USA - Landscape Paintings

This original circa 1910s plein air field study by renowned Colorado landscape artist Charles Partridge Adams captures the serene beauty of the Rocky Mountains in a masterful display...

A vibrant and colorful Parisian city scene by Australian Mollie Flaxman. Captured in a very impressionist manner 'The Bastille' which was a fortress in Paris, known formally as the B...

3875 Japanese gouache landscape painting on silk set in a brass metal frame See matching painting #3874

Provenance On consignment with the gallery from a Pasadena, California corporate collection. The painting was displayed at Mutual Savings and Loan on Colorado Blvd. in Pasadena. A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena is available through the Pasadena Museum of History's library. Label on verso: Mutual Savings No. 3107 Description This painting is untitled, however, the landscape appears to be of California's Palm Springs Desert area with a scattering of smoke trees...

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

"Ostuni/Puglia/Italy" by Heiko Mattausch (Germany based) is an original oil painting that depicts a corridor between two white building. I am a painter and graphic artist living an...

David Sanders (1933-2013) Austin Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: "Pastel" "Along the Nueces" David Sanders (1933-2013) Known for his oil pastel landscapes, Dav...

Tom Perkinson Summer at the Harbor 1989 Large Acrylic Painting Canvas 50.5 x 40.5 inches Framed Size 55.5 x 45.5 inches Tom Perkinson was ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism, Subject: Ochre Forest, Size: 36" x 33.5"...

Orange Horizon- The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Fresh Paint oil/panel 11 x 14 unframed 16.5 x 19.5 framed Fresh Paint is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful boat...

This evocative oil on canvas painting by renowned American landscape artist Charles Partridge Adams (1858–1942) beautifully captures a glowing sunset along Colorado's majestic Front Range. Rendered in a refined Tonalist style, the work features tall, mature trees bathed in soft hues of green, amber, gold, and rust, evoking the serene transition of day into evening in the Western landscape. Although unsigned, this work is accompanied by a letter of authenticity from the artist’s estate, ensuring provenance and collector confidence. The painting is presented in a vintage gold frame, enhancing its timeless appeal. Framed dimensions measure 18 ½ x 26 ¼ inches; the canvas itself measures 16 x 24 inches. This piece reflects Adams’s signature ability to translate the quiet drama of nature into rich, atmospheric compositions. A fine addition to any collection of American Western art, Tonalism, or early 20th-century landscape painting. About the Artist: Charles Partridge Adams (1858–1942) was one of Colorado’s most celebrated landscape painters and a prominent figure in the American West’s early art scene. Born in Franklin, Massachusetts, Adams relocated to Denver in 1876. He received his only formal training from Helen Chain, a student of George Inness, who introduced him to influential artists such as Alexander Phimister Proctor...

Measures Painting 20 x 16 inches Framed 27 x 23 inches This lovely early 20th century William Wendt (1865 - 1946) painting c. 1909 features a Pasadena California landscape domina...

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

James MacMaster Gray Morning Signed and titled lower left Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

Abstract Treescape Landscape Berkeley School Abstract Expressionist Substantial period Berkeley School abstract expressionist landscape titled "Treescape" by listed Berkeley artist...

Victorian 19th century Moonlight landscape with river, fishermen and a watermill. J.Barclay was the pseudonym for the illustrator Horace Hammond who lived in Birmingham. Most of his...

Under Moonlight oil/panel 6 x 8 image Under Moonlight is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a uniquely beautiful seasc...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Morning on the Lake Size: 23.5" x 31...

Sun reflecting on the snowy mountains at Meadows Valley, Idaho in this mid century winter landscape by Violet Root (Esther Florence Violet...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

And I Think of You 30.0 x 30.0 x 2.0, 6.0 lbs Watercolor on board Hand signed by the artist Artist's Commentary: "The colors in the painting are vibrant and saturated. A limited p...

Armand Manago Guerin (French, 1913-1983) Notre Dame, Paris Oil on masonite Signed lower right 23.5 x 28.75 inches 34 x 38.75 inches, framed The painter known as Armand Manago Guérin...

Francesco Tammaro was born in Naples in 1939 where he attended the Instituto D'Arte di Napoli, one of the most reputed Fine Art schools in Italy. Shortly after graduation he traveled...

