in a smaller intimate spot. The framing is carefully done with silvered 24 karat leafing around the float area of the frame and then a wide panel to allow the viewer to focus in on the composition itself and the texture of the paint. Andre Cottavoz is very well noted artist of the French and Paris school of art...

This abstract painting features cool grey background and layers of metallic gold throughout. The central abstract form is composed of imperfect shapes placed side by side. The painti...

This work features a sculptural and highly impastic surface. It is dynamic and is from a wonderful series of works by this artist that explore the qualities of paint itself. Zinsse...

This contemporary abstract painting by Teodora Guererra features a light, coastal palette of blue, light grey and off-white. The artist applies thick layers of oil paint in sweeping, horizontal gestures to create a thick, textured surface. The painting is made on gallery wrapped canvas and is wired and ready to hang. Signed by the artist on the back of the canvas. Teodora Guererra’s abstract artistic vision has evolved throughout her years spent painting and teaching in Fairfield County, Connecticut; Tucson, Arizona, and upstate New York. Arizona’s naturally radiant landscape and arid climate led her to experiment with rich under-painting and vivid color; while the shifting seasons of the East Coast inspired Guererra to pursue dripping and staining techniques. Her focus has always been pushing the limits through experimentation with new materials. “As an artist, painting can be tormenting and sublime at the same time," the artist says of her work. "I'm a big risk taker, experimenting with different materials to layer, stain and saturate color on large canvases. My most successful work looks as if it happened all at once. It sometimes takes 7 or more paintings to produce a successful one and then it's a beautiful thing." Guererra received her undergraduate and graduate Art degrees from Southern Connecticut University, The College of Saint Rose and Skidmore College. Guererra’s paintings can be found in public and private collections across the U.S., including the Allmen Health and Wellness Center for Women in New York and SUNY Brockport, NY, William & Sonoma, San Francisco, CA. Her influences are Pat Steir, John McCracken, Helen Frankenthaler, Donald Jud, Bernar Venet, Agnes Martin and Brian Rutenberg...

This abstracted painting of a dog by Russell Miyaki features a loose, energetic style and vibrant colors. The artist layers wide brush strokes and thin,...

Still Life with Radish is a super work that uniquely and expressively captures a French kitchens table. It is also evocative of the Master Chaim ...

Liz Barber's organic abstract paintings are layered bursts of energy inspired by nature’s movement. Forms and lines fall into a sea of emotion. Shapes and reflections drift into volu...

This abstracted painting of a dog by Russell Miyaki features a loose, energetic style and a warm neutral palette. The artist layers wide brush strokes and thin, swirling lines to create the dog's form in warm tones, with contrasting accents. The dog's paws rest on a lavender-grey surface in the foreground, with a light beige background. The painting is made with acrylic paint on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s corset...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...