Tri-State Area - Paintings

Nature's sky coupled with a lavish sunburst crowning the neighboring meadow offers a reprieve in hectic times! Marigold yellow fades into daffodil yellow and lemon yellow floating a...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Title: Great Wall Medium: Oil on canvas Size: 23 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Peter Stephens Quadrivium 78, 2024 acrylic and collage on paper 30 x 22 in image size:16 x 16 in (ste028)

Canadian artist Matt Belval Hand Painted oil on canvas - - 1/1 original Signed on reverse At a young age, he was introduced to painting by a Montérégie artist. He continued his ar...

Original Oil Painting by Richard Combes Richard Combes (b. 1963, Manchester, England) trained as an architect in the UK before moving to New York City. In 1995, he completed his MA ...

Charles Burdick (1924 - 2016) Untitled (Reclining Nude) Oil on paper (?) Sight: 7 x 10 1/4 in. Framed: 14 x 16 1/4 x 3/4 in. Signed lower right: Burdick Excellent midcentury style r...

Anthony Thieme (1888 - 1954) Other Side of Town (Leading to Pigeon Cove) Oil on canvas 30 x 36 inches Signed lower left Provenance: David H. Hall Fine Art, Dover, Massachusetts Vose Galleries, Boston, Massachusetts Private Collection, New Jersey Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

Artist: Donald Gerola, American XXth Title: Abstract Rose Year: circa 1990 Medium: Sand Fresco on Panel, signed verso Size: 36 x 47.5 in. (91.44 x 120.65 cm)

The majesty of the morning tide at sunrise sends a warm glow along the seashore and into the hearts of all those lucky enough to behold ocean at that mome...

Title: The Great Wall Medium: Oil on canvas Size: 19.5 x 15.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Ukrainian American abstract painting by Misha Reznikoff (1905 - 1971). Oil on canvas. Signed verso in monogram. Measuring 20.5 by 30.5 inches.

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

Artist: Ian Hornak (1944-2002) Title: Transparent Barricades: Variation II Year: 1974 Medium: Acrylic on canvas Size: 48 x 72 inches Condition: Excellent Inscription: Signed recto; ...

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Image size, 30H by 26L.

Title: Mini Flower Arrangement - Cactus Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition...

Signed and dated, lower right, Joseph de la Cruz f.t / Año de 88. Provenance: Private Collection, Santo Stefano d’Aveto (Genoa), ca. 1960–2022. This monumental canvas is a rare, signed example of one of the most popular subjects of Spanish Colonial, and particularly Mexican, painting: the Virgin of...

An abstract, whimsical and bold depiction of a woman standing gracefully in a white gown against a sea foam green and pruple background with delicate details. This piece captures the...

Michael Forster has a unique blend of Mexican symbolism and an approach to universal themes such as "Celestial Skies". This work explores both the mys...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministry of Arts and Culture in Warsaw. This recognition is the ultimate achievement for Polish artists. Immediately after reaching this stature, Jan was in demand for numerous individual and collective exhibitions. From 1981 through part of 1988, he worked throughout Europe. During this time period he was invited to exhibit in Switzerland and in England where he had a one-man show. His travels brought him to the United States for a short vacation that has turned into his newfound home. His work was particularly well received in Michigan where he had three one-man shows, two of which were in Grosse Pointe and Harbor Springs...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

Vintage modernist abstract oil painting by Anton Sipos (Born 1938). Oil on canvas. Framed. Signed.

Artist: Charles Cobelle, French (1902 - 1994) Title: Notre Dame and Bridges Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 29.5 x ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

The most recent painting of the Archipelago Series by Renelio Marin. Layers after layers of oil on canvas executed during a period of several months. Inspired by memories of childhoo...

Here we find a figure enjoying the view of the Eiffel Tower from her Parisian apartment. We find croissants, coffee and flowers, staples of the French delights, as we feel the romant...

George Henry Smillie Farmland Meadows, 1865 Signed and dated lower left Oil on canvas 10 1/2 x 18 inches Provenance Private Collection, Langley, Washington The career of George Sm...

Carmen Louis Cicero, American (1926 -) - Untitled, Year: 1972, Medium: Oil on Canvas, signed and dated on verso, Size: 38 x 44 in. (96.52 x 111.76 cm)

#5-2879a San Martino Hill ,Naples Italy, a 1940's oil on canvas applied on board,displayed in a gilt wood frame.Signed by Ferrara

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...

Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

F.V Kluwer Jepsen (Danish, 1919-2004) "Untitled: Countryside Landscape", Signed Landscape Painting, Oil on Canvas, 26.25 x 38, Mid 20th century Colors: Green, Brown, White, Grey

This work is offered by CLAMP in New York City.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Title: Mountain Autumn Colors Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

An acrylic and gold leaf on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very color...

Impressive early American impressionist landscape oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L.

[Edith Thayer Cromwell (1893-1962)] Elephant n.d. Signed, u.r. Oil on canvas 23 x 29 inches This work is offered by ClampArt in New York City.

Title: Centipede Fern III Medium: Oil on canvas Size: 11.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

The Love Series #3 This painting is part of a new series of abstracts that I am currently working on called "The Love Project". Using the markings of my painting style and braking i...

Title: Dream Medium: Oil on canvas Size: 31 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2015 Artist: ...

Artist: Slonem, Hunt Title: Hoot 4 Series: Birds Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Edition: Uni...

5009 French oil painting women of the world unsigned unframed

A lively, impressionistic depiction of celebrated influencer Leonie Hanne and fiancé on a yacht in Portofino. We are whisked away in this cherished scene with the emotion and dynamic...

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to cap...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found and nurtured his passion for miniature sailboats...

Title: Birch Forest Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Artist: Charles Cobelle, French (1902 - 1994) Title: Monument Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 28.75 x 33 inches

George Howell Gay (American, 1858-1931) Untitled Seascape, c. late 19th-early 20th century Watercolor on board 12 x 17 3/4 in. Framed: 16 1/4 x 22 1/4 in. Signed lower right: Geo Howell Gay George H. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of New England. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in Milwaukee, Wisconsin on July 2, 1858, and lived in Chicago and then in 1889, settled in Bronxville, New York. Gay was a pupil of Paul Brown and Henry Elkins in Chicago. He is known to have exhibited at the National Academy of Design in 1890; Boston Art...

Artist: Ian Hornak (1944-2002) Title: Lion’s Head Rock (East Hampton, NY) Year: January 1971 Medium: Acrylic on Canvas Size: 42 x 66 inches Condition: Excellent Inscription: Signed, ...

This Celestial Sky painting is what Michael Forster is most celebrated for in his highly interesting career spanning working in Mexico and Canada. The brushwork creates a reverberati...

Sister Mary Corita Kent I Love You Very, ca. 1975 Original watercolor on paper Unique works on paper by Sister Corita Kent, like this charming hand signe...

Title: Untitled Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Chong Liu...

Nauset by Joseph Conrad-Ferm, Mixed Media on Canvas, REP by Tuleste Factory The energetic composition of "Nauset" embodies the power of natural elements- particularly the ocean. The...

Impressive early American modernist beach scene oil painting. Framed. Oil on board. Signed verso. Image size, 16H by 9L.