"Near Santa Fe New Mexico" showcasing in the brilliant colors of the southwest, from celebrated artist Willard Dixon, who has continued to capture the undeniable beauty of the west f...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

This is an Original Large signed Oil painting on canvas depicting a Sailing ship breaking throught the waves in the open ocean. It is a classic maritime scene that makes this paintin...

Artist: Vahe Yeremyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Impressionism, Title: Blue Grove, Size: 43" x 65.5" x 1...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

F. De La Fuenta Bluebonnet San Antonio Artist Image Size: 12 x 16 Frame Size: 18 x 22 Medium: Oil 1962 "Bluebonnet"

Gustave Cariot 1872-1950 French L'allée fleurie (The Flowered Path) Signed and dated "G. Cariot 1907" (lower right) Oil on canvas Celebrated French painter Gustave Cariot evokes ...

Very rare and well painted mid 1800s folk art portrait. Incredible frame. Oil on canvas. Image size, 24 by 28 inches.

Jon Doran's "Swimmer Study 2," painted in 2023, is an evocative oil painting that resonates with mystery and emotion. Set on a panel measuring 22 x 18.50 cm, the scene unfolds within...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

"Endless Sky" is 42x38 oil painting on canvas by artist Jamie Crisol. Feature is an abstracted landscape of a rural marshy landscape in greens, blues and tans. Horizontal lines of la...

Arturo Mallmann’s abstract landscapes radiate a shiny gloss that makes them appear as glass canvases, but they are not in fact glass. Mallmann’s process includes a complicated approa...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Amazing early 1900s impressionist beach scene of Good Harbor Beach in Massachusetts. Very finely pained with great color and lots of detail and figures. Located on verso. Nicely f...

Carefully ordered patterns, geometric shapes and delicate lines in pale peach, light blue, and pale violet on a light green background with hints of golden orange and greenish yellow...

An exquisite oil painting by renown artist Antoine Blanchards depicting the French street scene Les Grands Boulevards et La Porte Saint Denis. Th...

Warm and detailed farmhouse landscape depicting an idyllic country scene by Rein Sievers (German, 1929-1994). Signed "R. Sievers" in the lower right corner. Presented in an ornate gi...

A whimsical oil painting depicting a Courtyard Scene with a cafe of figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in...

"Hunting Dogs with Geese" is a 26 x 21.5 inches, oil on canvas landscape of two dogs on the trail by the river. The canvas is signed "B Lanoux" in the lower left. B. Lanoux is a lis...

This radiant landscape by Emile A. Gruppe captures the warm, rolling hills of a peak autumn. Gruppe’s expressive impasto and dynamic color handling bring the countryside to life, evo...

Jim Beckner's (US based) "Street Movement" is an original, handmade oil painting of an urban street with motion blur. About the Artist: Jim Beckner’s art vibrates with the pulse of ...

Impressive early American impressionist framed landscape oil painting. Framed in a silver impressionist molding. Oil on board. Signed. Image size, 20H by 30L inches.

Bolinas - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s wor...

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

Serene, small-scale early 20th century landscape of a stream in winter by Ohio artist Martin George Dumler (American, 1868-1958), c. early 1900's. The deep blue stream flows peacefully through white banks of snow, towards the distant trees depicted in loose, abstracted brushstrokes. Signed "M. G. Dumler" in the lower right corner. Presented in a gilded frame. Painting size: 10"H x 8"W. Still-life and Landscape painter and composer of liturgical music, born in Cincinnati (Hamilton). December 22, 1868. He was a pupil of Martin Rettig...

This piece, "Moon Over the Marsh", by artist Dennis Sheehan is a 30x40 oil painting on canvas featuring a landscape at sunset. Remaining light from the setting sun burns the sky in a...

Wolf Kahn 1927-2020 American A Spot of Grass Signed "W Kahn" (lower right) Oil on canvas A masterwork of modern American landscape painting, A Spot of Grass exemplifies Wolf Kahn...

"In a Land Full of Wonder" by Jessica Pisano is a captivating original painting that evokes serenity and introspection. Featuring a solitary, majestic tree standing in a lush, tranqu...

Leticia Lacy is a Los Angeles-born artist whose vibrant career bridges the worlds of animation and fine art. With over two decades of experience in the animation industry, Lacy began her creative journey after earning a BFA in Fine Art Painting from the University of California, Santa Barbara. She quickly made her mark at major studios like Cartoon Network and Disney, contributing to iconic shows such as Samurai Jack, Star Wars: Clone Wars...