USA - Prints and Multiples

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

Artist: Pablo Picasso Title: Square Head of a Man (Plate XXXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 32/289 Frame Size: 21" x 18" Sheet Size: 13...

Lithograph in colors on wove paper. Artist proof signed and numbered in pencil out of 10 by Robert Longo, published by Brooke Alexander from the Men in the Cities. Frank and Glen st...

Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a speci...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...

Rene Magritte Le fils de l'homme, 2018 7-Ply Grade A Canadian Maplewood 31 × 8 inches Edition 35/250 Authorized artist's signature on the deck; hand numbered. along with separate han...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, The Poems, 1960. Published and printed by Tiber Press, New York un...

"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...

This original 1972 poster by Alex Katz was created for an exhibition at Zabriskie Gallery, supporting the Passage of the Equal Rights Amendment (ERA). A striking example of Katz’s si...

Paper Size: 29 x 21.75 inches ( 73.66 x 55.245 cm ) Image Size: 29 x 21.75 inches ( 73.66 x 55.245 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

This piece is a lithograph in colors (after)Pablo Picasso, done in 1957. Picasso created this piece for the special issue of the art publication XXe Sicle Review No. 10, entitled "Ho...

This item is in excellent condition and only shown in a gallery setting. The item photographed is one of the pieces in the edition. The piece you purchase will have a unique edition number. This is a new item, not preowned. Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Mediterranean coast near Barcelona. By the age of 17, he was accepted into the Escuela Superior de Bellas Artes de San Jorge in Barcelona. In 1960, he moved to Paris and exhibited with other major Spanish artists including Picasso, Miró, and Dalí. Today, Alvar is recognized on an international platform for his exploration of the psychological and historical complexities of art-making and creation in relation to one’s environment and experiences. The examination of both interiors and exterior spaces place a significant role in all of Alvar’s works. Alvar strengthens his artistic vision through the use of various mediums including oil paintings, lithographs, watercolors, drawings, bronzes, and ceramic bas relief sculptures. His works can be found in the permanent collection of over fourteen museums worldwide and he has several public commissions around the world, including his most recent bronze sculpture created in honor of Catalan cellist Pablo Casals that is located in Paris, France. Additionally, Alvar has had three consecutive retrospectives since 2014. His first was hosted at Las Casa de Cultura (The Cultural Center) of Girona, Catalonia, Spain. One year later, Alvar had a second retrospective at the Castell de Benedormiens, in Castell d'Aro, Girona, Spain. Most recently, the Castell de Calonge in Girona, Spain recognized Alvar’s lengthy career from 1954 to 2016 with a retrospective titled, Una Vida Pintant (A Life of Painting). Homenage a Pau Casals Lithograph: In 2006, a Spanish real...

Paper Size: 4.25 x 6 inches ( 10.795 x 15.24 cm ) Image Size: 3.75 x 5.5 inches ( 9.525 x 13.97 cm ) Framed: Yes Frame Size: H: 17.25 x W: 13 x D: 1.25 in. Condition: A-: Near Mint, very light signs of handling Additional Details: This vintage blank...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 40x60 Edition of 10 Signed an...

In 2002, Jamie Wyeth created a richly detailed image titled, The Gourd Tree. Known for his realistic style, Wyeth’s work consists largely of landscapes-- like this unusual tree-- and portraiture. Although closely associated with the rural landscape of Chadds Ford Pennsylvania and the rugged coast of Maine, Jamie Wyeth spent part of his early career in New York City, where he was mentored by New York City Ballet founder Lincoln Kirstein...

For Every Fighter a Woman Worker. Original vintage poster. Linen Lined. Very good condition. Artist: Ernest Hamlin Baker. Size: 28" x 42". Year: 1918 Linen backed trimme...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Artist/Designer; Manufacturer: Frank Stella (American, 1936-2024) Marking(s); notes: signed, FS76-332, printer's inkstamp; ed. 4/10; 1979 Materials: screenprint hand-colored with acr...

Appearing like ghosts against a black background are three white figures rendered in an almost Abstract style. One, wearing a wide-brimmed hat, sits atop a horse and looks down to th...

Keith Haring Pop Shop 1986: A very well preserved Keith Haring Pop Shop radio accompanied by its original packaging. Sold at the Pop Shop in New York c. 1985. Features a bold Keith H...

