Charlotte Andry Gibbs

"Gold Brick" Contemporary Abstract Minimal Wood 23k Gold Oil American Modern

2017

"Malevich On My Mind" is a geometric abstraction in yellow and white gold leaf and oil on wood panel, part of a series of small 3-dimensional constructions and 2-dimensional painting...

Quotations in Green, 2017, Oil on Found Wood 5 x 49.5 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery ...

Robin's Egg, 2017, Oil on Found Wood 7.5 x 18 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in Bosto...

Reflecting Pool, 2017, Oil on Found Wood 14.5 x 47 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in ...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

Anila Quayyum Agha All the Flowers are for Me - Burgundy, 2016 Laser-cut encaustic embroidery on paper 21 x 21 inches 53.3 x 53.3 cm AQA038 Anila Quayyum Agha examines issues of global politics, cultural identity, mass media and gender roles in her multidisciplinary practice. The Pakistani-American artist is best known for her immersive, large-scale light installations in which she laser-cuts elaborate patterns into three-dimensional cubes. Suspended and lit from within, the cubes cast lace-like, floor-to-ceiling shadows that completely transform the surrounding environment, alluding to the richly ornamented public spaces such as mosques that Agha was excluded from as a female growing up in Lahore. In addition to her suspended light installations, Agha also creates wall-mounted sculptural works, including her Flowers series (2018) that explores love and loss inspired by the mixed emotions she experienced following her son’s wedding and mother’s passing, events that happened in the same year. Although these works may appear decorative, they are imbued with meaning, from the floral patterns that express the beauty and femininity of her mother, to the metallic threads commonly used for wedding dresses in Pakistan. The visual elements collectively amplify the interplay between the matrimonial and the funereal, and by extension, the larger cycle of life. To produce these elaborate works, Agha laser-cuts vibrantly hued encaustic paper with intricate patterns and adorns them with light-reflecting embroidery and beads. These exquisitely detailed drawings are framed within shadow boxes, allowing light to pass through the cut-outs and cast patterned shadows in a manner similar to her large-scale light installations. The framing and shadows allow these works to transcend their two-dimensionality. Anila Quayyum Agha has an M.F.A. in fiber arts from the University of North Texas. She has exhibited her work across the globe, including in the 2018 Kansas City Biennale, curated by Dan Cameron; the Peabody Essex Museum, Massachusetts; the Brooklyn Academy of Music, New York; the Dallas Contemporary Art Museum, Texas; the National Museum of Sculpture, Valladolid, Spain; and the Cheongju Craft Biennale, Korea. Her work is in the collections of the Cincinnati Art Museum, Ohio; the Grand Rapids Art...

Little Windows. Mixed media textured and acrylic paint on Wood. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in the ...