Tri-State Area - Paintings

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

3945 Vintage oil painting on canvas Image size 19.5x15.5"

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful silver tone landscape. Slonem...

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.

Modernist landscape oil painting by Suzanne Schweig Langsdorf Martyl (1917/18 - 2013). Oil on board. Signed. Framed. Measuring 28 by 32 inches overall and 20 by 24 painting alone.

Antique Spanish impressionist cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a silver leaf wood molding. Excellent co...

This piece has a strong presence with bold brushwork and heavy use of paint. A classic Mid-20th Century Modern piece on canvas depicting a floral still life with a white roses arrang...

A marvelous oil depicting a beach scene with figures. One of France's most renowned artists, this piece is an excellent display of Hambourg's genre style beach scenes. Being influenced from his travels in Europe, the vibrancy of these locations come to life. With the movement of the ever-changing ocean, the captivating light and texture encompasses this depiction with both whimsey and dramatics. This painting is signed lower left and comes displayed framed. This painting is signed lower left and it comes housed in a giltwood gold frame with linen liner and with hanging wire on verso ready to be displayed. Art measures 9 x 14 inches Frame measures 19 x 24 inches André Hambourg was born in Paris on May 5, 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the École nationale supérieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old at the time. Because of the early recognition of his talent, Hambourg became active in the important Paris salons in the first stages of his developing career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. André Hamburg was demobilized in Casablanca in 1940, but then civilian by the regiment of engineers in 1943, then called by Raoul Salan and assigned to the 2nd Bureau where he became editor, draftsman, reporter of the newspaper "Combattant 1943" then "Combattant 1944 He was named in December 1944 war correspondent accredited to the US HQ (SHAPE), his military experience (being in the first to have reached the nest He wrote two books in 1947: "Berchtesgaden party" and "D'Alger à Berchtesgaden". In an interview he wrote an account of his experience in "La kermesse aux étoiles" in 1953 and 1954, of which he was the organizer, of cheap sales of works by renowned artists in front of the Kermesse public for 3 days and 3 nights. He wrote in the newspaper "Cols bleus" of the Navy souvenirs ("4 July 1943", whose oil on paper will be offered by President Mitterrand to President Reagan) or travel. The entire work of the artist will be the subject of numerous books, publications, articles, interviews of José Arthur, Michel Law, Jacques Chancel and Micheline Sandrel. In 1970 five hundred of his works formed a prestigious retrospective at the Maison de Culture in Bourges. Other notable shows include Drawings of Venice...

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french rose background with thick use of paint. I...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

Artist: Jacques Gaston, French XXth Title: Champs Elysses at Dusk Year: circa 1950 Medium: Oil on Canvas mounted to Wood, signed l.r. Image: 24 x 36 in. (60.96 x 91.44 cm) Frame: 33 ...

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

James Edward Butteerworth Owning a painting by James Edward Buttersworth depicting the heroic rescue of passengers from the ship 'Winchester' by the inscribed steamship 'Washington...

Impressionist pastoral scene of a quaint marine view of the docks and fishermen of the iconic fishing shack on Bearskin Neck located on Bradley Wharf in the harbor town of Rockport, ...

Oil on canvas 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm.) Framed: 20 x 26 inches (50.8 x 66 cm) Signed: Luce Provenance: Private West Coast collection Literature: This painting will b...

Impressive early American modernist abstracted forest landscape oil painting. Framed. Oil on canvas. Image size, 24H by 36L.

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely framed in a ...

Rare early American fauvist interior scene. Great colors and composition. Oil on canvas. Nicely framed. Measuring 20 by 24 inches.

We are delighted to debut Charles Buckley’s most recent series of ink drawings, based on photographs sourced from the mid-20th century. Buckley ...

Hunt Slonem "White Butterfly's Lakeside" Scored Butterflies on White Background Multicolor butterflies on a scored background in a vintage frame Unframed: 39.5 x 62.5 inches Framed:...

Oil on canvas. Framed. Image size, 18H x 24L.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

5003 Impressionist oil painting of a pair of ballerina's shoes unframed signed Robert Yarmola

Title: Seaside Town Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Jasper F. Cropsey An Autumn Landscape Signed and dated J.F. Cropsey 1898 Oil on canvas 14 x 24 inches Provenance Private Collection Texas, acquired in the early 1900s Thence by desc...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and hand embellished piece...

A muted color acrylic and oil pastel of an androgenous subject with Modigliani eyes, Ornette by African American artist Bai is an enigmatic portrait made on 15” x 11” etching paper. ...

Antique American exhibited oil painting by Grace McFarren. Oil on canvas. Signed. Framed. Measuring 29 by 49 inches overall and 26 by 46 painting alone.

Impressionist New York City winter city-scene depicting Mid Town Manhattan in New York City. This piece is done in a most intimate, yet energetic way. Christopher is known for captur...

Rare and large early American modernist oil painting by Nicholas Davis (Born 1937). Oil on canvas. Framed. Important provenance. Measuring 52 by 32 inches. Artist bio: Nicholas Davis (Amer. B. 1937) Nicholas Davis was born in New York City in 1937. He studied at the Arts Students League, and in Mexico City. He was included in the 1969 Exhibition of 100 Afro-American Artists at the Philadelphia Civic Center Museum. That exhibition included the works of Henry Ossawa Turner, Romare Bearden, Hale Woodruff, Edward Bannister...