This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240 including Proofs, and this beautiful harbor scene is bathed in glowing light, with rich blues, greens, and grays. As a painter Cosby travels extensively painting what he sees and feels. Bold use of color and an energetic brush stroke combined with the truth of the place is what you will see and feel when viewing a painting by Cosby. Born in Hollywood California in 1955, Cosby was raised in the west. At an early age he began to draw and paint and was lucky enough to have been inspired by a grandmother who was an oil painter. "She would give me the paint, some brushes and a scrap of canvas and set me off to paint. This early experience took the fear out of creating a painting," said Cosby. Cosby started traveling at an early age. At 18 he was chosen as an advance man for the Executive Branch of the US Government, served under two Presidents and traveled the world. He met many interesting people and saw many things but what most interested him were the great works of art he encountered. "They haunted me and helped set the course for my career as a painter". After leaving the White House, Cosby rebuilt an old classic sailing sloop designed by Nathaniel Herrishoff. With a friend (who had dreams of being a writer) set sail up and down the eastern seaboard in the inland waterway for 3 years. Thus he began his art career. "Doing drawings of anything that moved me, things began to sell and my course was set," said Cosby. Upon his return to the California, Cosby began painting the sea and landscape of coastal California. With a strong gallery response, his success as a painter quickly followed. Cosby currently resides and maintains a studio in San Clemente CA. He works on location around the world and is represented by some of the finest galleries. Cosby was a founding board member of the prestigious “Laguna Plein Air Painters Association”, a Signature member of both Pleinair Painters of America and The California Art Club. He has served as an officer of these groups to help further the cause of Art. Cosby was also a founder of the Laguna Beach Plein Air Painting Invitational that was held at the Laguna Art Museum for thirteen years and is now in it's 18th year. With his bold contemporary style Cosby has captured the imagination of some very important collectors. His work can be found in many private, public and corporate collections around the world. Cosby is recognized internationally. List of Awards and Recent Exhibitions 2016 The Irvine Museum Summer Exhibition "A Summer Idyll" 2015 Commissioned by Big Canyon Country Club to paint a major painting 2015 Accepted into The Irvine Museum Permanent Collection 2015 Group Show “The Wild Side” Catalina Island Conservancy show 2014 The Fredrick Weisman Museum "On Location in Malibu" A CAC Show 2014 The Cape Cod Museum of Art "Looking East" a PAPA Show 2014 The Irvine Museum "Sunlight and Shadow/ The Tradition of Pleinair Painting...

André Masson, French (1896 -1987) - Amours légendaires, Year: 1959, Medium: Etching, signed and numbered in pencil, Edition: 7/30, Image Size: 11.75 x 9.75 inches, Frame Size: 2...

Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 246. Published by Aimé Maeght, Éditeur...

Helen Frankenthaler A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) Limited Edition - though exact number produced unknown 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) Accompanied by gallery issued Certificate of Guarantee “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" 36x48 Unsigned test print Printed on archival paper ...

Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...

Paper Size: 59 x 35 inches ( 149.86 x 88.9 cm ) Image Size: 59 x 32 inches ( 149.86 x 81.28 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details:...

Artist: Peter Max (1937) Title: Two Hearts on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 13 x 17 inches Condition: Excellent Insc...

ROMARE BEARDEN NOAH MEANS - A NEW DAY Year published - 1985 Commemorative Poster - Hofstra University - Noah Program Poster size - 34.5 x 21 inches, unframed, unsigned NOAH MEANS -...

This is a rare lithograph only 45 made. There is some foxing and toning, but it should be able to fix that. Still a great picture. Measurements imag...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

This open edition reproduction of Interior with Skyline was published by LEM Italy with the approval of the Lichtenstein Foundation for an exhibition of his work in Rome in 2000. Buy...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

Embellished on canvas Signed and numbered In good condition Measures 46x37 International buyers must cover shipping expense

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

This signed and numbered self-portrait by acclaimed artist Chuck Close is a striking piece created to benefit the Lincoln Center for the Performing Arts in New York. Known for his me...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Van Dongen, 1925. Published by Henri Floury, Paris; printed by Pierre Dumont, Pa...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 149, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Artist: Sunol Alvar Title: Women with dove and Flowers Year: c.1980 Medium: Colors lithograph with embossing Edition: Numbered 28/195 in pencil Paper: Arches Image size: 16.75 x 21...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The "FORTH OF JULY" series is making history in the a...

Artist: Pablo Picasso (1881-1973) Title: Femme Assise a la Robe Bleu Year: 1981 Medium: Lithograph on Arches paper Size: 29 x 22 inches Edition: 1000, plus proofs Condition: Good Ins...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers. This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75". Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-C) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°49, 1977. Published and printed under the direction ...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage of It* Celebrating the Academy in this original and limited Os...

Victor Rosado (Puerto Rican/ American, 1938 - ), "Growing Wild " Edition 45/ 200, Abstract Screen Print Serigraph, 17.38 x 13, Late 20th Centu...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 6 x 3 3/4 inches (153 x 96...