United Kingdom - Portrait Paintings

Persian Wonder This portrait captures the serene and curious expression of a young white Persian cat, gazing upwards with wide, bright blue eyes full...

Enigmatic Portrait of a Veiled Figure French/ Japanese? Inscribed verso circa 1970's oil on canvas over mixed media surface, framed Framed: 52 x 26 inches Canvas: 51 x 35 inches Prov...

The Madonna & Christ Child Italian, 17th century oil on wood panel, unframed board: 9.5 x 7.5 inches provenance: private collection, Paris condition: very good and sound condition fo...

L.W.Fraser English, mid 20th century The Scottish Terrier Original pastel drawing signed on artist paper Framed: 20.5 x 14 inches Glass covering Provenance: private collection, UK ...

The Hunter French School, late 19th century oil painting on canvas, framed framed size: 32 x 42 inches provenance: private collection, France Superb large scale French oil painting,...

Unsigned. On board.

Female Portrait by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back pencil drawing on artist paper, unframed measures: 8 high by 10 inches wide conditio...

Jean La Forgue (French 1901-1975) oil on unstretched canvas, unframed painting: 20 x 16.75 inches provenance: the artists estate, France condition: the painting is on unstretched can...

"Florentine Expressions: A Portrait Series XI", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

English School, circa 1930's period Portrait of a Lady oil painting on canvas, unframed canvas: 27.5 x 22 inches provenance: private collection, England condition: very good and soun...

The Cornish Fisherwoman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private c...

Portrait of a Nun French School, 19th century oil on canvas, simple wooden slip frame framed: 27.5 x 20 inches canvas: 27 x 19.75 inches provenance: private collection, Champagne reg...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter ye...

This superb Italian Old Master religious portrait oil painting is attributed to circle of Bartolomeo Schedoni. Painted circa 1700 it is a half l...

This beautiful folk art style portrait by Kerry Louise Bennett contemplates the idea of personal growth, the journey towards contentment and the notion of being comfortable in your o...

Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a garden landscape, playing with a spinning top. Signed and dated ' Phil. Merc...

Regal Style French Abstract, Picasso Style, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 21.5 inches Sensational abstract oil painting by a French female artist named Beatrice Werlie. The abstract style painting shows a medley of coloured flecks, based on a ochre background, with a soft range of reds and greens. There is a faint outline of a face with what we believe to be a crown, lost amongst the cubist paint...

Le Chef circle of Théodule-Augustin Ribot (French, 1823 – 1891) oil on board, framed framed: 20.5 x 16.5 inches board: 15 x 12 inches inscribed verso provenance: private collection, ...

Portrait of a Gentleman with a Cigar English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, England condition: overall good a...

The Carpenters Workshop British School, late 19th century based on the Pre-Raphaelite painting by Millais oil on canvas, framed framed: 27.5 x 39 inches canvas: 24 x 36 inches proven...

Portrait of a Horse in a Field English artist "M. Lees" signed and dated 1971 oil painting on canvas, framed framed: 26 x 30 inches canvas: 20 x 24 inches Provenance: private collect...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17.5 x 24.5 inches condition: overall very good, a very few light markings...

Portrait Of a Lady posing as a Shepherdess 18th Century circle of CHARLES JERVAS (1675-1739) Large 18th Century portrait of Lady oil on canvas, by Charles Jervas. Portrayed in the ...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed inscribed verso piece of paper is...

This charming British portrait oil painting is by female artist Dod Procter. It was painted in 1949 and exhibited at the Royal Academy London the same year. The painting is of a litt...

Ester before Ahasuerus Dutch School, 17th century circle of Rembrandt oil painting on wooden panel, unframed panel: 28 x 20 inches provenance: private collection, London condition: very good and sound condition for its age though there are old panel splits evident and minor, but stable, paint loss in those areas, as shown in the photos. The subject of ‘Ester before Ahasuerus’ was narrated by the Bible’s Book of Ester (V: 2-34). Here, the Persian King...

‘La Couronne de Marguerite’ by Édouard-Louis-Lucien Cabane (1857-1942). The painting – which depicts a young French beauty wearing a crown of daisies – is signed by the artist and ...

The Artists Model French Impressionist, circa 1900's oil on canvas, unframed indistinctly signed with initials to the corner canvas: 51.5 x 35.5 inches Provenance: private collection...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Signed oil on canvas portrait painting by Argentine modernist painter Alfredo Guttero. The work is a head and shoulders portrait of a woman with black hair and wearing a shawl. Sign...

