Texas - Boxes

French Majolica beehive honey pot circa 1930.

Majolica tobacco jar signed Onnaing, circa 1890. Decorated with a goat and wheat and leaves.

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A very attractive Japanese red ground cloisonne round box and cover featuring a design of fans, Meiji Period, circa 1900, Japan. The round cloison...

Perhaps originally designed as a Bento Box, this is a one-of-a-kind piece for your home-office or study desk. It has iconic 1970s modern lines and beautifully exemplifies the elevat...

A scarce very fine quality Napoleon III Period (1852-1870) gilt bronze ormolu mounted inlaid glove box by important Parisian ébéniste Paul Sormani (1817-1877) Exquisitely hand-cra...

Rectangular Brass Box Signed Sarreid Spain. This interesting well made rectangular decorative brass box with a contrasting metal handle has a compartment inside that slides from side...

A lovely small Chinese export cloisonne trinket box with a carved hardstone roundel, Early Republic Period circa 1915, China. The small cloisonne box set on four short bun feet, and...

Vintage Geometrtic Tesselated Bone Box. This beautiful decorative box is the perfect accessory for a coffee table, dressing area or bookcase.

A stunning vintage Moorish arabesque inlaid table box, 20th century, high quality rectangular box with hinged lid, featuring contrasting mother of pearl, exotic hardwood, and bone marquetry inlay arranged in geometric patterns, opening to red fabric lined interior. Dimensions: (approx) 3" High, 16.75" Wide, 6 1/8" Deep; 3.2lbs As warm and attractive as it is functional, having the ideal large size and proportions for a variety of different uses, including concealing a remote control on your coffee table or sofa table, or as a jewelry casket, trinket case...

19th Century Portuguese Majolica Pumpkin Mustard Pot signed A.Cunha Caldas da Rainha. H / 4 inches , Diameter / 4.5 inches.

A well painted Chinese Canton enamel lobed round box and cover featuring the Eight Immortals, with a Qianlong mark to the underside, late Qing Dynasty, circa 1900, China The deligh...

French Majolica elephant money bank Saint Clement, Circa 1930.

Large Red Majolica Money Bank Squirrel Circa 1950.

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

French Majolica box dog in a kennel signed Choisy le Roi , circa 1880.

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Place this elegant, antique Napoleon III silverplated box in your master bath to keep your jewelry safe and organized. Crafted in France circa 1870, and built of bronze, the rectangular casket with raised top, sits on small scrolled feet, and is dressed with lion face handles on both sides. All sides including the top are decorated with detailed repousse floral and leaf motifs in high relief throughout; the top is decorated with a oval medallion featuring Poseidon, one of the Twelve Olympians in ancient Greek religion and mythology...

A small and delightful Japanese yellow ground cloisonne round trinket or incense box, Meiji Period, circa 1910, Japan. The small box of squat, round shape, and may originally have b...

Small 19th Century Palissy Majolica Pumpkin Tureen.

2 handmade boxes included. Rare 1800s Tramp Art Lion Door knocker Hand Carved Storage Box / Jewelry Box / Crimson Velvet with Brass Hardware With intricate and elaborate decoration, ...

Regency Sterling Amboyna Box Paul Storr, London, 1813, Royal Coat of Arms  England, London, 1813  An exquisite Regency Sterling Amboyna Box, crafted by the renowned silversmith Paul...

A rare and exceptional Aesthetic Movement period Bohemian enameled jewel casket attributed to luxury glassmaker Moser. Hand-crafted in the late 19th cent...

PRESENTING A STUNNING 19C Irish Coromandel Wood Campaign Decanter Box. STUNNING mid-Victorian Decanter box from circa 1860-1880. Made in Dublin...

Postmodern artisan-made sculptural, carved granite & aluminum stand displayed with handmade, studio craft, teak trinket box. Such a beautiful and unique pairing of objects. We've co...

PRESENTING A BEAUTIFUL and RARE 19C Anglo Ceylonese Specimen Wood Trinket Box. Made in ‘Galle’, Ceylon (now Sri Lanka) circa 1860-80. Made for the ex...

