USA - Figurative Drawings and Watercolors

Interior design paintings. The work was done with ink and watercolor in crimson-red color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Est...

Dubi Arie (born Poland, 1939) "The Lovers" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depictin...

Two Women at Cafe Batia Magal, Israeli (1951) Acrylic and Pastel on Paper, signed lower right Size: 26 in. x 40.5 in. (66.04 cm x 102.87 cm)

An fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a novel by William Makepeace Thackeray, "The Newcomes, Memoirs of the Most Respectable Family." The novel was published in 1855. Below this image are two characters from "The Newcomes, Chapter XI". Presented in a rustic giltwood frame. Signed "C.E. Brock" and dated "1910" lower left. Image size, 10"H x 7.5"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...

This is a pencil and watercolor drawing of a male figure by Pol Anglada offered by CLAMP in New York City. Untitled 2023 Pencil and watercolor on paper ...

Soft pastel on toned archival paper signed on bottom left. It is mounted on an acid free foam board suitable for framing under glass. The dimensions with board are 32x 40 inABOUT Ste...

Interesting and well-drawn group of French late 19th-century landscapes sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his sixty...

Beautiful turn of the century figurative landscape by F.S. Mediary (American, Late 19th Century/Early 20th Century). Presented in a giltwood frame. Signed "F.S. Mediary" lower right....

Bryanna Marie's "Almost There" is an original, handmade graphite drawing on Bristol paper that depicts a portrait of a female model. About the Artist: Bryanna Marie draws her inspi...

Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed top left and dated ...

While this is a World War II drawing, the barbed wire recalls the tranches of the First World War. A menacing tank at the upper left dominates the scene. There is a black border and...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

Three Fish Watercolor on Paper Lively watercolor of three fish by unknown Japanese artist "Eichito" (20th Century). The fish are swimming from left to...

Josephine Mahaffey (1903-1982) Texas Image Size: 8.75 x 7 Frame Size: 13.5 x 11.5 Medium: Watercolor "Chores" Biography Josephine Mahaffey (1903-1982) In 1968, she was honored at the...

This artwork titled "Earl Scwaiger's Barn" c.1980 is a watercolor on paper by American artist W. Ralph Murray, 1932-2009. It is signed at the lower righ...

Murray Tinkelman builds his works out of tiny meticulously placed cross hatchings that are organized into horizontal and diagonal structures. Most are done with a ruler and some fre...

This is a drawing by Paul Cadmus offered by CLAMP in New York City. Five Female Nudes n.d. Signed, u.r. Color crayon on paper 10.5 x 18.5 inches (26.7 x 47 cm), sheet

Nocturnal Creatures, 2021, ink and watercolor on watercolor paper. Black and White, girl with cats, moon, figurative. Framed, frame size 11.25 x 9.25 x 1.25

This artwork titled "Nude Reading" c.1970, is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by the artist. Th...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: State of Grace Year: Circa 1990 Medium: Acrylic on paper Paper: Thick wove Size, image: 29.5 x 39.5 inches Size, ...

Deep Blue Venus, 2020, watercolor, ink, mirror paint, and salt on Arches paper. Venus of Willendorf, fertility goddess, blue, cobalt blue, and whit...

Gouache on paper. Artwork is 7.5 x 7.5 in. and framed it is 13 x 13 in.

Red Ballboy or Studies for "Tennis Tournament" Crayon on paper, c. 1920 Unsigned Condition: three vertical folds created by the artist to transport the drawing from the tennis match ...

Interior design paintings. The work was done with ink and watercolor in black and red color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

This artwork titled "Chinatown Under the Rain" 1966 is a watercolor by Japanese/Taiwanese artist Paul Kuo, 1920-1995. It is signed and dated at the lower righ...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

This artwork titled "Flamenco Avec Rosario" referring to the famous Flamenco dancers, Antonio Ruiz Soler and Florence Perez Padilla A.K.A Rosario, c.1945...

Manfred Schwartz (American, b. Poland, 1909-1970), Portrait of a Woman, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 19" H x 24" W. Provenance: From ...

"Hell of a Year" 2021. Marker on Bristol board. Drawing / Illustration / Figurative Art / Graffiti and Street Art / Interiors. Framed in a b...

This is a unique artwork. This is an original Hyman Bloom drawing of fellow artist and his very good friend Martin Sumers.I believe this was drawn at the “variations of a theme” at S...

Medium: Pen and Ink on Cardstock Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of the supporting players in 1947 Broadway production of Terence Rattigan`s `The Winslow Boy` at the Empire Theatre. The engaging drama, based on a true incident in Edwardian-era England, was directed by Glen Byam Shaw, starred Frank Allenby & Madge Compton (not shown) and ran 10/29/47 - 05/01/48, for 214 performances. The four depicted are Michael Kingsley, George Benson...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “My King...

This artwork "On the Road" is a watercolor on paper by noted California artist Henry Waltermar Doane, 1905-2002. It is signed by the artist at the lower ri...

"Road Warriors" (2012) By Susie Hyer is an original handmade graphite drawing on paper that depicts a road with cars in the distance, and mountains in the background. This piece meas...

China marker on smooth bristol paper. Jay Golding’s realistic portrait and figure drawings/paintings are inspired primarily by Indigenous culture and heritage but are not limited to...

