USA - Mixed Media

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

I like to stretch the boundaries of watercolor by adding other media to create textures in my paintings. Comes with a white mat ready for framing. :: Mixed Media :: Abstract :: This ...

Assembled encaustic painting fragments.

A rare eglomisé work by Léon Masson (1911–1987). The piece was crafted in France circa 1940. This captivating mirrored glass panel painting, masterfully executed in the eglomisé tech...

"Gold Brick" is a geometric abstraction in yellow and white gold leaf and oil on wood panels, part of a series of small 3-dimensional constructions and 2-dimensional paintings by Cha...

Fred Wessel's "Brugmansia Datura (Big Pink)" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features a bloomed stem of Brugmansia D...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

This large textural energetic abstract figurative artwork on canvas by Togolese artist Olympio is a unique mixed media painting with a raw and direct aesthetic, providing an unfilter...

Date: 1904 Medium: Mixed Media on Board Sight Size 14.75" x 14.75", Framed 23.00" x 23.00" Signature: Signed Lower Right Cover of Colliers magazine,...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Artist: , Kozo Title: Ave Maria Date: 2024 Medium: Mixed media and tattoo on paper Unframed Dimensions: 30" x 22" Framed Dimensions: 33.5" x 23.5" x 1.5" Signature: Signed Edi...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Madonna Pop Art Portrait. Acrylic on cradled plywood. Signed at the back and ready to hang. Original Created: 2022 Subjects: Pop Culture/Celebrity Materials: Wood Mediums: Acry...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Charcoal and oil painting of woman leaning on back of large chair :: Mixed Media :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artis...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop Tokyo logos, plus bright, lush colors which make for a unique frame piece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame...

Original. Part of Candy Wrapper Collage series in Pop Art style. Natural wood frame. Homage to the late great Michael Jackson. About the Artist: Be...

Artist: Peter Max (1937) Title: Lady’s Hat Year: 1982 Medium: Mixed media, crayon, lithography on Arches paper Size: 6.25 x 7 inches Condition: Good Inscription: Signed by the artist...

68 x 39 inches

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 14 x 18 x 1.5 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of authent...

A piece from Bartolome Sastre's mixed media on paper collection. 11.25" x 8.5" Pastel and pencil on paper

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with how we ultimately face the difficulties of life, his work offers visual cues that remind us of the fortitude of our humanity and inherent capacity to face, navigate and ultimately transcend all limitations. CAM’s art combines his early fascination with stained glass and the energy of the urban landscape with symbols of freedom, strength, resilience and well-being. Using animal totems...

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

Brook Soss, "Beaut" – Elegant Mixed-Media Artwork in Sandstone and Acrylic Experience the quiet beauty of "Beaut", a graceful 30 x 17-inch mixed-media composition by Brook Soss. Feat...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 16.1 x 20.1 x 1.5 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of auth...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

GREG MILLER "Wonder Palms" Acrylic, Collage on Panel 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relation...

"Bougainvillea XX" is a framed mixed media work on canvas by Meredith Pardue, depicting organic, overlapping shapes in vibrant hues of green, blue, pink, red and earthy tones. The wa...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 1/16 x 6 inches Support sheet size: 10 9/16 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

An impressive abstract expressionist painting by Christophe measuring 54"x38" framed.. There is an excitement in the art world when you find the artist that is going to be the next ...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with ...

Artist: Hirst, Damien Title: The Dawn of Golden Time Date: 2013 Medium: Foil block collage on Arches 88 paper with hand embellishment Unframed Dimensi...

Original Art: A mixed media painting by John Randall Nelson depicting vibrant flowers in a vase on a table. John Nelson's works often feature a central image superimposed over a col...

Kathleen Hope MODULAR 54 cement, pigment, plaster 8.00 X 8.00 in $250.00

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Carmine Bilardello’s White on Black Sneakers (2025) is a bold and graphic mixed media work that fuses streetwear iconography with contemporary design. Composed of white resin sneaker...

"Sticking Together III" is a mixed media collage work on canvas featuring red, yellow, teal, white and black. Ellen Kierr Stein is inspired by the works of Nicolas de Staël, Romare B...

Carmine Bilardello’s Red Tape 3 (2024) features an unexpected yet striking composition made from painted red masking tape, stacked and tangled in a dynamic cluster that subtly forms ...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes and colors. Allow 3-4 weeks plus shipping. Achtung VI is a vibrant large-scale mi...

Corey Pickett's (US based) "Ray Gun 56" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Picke...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 12 x 12 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and contemporary abstraction are created as a ...

Work is double-sided, unframed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalis...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Ann Miller in Follies Broadway Musical Contemporary Drawing Illustration Eloise Ann Miller in Stephen Sondheim's "Follies." The 1998 production, played at the Papermill Playhouse. Affixed to the back of the drawing is a brochure promoting the show. Mixed media on paper. Signed lower left. Inscribed lower right: "Ann Miller at 75 'I'm Still Here' in Stephen Sondheim's 'Follies' 1998." Framed. 17 x 12 in. (sight). 22 1/2 x 17 1/2 in. (frame) 'Tops in Taps' Ann Miller was still going strong at 75 years old when she made her last appearance in the musical, "Follies." She was one of M.G.M's most prolific dancers and considered by many to be the greatest female tap dancer of all time. Hilary, a friend of many years, is still going strong at 96. We saw this production at the Papermill Playhouse. Years ago, I was a press agent working in Henry Luhrman's office where we represented "Sugar Babies" with Ann Miller and Mickey Rooney. Bio Hilary Knight (born November 1, 1926) is an American writer-artist who is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series. Knight has illustrated for a wide variety of clients, creating artwork for magazines, children's fashion advertisements, greeting cards, record albums and posters for Broadway musicals, including Gypsy, Irene, Half A Sixpence, Hallelujah Baby! and No, No Nanette. The son of artist-writers Clayton Knight...

"Ocean Rose 3" is a framed mixed media work on canvas by Liz Barber featuring swirling shades of blue and turquoise, evoking the fluidity of water or ocean currents. Energetic white ...