USA - Figurative Drawings and Watercolors

Martin Friedman (1896-1981). Two Nude Figures, ca. 1960. Charcoal on paper, image measures 17 x 22.5 inches; 24 x 30 in original custom chestnut frame ...

"Melody of the River" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape on a grey and cloudy day. Mo Myra, born in 1990, is a Connecticut-based artist cel...

A Distinctive, 1950s Mid-Century Modern Cubist Figure Study by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A visually striking charcoal composite study of three figures, ex...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Medium: Pencil Drawing Signature: Signed & Inscribed Lower Right Study for Saturday Evening Post Cover, June 2, 1951

Welcome to the wonderfully delightful mind of Ludwig Bemelmans. With a few quick lines, Bemelmans captures the essence of a subject. In this work, the artist portrays a distinguished...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining, Charcoal on Paper, with the artist's signature stamped lower left, unframed. 18" H x 24" W. Provenance: From a 35 East 7...

Takashi Murakami Original hand signed Flower Drawing on limited edition skateboard, 2017 Unique Flower Drawing in Marker on skateboard. Signed by Murakami Flower drawing done in mark...

This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. The stripe down...

Henry Woon Female Nude Statue c. 1950's Charcoal on Strathmore Charcoal Paper 19 1/2"x25"Unframed Unsigned His large portfolio of charcoal drawings was acquired on the island of Ala...

"Lady in White" (2024) by Bunyod Suvonov is original handmade oil painting done on canvas. This piece depicts a portrait of a woman with long brown hair wearing a white dress on an a...

DAVID ROSE (1910 – 2006) LEONARD WEINGLASS - ELLSBERG TRIAL, 1973 Color marking pen on tracing paper. Image 12 ½ x 11 inches, sheet 15 x 18 ½ inches. Very fresh, in good condition with bright colors save for horizontal creases at the lower sheet edge slightly into the image and a few other soft creases. Leonard Weinglass along with Leonard Boudin were attorneys for Anthony Russo and Daniel Ellsberg at the Pentagon Papers Trial in 1973. Upon his death in 2011 the NY Times called Weinglass, “perhaps the nation’s pre-eminent progressive defense lawyer, who represented political renegades Provenance: Directly from the artist David Rose to this dealer in the late 1980’s. I knew David as an artist and friend as we both lived in Los Angeles. It has been in temperature and humidity storage since its acquisition. The Ellsberg Trial was the beginning of a long career for Rose as a court reporter Rose’s papers are in Special Collections of USC, The University of Southern California. The Online Archives of California Rose Biography states: Rose's courtroom career began in 1973 with the trial of Daniel Ellsberg, the former defense analyst who released the Pentagon Papers regarding the Viet Nam War to the New York Times. (Rose received an Emmy Award nomination for his coverage of the Pentagon Papers trial.) Rose's sketches of this trial-- along with all those that would follow through the next twenty-five years-- appeared in television news broadcasts and newspapers all over the world. He saw himself as a reporter-- but with colored pencils and sketchpads as his tools. He tried to capture the emotions in the courtroom-- the tension, anger, and the body language that conveyed them. Over the years, Rose's art depicted the trials of some of the most famous-- and infamous-- personalities to make the news: Klaus Barbie (the Butcher of Lyon), Patty Hearst, Sirhan Sirhan, John Z. DeLorean, Rodney King, Imelda Marcos, Huey Newton...

15th C. Tibetan Tsakali "High Lama Presenting a Ceremonial Scarf" MIneral pigne 6 1/4 x 4 (16 x 13 3/4 frame) inches

Ca. 1950 watercolor of a standing male bather in red & orange tones by artist Andre Delfau. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, se...

Frank Nelson Wilcox (American, 1887-1964) The Entertainment, c. 1955 Watercolor on paper Signed lower right 20 x 30 inches Exhibited: 1955 May Show, Cleveland Museum of Art "The first district schools were log houses...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate o...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Date: 1921 Medium: Pastel on Paper Dimensions: 28.00" x 21.00" Signature: Signed Lower Right Satuday Evening Post Cover, November 12, 1921

Linda Stein, Profile Notation 418.024 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.024 is from Linda Stein's Profiles ser...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

Ink and pencil on paper Signed and dated in pencil, c.r. This artwork is offered by ClampArt, located in New York City.

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Provenance Grand Central Art Galleries, New York; Samuel B. and Marion W. Lawrence Collection; Christie's, Important American Paintings, Drawings, and Sculpture, November 29, 2007, l...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

An early 1940s fashion study featuring women's hats in pink tobes. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Institute of Chicago...

"Buste de Jeune Femme" or "Bust of a Young Woman" is an original conte crayon drawing by Georges d'Espagnat. It is initialed in the lower right. ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La dionée dite Gobe-mouches(Venus Flytrap) Signed "Erté" (lower right) Inscribed ---- (en verso) Gouache on paper Daring and mysterious, this original gouache from the creative mind of Erté features the sinuous figure of a woman wearing a unique ebony and sanguine body suit with a dramatic wing-like cape. Entitled La dionée dite Gobe-mouches or Venus Flytrap, this work embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist's designs are so beloved. Inspired by the famed volume of poems from iconic French writer Charles Baudelaire, this ensemble showcases Erté's sartorial interpretation of La Vampire from Baudelaire's Les Fleurs du mal. This elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called "Father of Art Deco," could achieve. La dionée dite Gobe-mouches showcases the breadth of Erté's creativity and his design expertise. First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several specific poems to create original fashion sketches...