Very well executed original gouache on archival paper by the well known American artist Benjamin Kopman. The scene depicts three figures admiring a picture. Signed lower left. Circa ...

Minimalist Figurative Drawing by Cuban artist Juan Carlos Vazquez Lima. Original Unique Piece. Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delg...

Artist: Arnold Grossman (American, 1923-2016) Title: The concrete Plant Year: c.1970 Medium: Watercolor Paper: Watercolor paper Image size: 11.25 x...

Monotype on paper

46 and 2, 2020, gel pen, graphite, paper, collage, skull, hammer, floral, flower, drawing, framed, web, pink, blue, yellow

Provincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts, May 14-22, 1966 (see label) ...

America Martin "Woman in Beige & Red" Ink on Handmade Paper 30” x 22.5” AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. Americ...

"Swans," 2013. Found materials collage. Figurative, abstract, pattern, swans, yellow, orange, red, purple, black, blue, and white.

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

"Open Surgery," 2013. Found materials collage. Figurative, abstract, pattern, candle, anatomy, yellow, tan, green, red, purple, black, blue, and white. ...

Last Metro to Bleeker Street. Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor paintings base...

This striking vintage pen-and-ink drawing, Untitled (Two Figures), was created in the 1970s by acclaimed American modernist artist Edgar Britton (1901–1982). Rendered in bold black i...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

"Drawing on Fire" by Paul Sierra, Oil stick on paper. Sold with frame. Frame size: 22 x 14 inches. Hand-signed by the artist. Signature and title on lower front right corner of paper. At sixteen, Havana-born Paul Sierra moved to Chicago, where he studied at the Art Institute. Although a longtime resident of the Windy City, Sierra's tropical palette is based on childhood memories of Cuba. His trademark vibrant colors provide what has been called a "cultural corridor" between his turbulent Cuban heritage and his adopted country. Sierra has had more than sixty solo exhibitions in the USA. His work can be found in the collections of The Museum of Contemporary Art and Mary and Leigh Block...

Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren...

19 of 22 plates present Lacking plates 5, 12 & 21 Print Sz: 20 1/2"H x 14"W Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque. Life and works Youth (1863–1900) Georges Goursat was born and raised in an upper-middle-class family from Périgueux. The wealth inherited from his father at the age of 21 allowed him to sustain a gilded youth. In 1888 he self published in Périgueux his first three albums of caricatures, signing some as "SEM" (Figure, left), allegedly as a tribute to Amédée de Noé who signed his caricatures for Le Monde illustré as "Cham". From 1890 to 1898, he settled for a few years in Bordeaux. During this period, he published more albums and his first press caricatures in La Petite Gironde [fr] and discovered the work of Leonetto Cappiello. His style matured, becoming both simpler and more precise. During the same period, he made trips to Paris. In 1891, he designed two posters printed in the workshop of Jules Chéret for the singer Paulus [fr]. He published his first caricatures of artists in L'Illustration (Albert Brasseur [fr]) and Le Rire (Paulus, Polin and Yvette Guilbert. From 1898 to 1900, he lived in Marseille. During this stay, he met Jean Lorrain who convinced him to live in Paris. Caricature women on a boat being sailed by a sailor by Sem, 1925 Belle Époque (1900–1914) Goursat arrived in Paris in March 1900, at the time of the opening of the Universal Exposition. He picked horse races as his way of entry in high society. In June, three months after his arrival, he self-published a new album, Le Turf, with caricatures of many prominent Parisian socialites (Marquess Boni de Castellane, Prince Trubetskoy, Count Clermont-Tonnerre, Baron Alphonse and Gustave de Rothschild, Polaire). The success of this album made him famous overnight. In October of the same year, he published another album, Paris-Trouville, with the same success. Nine others followed until 1913. In 1904, Goursat received the Légion d'honneur. In 1909, he exhibited with the painter Auguste Roubille, first in Paris, then in Monte Carlo and London. a diorama, composed of hundreds of wooden figurines "of all the merely Paris celebrities". World War I (1914–1918) Aged over 50 at the start of World War I, Goursat was not drafted. He nevertheless involved himself as a war correspondent for Le Journal. Some of his rather "chauvinistic" articles had an "enormous impact". Ten were published in 1917 in Un pékin sur le front. Two others were incorporated in 1923 in another book, La Ronde de Nuit. In 1916 and 1918 Goursat published two albums of Croquis de Guerre (War sketches). Their style is completely different from his previous work. He also designed posters for war bonds. Années Folles (1918–1934) After the war, Goursat came back to the kind of caricatures that made him famous. In 1919, he published Le Grand Monde à l'envers (High Society upside down). Around 1923, he published 3 albums under the general title of Le Nouveau Monde...

John Strickland Goodall John Strickland Goodall was born in Heacham, Norfolk on 7 June 1908. He was the son of a famous heart specialist who boasted seven generations of medics, and...

"Mustache Phone," 2019. Acrylic on paper. Figurative, mustached man, ball cap, cell phone, cartoon, offset, sign painting, flesh, ginger, green, blue, gray, ...

For your consideration here is a wonderful original watercolor by the Scottish born artist John P. Nicolson also known as John Nicolson. Executed circa 1915 in the style of Winslow H...

Original oil pastel with graphite tracing of a lively Paris street scene in front of the iconic Arc de Triomphe in Paris. The artist is the well known French artist, Andre Vignoles. ...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...