United Kingdom Figurative Sculptures

Fine Italian Carrara marble of a Nymph. The figure stood upon a rocky plinth partially nude with a draped robe seen pouring water from a large urn as she looks on. The beautiful carv...

Art Deco Silver Plated Diana the Huntress Figure circa 1930s Silver plated on Bronze, Sylized Bronze figure of a deer, Chrome Plated Base and Stylized Backround [ some pitting to t...

This is a charming Derby figure of a shepherdess with a garlanded lamb, made in or shortly after 1760. The figure is one half of a set called the "Garland...

An Art Deco cold painted bronze sculpture by Pierre Le Faguays (1892 - 1962). Set over original limestone base and signed 'Fayral' to base. Dimensions: H 49cm W 44cm D 10cm Origi...

An Art Deco Bronze Sculpture by Joé Descomps of a nude lady wearing a loose green patinated cloak and matching coloured head scarf. Signed 'Joé Descomps' to bronze. Set over a varieg...

Amazing Handblown Murano Clown by well known Artist Pinot Signoretto Lovely Vivid Colours This Sculpture has tons of Character juggling the Balls and C...

Japanese Samurai Warrior This stunning cast bronze sculpture of a Samurai warrior, crafted in the 1980s. carefully designed, this piece captures the essence of the legendary Samurai...

A rare Minton Art Deco porcelain figurine titled Pierette designed by Fred Cooke and dating from around 1930. This delightful standing figurine stands moun...

An attractive early 20th Century Art Deco cold painted silver and red enamel bronze figure of a young energetic beauty in a dancing pose with a scarf draped around her midriff. The b...

This is a splendid antique Italian carved alabaster sculpture of a figural group titled 'The Artist's Muse' by P. Emilio Fiaschi (Italian, 1858-1941), circa 1890 in date. This finely carved sculpture depicts a beautiful young couple modelled as a young artist in Renaissance dress holding a palette and leaning over a maiden seated in a Savonarola chair with paw...

This is a superb Vintage model of a Ferrari Hydroplane 1954, late 20th Century in date. Ferrari's cars are adored on all corners of the globe and are seen as the ultimate status sym...

A patinated resin sculpture titled ‘Warming Up' by the acclaimed British sculptor, John W. Mills, stood on an integral square base. Part of the divers in motion series, this patinat...

This is a fine antique pair of French Grand Tour patinated-bronze sculptures of the Marly Horses, Circa 1850 in date and signed to one base. The original Marly Horses were commissi...

Sir William Hamo Thornycroft (British, 1850-1925) A Patinated Bronze Statue Of Teucer The standing figure of the male nude holding his bow in his outstretched left hand, raised on a...

A large 'Grand Tour' late 19th Century patinated bronze sculpture of the Ancient Roman hunter Narcissus by Michele Amodio. Created after the discovery of the original statue (1 Centu...

A stylish Danish porcelain Mother & Child sculptural figure designed by Kai Nielsen (1882-1924) for Bing & Grondhal and dating from the early 20th century. The figure portraying a na...

Venetian school Painting Biblical scene oil on copper anonymous C 16th century Unsigned Fine old master quality Venetian school painting of a biblical scene painted on copper Oil cop...

A late 19th century bronze sculpture by Emmanuel Fremiet depicting Prince Royal Louis 1st Duke of Orléans. A later cast of the original sculpture erected in the courtyard of the Chât...

For your consideration is this very attractive and totally original 1930s Art Deco ladies powder/ trinket box. Made from porcelain with a white pearled finish and gold tone gilding t...

Mater Dolorosa Sculpture, Our Lady of Sorrows Sculpture, Religious Antique Sculpture, Church Antique Statue, Gothic Antique, Antique Mater Dolorosa, ...

A large bronze classical Roman figure of Mercury, after Giambologna (1529 1608), holding the caduceus & wearing his winged helmet, standing on one foot above the mask of Boreus, the ...

Equestrian Gilt Bronze Ormolu Statuette of Charles l Horseback Riding A gilt ormolu bronze with bright original golden patina depiction of Charles 1st ho...

This is an impressive and highly decorative Regency Period ormolu, malachite and Blue John tazza, Circa 1820 in date. It features an ormolu winged cherub holding a Blue John tazza...

This is a wonderful antique French Grand Tour bronze model of the Vendome Column, circa 1880 in date. This splendid bronze features Napoleon I standing atop in his 'redingote' coat...

Beautifully stylized figurine with a great balance of harmony stood, portraying the inner world's beauty through pure beauty. This Valuable unique art piece is a great chance to brin...

French Fireside Hunting Dog Statue A handsome piece made in patinated iron and standing on a plinth, the dog is fully 3 Dimensional and looks great from all sides He is in very good...

An original Art Deco Sculpture / Girl with flowing dress / hair running with two streamlined greyhounds on portoro Marble Base. Signed to the base by well known French Art Deco artis...

A fabulous Art Deco bronze figure of a beautiful woman wearing a loose fitted figure hugging dress and high heels holding a riding whip, with excellent colour and very fine hand finished detail, signed Bruno Zach ADDITIONAL INFORMATION Height: 45 cm Condition: Very fine Original Condition with slight signs of wear Circa: 1925 Materials: Cold Painted Bronze Book Ref: Art Deco Sculpture by Victor Arwas Page no. 224 SKU: 261 ABOUT Zach Whip Girl Zach Whip Girl – Bruno Zach (Austrian, 1891 – 1945) – Bruno Zach was a prolific creator of tall, athletic, independent women in bronze and ivory. He depicted both the healthy outdoor pursuits, and also the dream mistresses of the demi monde...