19th Century Majolica napkin Trompe l'oeil box or basket/tureen with an egg on the handle signed Sarreguemines.      

The small Mudejar coffer is decorated with stars using bone inlay, faux tortoiseshell and ebony. It also has a masterfully crafted iron lock.  

Majolica tobacco jar Onnaing, circa 1890. The two handles are elephants heads, decorated with corn, the handle of the jat is a corn. Usually in ...

An important early antique Italian Renaissance table box, handcrafted in Northern Italy in the 17th/18th century, cassone chest form, richly inlaid, the top and front panel with fruitwood banding framing...

A well-made antique, circa 1830, English tea caddy with stunning marquetry inlays, warm coloring, superb detailing, and luminous rich patina! When tea first arrived in Europe in t...

French Majolica money bank pig with a bag Orchies circa 1900. Small hairline and bubbles on the glaze.

French Majolica tobacco jar with a parrot Onnaing, circa 1880.   

An absolutely lovely Chinese export pink Canton enamel round stacking box and cover, late Qing Dynasty, circa 1900, China. The circular stacking box consists of a bowl form base, ...

A fine quality Regency Era / Georgian Period tea caddy set in sumptuous plum-pudding mahogany. Exquisitely hand-crafted in England at the turn of the late 18th / early 19th century,...

This Maitland Smith hommage to Paul Frankl's "Skyscraper Furniture" Features 18 Drawers two drawers and a pull-out shelf. It is a post-modern mast...

Presenting an absolutely fantastic 19C Anglo Ceylonese lap desk of museum quality. We can safely say that this is one of the finest lap desks we hav...

French Majolica Money Bank Cat Circa 1900.

In 15th and 16th century Europe, the works of blacksmiths from southern Germany were known far and wide. Demand for products by these skilled metal workers spread as far as the Scandinavian countries. Perhaps one of the most intriguing items that was produced by these workshops was the iron money...

Large Majolica Palissy tobacco jar attributed to Thomas Sergent, circa 1880 unsigned. Naturalistic movement of the end of 19th century. The jar have the shape of a trunk with a bir...

A lovely bow front tortoiseshell tea caddy inlaid with mother of pearl flowers and topped with a silver badge. English, circa 1870.

The excellent quality of this casket is special. The gilding is brilliant and Clean and the porcelain is beautifully painted on all sides. The casting of the bronze is superb and th...

A stunning antique Qing Dynasty Chinese export twin canister tea caddy / decorative table box. circa 1860 Hand-crafted in China for the European market when rare and exotic oriental...

A fine English honesty box or tobacco dispenser of brass from the Georgian era, circa 1820 - the rectangular brass box featuring a double-hinged lid and two compartments, one for coi...

Antique French Majolica yellow duck money bank, circa 1900.

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

French Majolica Money or Coin Bank Dog Circa 1900.

18th century Italian painted and parcel gilt reliquary box. This lovely large Italian Baroque box is made of painted and parcel gilt wood surrounded by ...

Large green Majolica Money Bank Squirrel Circa 1950.

19th century Victorian Majolica turquoise box with a bird handle and white flowers attributed to Joseph Holdcroft. Very rare shape box.                    

A stunning and scarce antique English Victorian era burlwood voting box. Hand-crafted in the 19th century, the small table box having a rectangular case wi...

19th century French bronze box with semi precious stones. Lovely 19th century French Baroque style bronze box or jewel casket with semi...

Majolica grapes tureen Sarreguemines, circa 1930.

Late 20th Century triangle tessellated travertine stone box featuring black marble and black cloth interior lining.

Late 20th Century Postmodern tessellated travertine and black marble box with brass inlay and brown cloth interior lining.

Late 20th Century tessellated black stone and travertine box.

For a interesting bar accessory, look no further than this colorful antique Faux-book "Cave à Liqueur". Crafted in France, circa 1860, the liquor box is shaped like four antique book...