This fine French Old Master portrait oil painting on canvas dates to circa 1770 and is attributed to the circle of Elizabeth Vigee Le Brun. The sitter is Madam van Robais. The van R...

The Virgin Mary, 19th Century Italian School Large antique Italian School depiction of the Virgin Mary, oil on panel. Excellent quality and condition study of the Virgin facing lef...

Portrait Of Mrs Diana George (nee Atkinson), dated 1930 by John Maler Collier OBE (1850-1934) National Portrait Gallery Exhibition, reference: 323, 1930 Large 1930 Pre-Raphaelite ...

Elegant Portrait, Abstract Style, French Artist, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower left ha...

Artist/ School: English School Circa 1900 Title: Portrait of a young woman, head and shoulders Medium: oil on board, framed within an antique 'Florentine' gilt frame. actual pain...

'Portrait of a Man', oil on canvas, by Yvonne Guégan (circa 1970s). This is not a portrait of the reclusive billionaire, Howard Hughes. Regrettably, we d...

A superb c.1840 English School half-length portrait of a lady in an ermine stole and lace cap. The lady's face is flushed with colour as she gazes her chestnut eyes to the left. Tigh...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

The Jester, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner Oil...

Dapper Gentleman in the London Park by Philip Henry Rideout (British, late 19th century) signed & dated 1895 oil on canvas, framed Framed: 17.5 x 14.5 inches Canvas : 12 x 10 inches ...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

Portrait Of King Edward VI (1537-1553) King Of England after William SCROTS (1510-1553) Large circa 17th/18th Century portrait of Edward VI, King Of England, oil on canvas. Excellent quality and condition half length portrait of the only surviving son of King Henry VIII and Jane Seymour wearing Prince Of Wale Feathers and the crown upon a pendant. Exceptional quality distinctly similar to the works of court painter William Scrots. Presented in a gilt & ebony frame. Measurements: 40" x 34" framed approx Provenance: The estate of Richard Philip...

Medieval Gothic Family Banner With Mythical Creatures, 18th Century German School Large 18th century medieval Gothic family scene with Mythical creatures, oil on canvas. Large pano...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

Fine late 19th-century garden portrait in oil. Presented in a decorative gilt-effect frame. Unsigned. On canvas on stretchers.

This superb British Victorian exhibited portrait oil painting is by noted artist Mark Senior. It was painted in 1898 and exhibited at the Royal Academy that year. The sitter is Edwar...

Lord Nelson British artist, signed and dated lower corner signed oil on canvas, framed dated 1918 framed: 31 x 37.5 inches canvas: 22 x 30 inches provenance: private collection, Engl...

Portrait of a Redhaired Girl, dated 1867 by JOHN HARRIS VALDA Senior (1835-1881) Large 19th Century Pre-Raphaelite portrait of a young redhaired girl, oil and gold leaf on canvas b...

Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...

This lovely Italian Old Master portrait oil painting is by Domenico Maria Sani. Painted circa 1732 the sitter is of Maria Anna Vittoria (1718 - 1788), daughter of Philip V and Elisabetta Farnese, who in 1729 married Joseph prince of Brazil and king of Portugal...

'Mother and Child II', watercolour on fine art paper (1970), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso pain...

This stunning British 1920's tempera oil on board painting is by noted artist John Young Hunter. It was painted circa 1927 and the composition is a f...

Architectural Capriccio Of Ancient Rome, 17th Century school of Viviano CODAZZI (1604-1670) Huge 17th Century Italian Old Master view of an Architectural Capriccio with figures out...

This portrait depicts a Dominican monk in robes, his intense gaze directed at the viewer as he holds an open book. The muted colour palette and dramatic chiaroscuro lighting create a...

Portrait Of Lorenzo Suarez, 5th Count Of Corona, 16th/17th Century School of Antonis Mor (1517-1577) Large Spanish School Old Master portrait of Lorenzo Suarez, Count of Corona, oi...

Portrait of Lord Jeffreys of Wem British School, 20th century (presumably after an earlier work) oil painting on canvas, framed framed: 30.5 x 24.5 inches canvas: 26 x 20 inches prov...

Artist/ School: French School, 19th century, after the earlier work by Rembrandt Title: Self portrait of the artist Medium: oil on canvas, framed in antique gilt swept frame. Fra...

A charming 19th-century oil painting depicting a soldier in military attire, holding a musket in the direction of a window opening. The soldier sits on a carved wood chest as he watc...

The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...