These are a beautiful pair of Chinese soapstone Bookends made in China during the Republic period, Circa 1920. These bookends are individ...

Adept artist carved figure, from local Caen stone. Very reminiscent of Lynn Chadwick’s angular forms. France circa 1960s H 29cm x D 14cm x W 13cm

An interesting and unusual Egyptian bronze seated figure portraying the youthful god Harpokrates (Horus the child). The figure sits unclothed with legs bent and both arms resting by his sides. His face is indistinctly molded with a wide nose and with a sidelock of hair. He wears a Pschent crown. The figure, which is removable, has a later carved and fitted oak throne. The figure has an all over black patina. The figure does have some antique age although may be an Egyptian revival piece and would benefit from further research. We are therefore offering this as a later example and priced accordingly. Harpokrates was one of the most popular deities in the Egyptian pantheon. He was the offspring...

A superb stunning and very large Art Nouveau Gilt Bronze Dore figural lamp of a lady with flora and foliage decoration and with three branch light fittings. Circa 1900. Signed Henri Ple...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

An impressive 38 cm tall this original 1930's Art Deco cold painted spelter table lamp features a nude female holding aloft a milk white glass globe shade. Kneeling on an alabaster b...

Austrian Bronze Figure 'The Hunter' By Hans Müller. Bronze shooting sculpture with rich brown patination by Austrian artist Hans Müller (1873-1937). The subject is that of a hunter, gamekeeper with shotgun, cape, Austrian hunting...

A fine antique German porcelain figure of a boy with a dog by world renowned makers Meissen and dating from the 19th century. The figure of a young boy in typical period dress stands...

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

For your consideration is this very attractive solid brass profile of an Art Deco female head surmounted on a stepped solid marble base. She dates...

Nineteenth century Italian bronze model of Seated Hermes, stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base. Dimensions: 44cm (17¼") High, 42cm (16½") Wide, Base 2...

A rare and stunning antique Staffordshire transfer printed pottery model of a cow and milkmaid figure dating from the mid 19th century. The well potted and hand crafted figure stands...

Excellent Classic Carving of Female Nude Pose Incredible detail, great scale. Unsigned. From around 1960s

An antique Carrara marble sculpture “Venus Italica” after Antonio Canova (1757-1822) Made in Italy during the 19th century. When the Medici Venus was forcibly removed from the Tribuna of the Uffizi by Napoleon’s forces, King Louis I of Etruria commissioned Antonio Canova to replace the figure. True to nature, Canova submitted a wholly original figure to rival the antiquity, despite originally being asked to sculpt a copy. Canova’s Venus...

Contemporary Figurative Ceramic Sculpture by Rachel Peters, Grey Clay, In Stock. Untitled Ceramic Sculpture 205. This contemporary sculpture has been hand built from Rokk Grey Ston...

This is a striking large antique gilt bronze figural sculpture titled "The Water Carrier" (L'acquaiolo) by Vincenzo Gemito, (Italian 1852-1929), dating from Circa 1880. The bronze i...

An intriguing pair of painted plaster gargoyles in wonderfully worn shades of green. The gargoyles used to hang from small hooks to the base of each so ...

Lovely Lladró 'Sweet Scent' Porcelain Girl with Flowers and a glazed finish, number 05221. Hand made in Spain. Measuring height 16.5 cm / 6.5 inches by ...

This is a beautifully detailed antique Italian Grand Tour bronze sculpture of Hermes, dating from Circa 1880. Hermes is cast after the original held at the Museo Nazionale in Naples...

A Very Rare and Important Marble Relief of the ‘Resurrection of Christ’ Attributed to the Master of the Mascoli Altar Marble Venice, Italy Second half of the 15th Century SIZE: ...

18th century French carved statue of Madonna and Child. This charming piece has been rescued from a ecclesiastic clear out in the southern part of France The statue is carved fro...

An attractive early 20th Century Art Deco cold painted silver and blue enamel bronze figure of a young energetic beauty in a dancing pose with a scarf draped around her midriff. The ...

A quality late 19th century artist Lay figure made from pine. These were made to be used by artists to paint the human form.

Nymph & God Pan Terracotta Sculpture, Nymph & Satyr Terracotta Sculpture, Nymph & Faun Sculpture, Nymph & Satyr Statue. Large 93 cm terracotta sculpture of Nymph Before The God Pan...

This is a solid bronze figurine of a dancing lady called Hoop Girl after D H Chiparus, on an Onyx base, dating to the Art Deco period, Circa 1925 to 1935. ...

This is an excellently sculpted composite marble statue of the famous ancient Greek statue, Venus de Milo, late 20th century in date. As exactly in the original sculpture by Alex...

19th century parian figure of a female nude sitting on a blanket on a rock formation. Circa 1850.  

A French plaster sculpture of a standing athlete with a downward gaze on a circular plaster base, dating from the early 20th century.

This is a superb antique Grand Tour patinated bronze figure of Narcissus, dating from the last quarter of the 19th Century. Narcissus was a hunter in Greek mythology and he was di...