A charming depiction of The Plaza Hotel in New York City with figures walking down the street, with a horse and carriage scene in the distance. A cozy impressionistic street scene wi...

Ross Bleckner (American, b. 1949) Untitled, c. 20th century Oil on board 18 x 20 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

Isaac Monteiro (1938-2008) Apple, 1985 Oil on canvas 36 x 48 in. Framed: 37 1/2 x 49 x 1 1/4 in. Signed lower left: I Monteiro Inscribed verso: Apple I Monteir...

This beautiful blue painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf on canvas. The artist studied calligraphy in Japan. In 2004 he moved to New York where he began painting abstract works of acrylic on canvas. Since 2009, Takefumi has been making gold and colored abstract works. He currently lives and works in Brooklyn where he is surrounded by the hustle and bustle of everyday urban life. The energy of New York City is an inspiration. His use of gold as a main material came about after long and intensive experiments. His compositional forms such as circles, squares and rectangles are ideal forms for gold to work with other colors in his work. The compositions of these elements are based on his experience with Japanese calligraphy. He merges the traditions of Eastern and Western art. His works are in numerous collections including Tiffany and Co., Claridges Hotel...

Hand painted acrylic on canvas - lives and works out of Brooklyn NY and is represented by Krause Gallery in Manhattan NY. signed on edge of canvas Pai...

Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.

Antique American modernist portrait oil painting. Oil on canvas, lain to board. Framed. Very finely painted and a rare fauvist palette. No signature found.

[Hippolyte-Alexandre Michallon] Le Soldat de Marathon (The soldier of the Marathon), 1869 n.d. Signed, l.l. Oil on canvas 57 x 45 inches 66 x...

A masterful oil painting depicting a view of a riverside wooded park in a beautiful sunny day at the early fall season. A figure seated on a blue bench with a bridge behind, a couple...

Artist: Ian Hornak (1944-2002) Title: Hannah’s Mirror, Rembrandt’s Three Trees Transformed Into The Expulsion From Eden Year: 1978 Medium: Acryli...

Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

Jamie Wyeth Corbett House, Monhegan Island, Maine, 1973 Signed lower left Watercolor on paper 20 3/4 x 28 1/2 inches The house depicted in the present work is on Monhegan Island, Ma...

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

Cool, crisp and sophisticated and somewhat reflective of the art nouveau period, this 36x48 original realist marine landscape demands attention while offering refreshing relaxation with an ever so gentle breeze. The scene is waiting for the day to unfold, sails still meticulously wrapped, lines taught. The foliage, sea and sky are all pristine and at the ready on this soothing summer day. This large scale oil painting is 40x52 framed in it's custom contemporary antique silver frame, ideal for any transitional space. Highly trained and highly regarded Croatian American artist Rinaldo Skalamera graduated, as a young man, from the Art Instruction Schools of Minneapolis with a degree in illustration, with a full merit based scholarship! Forever seeking to refine his work, Skalamera continued his studies in New York City at both the Art Students League and the Fashion Institute of Technology. Preferring exclusive, private galleries in which to present his work, Skalamera shows his original works, both oil paintings and water colors, in venues from Palm Beach, Florida to Beverly Hills, California to the Hamptons in New York to Spring Lake...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

Artist: Mel Ramos, American (1935 - ) Title: O from the Hollywood Suite Year: 2009 Medium: Oil on Canvas, signed and dated verso Size: 39.5 in. x 30 in. (100.33 cm x 76.2 cm) Frame S...

Francis Henry Richardson Open Pasture, Winter Signed lower right Oil on board 10 3/8 x 13 inches Richardson, born in Boston, entered the formal art world in his late twenties. His ...

This painting by Jurgen Winter depicts a beautiful figure with a parasol overlooking the scene along the Seine river in Paris France, a popular subject of the times painted by many i...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Light Lavender background with thick use of paint...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is comparable to those of Jules Herve, Antoine Blanchard and Edouard Cortes. This painting is a wonderful example of his work from the prime of his career. Here you see the artists vendors selling paintings along the view of Notre Dame de Paris, located on the Île de la Cité in the 4th Arrondissement of Paris. People are scattered throughout between the tree lined street. The details are magnificent as Salabet captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a wonderful wood carved antique frame with linen liner and hanging wire on verso ready to be displayed. Art measures 10.75 x 13.75 inches Frame measures 16.25 x 19.25 inches Jean Salabet was a pseudonym used by the Spanish artist Juan Bayón Salado (1913-1995) in the mid-20th century. Juan Bayón Salado (Jean Salabet) was born in Bilbao Spain on June 24, 1913. He settled in Paris between 1950 and 1969 and when using the pseudonym Jean Salabet between 1950 and 1957 he was mainly selling his works through Mr...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Harold E. Larsen Original Painting On Canvas Large. In good condition measures 77x47. Buyer must pickup or arrange shipping

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mint green background with thick use of paint. In...

Impressive American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 9H by 11L.

Title: Bird - Movement Medium: Oil on canvas Size: 19 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Artist: Slonem, Hunt Title: Franklin Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: U...