Tri-State Area - Paintings

Of her recent work, Theobald states, "My practice is to make both relief collages and paintings at the same time. The paintings are not an abstraction of an actual landscape, but the...

Hunt Slonem "Ocean" Blue Double Heart Diamond Dust Bunny Two rabbits gestured in blue on a matching Diamond Dust background in a vintage frame. Unframed: 19 x 19 inches Framed: 3.5 ...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

Edition version – Rainbow Splatter on a page from repurposed French grammar book - framed with custom mount. Surface – French Grammar book page Edition size – edition of 30 Size – 9....

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Acrylic on canvas 112 x 208 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Very finely painted and impressive mid 20th century impressionist seascape with a pelican. Exhibition label verso. Framed.

Impressive large American school modernist flower still life painting. Oil on canvas. Handsomely framed. Signed illegibly. Very nice impasto and color.

Hunt Slonem "Hombre" Red and Orange Bunny Heart A rabbit gestured in red and orange on a matching Diamond Dust background in a vintage frame. Unframed: 14 x 14 inches Framed: 20 x 1...

Thelma Appel French Hill Spring, 2010 Acrylic and Oil on Canvas painting Hand signed and titled on the back Frame included This unique painting is signed, titled and dated on the bac...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

George Howell Gay (American, 1858-1931) Untitled Seascape, c. late 19th-early 20th century Watercolor on board 12 x 17 3/4 in. Framed: 16 1/4 x 22 1/4 in. Signed lower right: Geo Howell Gay George H. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of New England. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in Milwaukee, Wisconsin on July 2, 1858, and lived in Chicago and then in 1889, settled in Bronxville, New York. Gay was a pupil of Paul Brown and Henry Elkins in Chicago. He is known to have exhibited at the National Academy of Design in 1890; Boston Art...

Title: Sneak VI Medium: Oil on canvas Size: 17.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Vintage and usual American school painting. Oil on board.

This is a 1/1 original currency with wood cutout framed - It's all hand done with spray paint and resin and wood cut outs framed. TBOY is a British artist who's meteoric rise has p...

5-3624 Oil on board of a circa 1920" French landscape Set in a wood frame

"Carmine" (2023), by Brittany Williams, based in the Finger Lakes region of NY state Figurative portrait painting, pop portraiture, street art, stre...

Title: After The Snow Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Artist: Marcella Doane Title: Exodus Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 30 x 24 inches Frame Size: 25 x 31 inches

In this luminous marine painting by Nicholas Matthew Condy, the English 19th-century artist once again displays his masterful command of seascape and ship portraiture. This compositi...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Chris Armstrong’s hypnotic, masterly and often photographic renderings and paintings of the sea, waves, light and the ocean in general are highly acclaimed by the art community. This...

Title: Blooming Beauty IV Medium: Oil on canvas Size: 24 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

5-3737 Acrylic on artist board set in a vintage wood frame

Shape 29 (2019) by Ryan Park of Shapes Only. Abstract geometric art, acrylic on 300gsm archival paper. Abstract green shape innovated by the artist. Fr...

This painting depicts an impressionistic scene of Brunch at Tartine in New York City. Figures are seated having Brunch with drinks in hand on this su...

Flair (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style doves and star with decorative b...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

5117 Vintage oil on canvas of a Cat by the window

Man with Flower and Birds Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board Size: 9 x 7 in. (22.86 x 17.78 cm) Frame Size: 9.75 x 7.25 inches

Ruggero Vanni's Birth of Light is a 60 x 48 inch abstract gestural oil painting. It is an abstract landscape of vigorous brushstrokes and light, with a strong luminous central focus. The main colors are orange, yellow, and rust. There are clear references to the masters of the Hudson River School, also known as Luminism, as well as the Romantic paintings of English artist William Turner. Vanni states, "My works allude to natural phenomena, in a raw state, devoid of the limiting constrictions of literal representation. Nature is there, as a landscape, a view looking up in the air, or plunging down underwater. Imagery kept on the edge of recognition, so the final association is created in the mind. Contrasts of matter, color, light, are created to provoke emotional responses. In the large paintings the atmospheric composition is built by raised brushstrokes shattered and reassembled to reveal an underlying struggle. In the smaller works paper is cast tumultuously as a counterpoint to its inherent frailness. References to the history of painting are multiple and mixed: Venetian impasto and glazing, Luminist light, Abstract Expressionist texture, Baroque perspective. It is important to avoid mannerism, metabolize the suggestions and integrate them with empirical visual stimuli. Dissecting responses to everyday experiences into light, color, matter. There is no intent to escape reality, but to create a visual experience that communicates directly with our psyche; open to be reinterpreted continuously through our own evolution and the changing times." Ruggero Vanni was born in Paris. He studied painting from 1973 to 1978 at the Istituto d’Arte in Rome, Italy, under the guidance of Italian artist Michelangelo Conte...

3924 Landscape oil painting on artist board Set in a pickled oak period frame Image size 19.5x15.5" Signed on verso

2764 A contemporary abstract red poppies painting,acrylic on canvas signed lower right byP.Russo Set in a rapped painted edge canvas no frame requi...

This painting by Mark Beard depicts a man climbing ladders and ropes. The listed price includes the cost of framing.

Hunt Slonem - Symphony Winter Days Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

3831 Oil painting of a gypsy fortune teller

Antique American impressionist signed winter landscape oil painting by Dorothea (Dorothy) Taber Stafford (1902 - 1985). Oil on canvas. Signed. Framed. Image size, 20L x 16H.

Title: Early In The Morning Medium: Oil on canvas Size: 27 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

"Unter freiem Himmel" (2024) by Susanne Zuehlke (b. 1962) is a vibrant composition characterized by bold geometric shapes in vivid primary colors. The piece features dominant blocks ...

Antique American impressionist street scene oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed.

this is an original painting by villard as known as Charles levier. measures 38x23

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

3809 Floating world surreal figurative painting signed on verso Mury

A strong modernist oil painting depicted in 1971 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his landscape paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and hand embellished piece...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

Title: Summer Medium: Oil on canvas Size: 11.5 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Title: Spring II Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Title: Spring Park Visit IV Medium: Oil on canvas Size: 12 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

Oil on canvas Signed in black, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art move...

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.