Medium: Charcoal, Pastel, and Watercolor on Board Signature: Signed Lower Right Sight Size 16.00;" Framed 28.00" x 25.00"

"Oriental Flowers" - Figurative Etching and Watercolor Figurative etching and watercolor of four men sitting, wearing coats and berets by San Francisco artist Margaret (Maggi) McEll...

The Torrent Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's st...

This drawing by Paul Cadmus is offered by CLAMP in New York City. Multi-Figure Nude Study n.d. Signed, u.r. Color crayon on paper 8 x 18.5 inches (20....

Perfect for you hockey enthusiast! A 1950s pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted size: 14" x 18". Provenance: Estate of the Artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'Aurore boréale(The Aurora Borealis) Signed "Erté" (lower right) Inscribed ---- (en verso) Gouache on paper In this colorful gouache, Erté draws an enticing and unique fashion design on his model's elegantly elongated figure. Crowned by an elaborate headdress, the woman wears a daring gauzy caftan that drapes dangerously low, celebrating her nude form. EntitledL'Aurore Boréale" or The Aurora Borealis, this work embodies the Art Deco glamour for which the artist's designs are so beloved. This ensemble was inspired by Les Fleurs du mal, the famed volume of poems from iconic French writer Charles Baudelaire. As the name suggests, this creative design links the celebrated "fleur" orchids with one of nature's other great marvels, the Aurora Borealis. This refined piece of art radiates the essential luxury and theatricality that could only be accomplished by Erté, oft referred to as the "Father of Art Deco." First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches...

Leon Bibel, 'Untitled (Death March)', brush and ink, c. 1936. Estate stamped, verso. A fine expressionist rendering, on cream wove drawing board, with margins (3/8 to 5/16 inch). Minor toning at the board edges, otherwise in very good condition. Image size 12 5/16 x 9 3/8 inches; sheet size 13 x 10 inches. Matted to museum standards, unframed. One of a series of powerful Anti-fascist brush and ink drawings created by the artist at the commencement of the Spanish Civil War...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

HELLEU, PAUL CÉSAR (1859 -1927) "JEUNE FEMME ASSISE" (Young Woman Seated) Original Drawing in sanguine, white and black chalks, c. 1910 Signed in pencil by artist, lower right Full M...

Illustration of the Garden of Eden done with Mexican Amate Bark Drawing in Ink Vibrant illustration with Adam and Eve in the Garden of Eden by Cristino Florez Medina (Mexican, 1937-...

Two Figures on a Boat, Sketch on Paper by Paul Cadmus. Graphite on paper 5.75 x 6.25 inches (14.6 x 15.9 cm) This work is offered by CLAMP in New York City. Remembered for his m...

James Van Fossan's "Back At The Stables (II)" (2024) is an original handmade charcoal and graphite drawing on paper that depicts a cowboy about to lean against a sawhorse. James Va...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Black conte drawing of a male nude, part of ongoing series of drawings of the human form by San Francisco artist Fernando Reyes. Reyes attended The School of the Art Institute of...

Luis Miguel Valdes (Cuba, 1949) 'De la serie La Siempre Habana 69', 1994 pastel, acrylic on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199404 Hand-signed by author ___________________...

Delicate Moments is a striking example of Judith Williams’ mastery of line and negative space. This charcoal figure study exudes intimacy and vulnerability, making it a poignant foca...

Annie French was part of the Glasgow Girls group of artists and illustrators who worked in a delicate, feminine, and detailed Art Nouveau and Pre-Raphaelite style. This work, "Flora," is masterfully rendered and decorated with sumptuous floral patterns in the most detailed way. It is signed twice in the upper right quadrant. The mat has a hand-painted decorative border. The work presents better in person, and the viewer can marvel at the minute detail. The Video is overexposed and light and not representative of color. Use still...

Perfect for your hockey enthusiast! A 1950s pastel on paper drawing of a hockey game by Francis Chapin. Image size: 9" x 12". Matted size: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (English, 1826-1897)....

"Puppet Show" (2024) By Dustin Panzino is a beautiful digital painting created in Procreate, which details a fantasy scene of an almost magical puppet show trolley, pulled along by a...

John LaGatta (American 1894-1977), "Untitled: Seated Lady", Signed Figurative Pencil Drawing on Paper, 17.38 x 11.38, Early to Mid 20th Century Colors: Bl...

This is an original India ink, graphite, chalk, and pen on paper drawing by Hunter Stabler measuring 14.25”h x 20.25”w framed. The piece ships in the pictured frame. Hunter Stable...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

Tshidiso Andrew Motjuoadi (1935-1968) Bottle Bag (A Penny for a Bottle). 1963. Ink on handmade paper laid down on plywood board, panel measures 20.5 x 28.75 inches. Signed and dated ...

Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-...

An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...

Clyde Steadman's "Untitled 1" is an original, handmade watercolor painting that depicts an urban landscape with human silhouettes.