USA - Nude Prints
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Item Ships From: USA
Alex Katz Private Domain 1970 (announcement card)
By Alex Katz
Located in NEW YORK, NY
Alex Katz “Private Domain” announcement card 1970:
Rare vintage Alex Katz announcement card published on the occasion of 'Alex Katz New Paintings' Fi...
Category
1970s Pop Art USA - Nude Prints
Materials
Lithograph, Offset
Untitled (Nr. 2473) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
By Ben Cope
Located in Culver City, CA
Untitled (Nr. 2473) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmina...
Category
21st Century and Contemporary Contemporary USA - Nude Prints
Materials
Archival Pigment
Galerie Karl Flinker (Anthropometry) Poster /// Yves Klein Nude Figurative Blue
By Yves Klein
Located in Saint Augustine, FL
Artist: (after) Yves Klein (French, 1928-1962)
Title: "Galerie Karl Flinker (Anthropometry)"
Year: 1973
Medium: Original Lithograph, Exhibition Poster on light wove paper
Limited edi...
Category
1970s Modern USA - Nude Prints
Materials
Lithograph
"Tamul 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox
By Rob Woodcox
Located in Culver City, CA
"Tamul 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox
Hahnemuhle Torchon Matte FineArt Paper (archival)
Ships in a tube
2021
ABOUT Rob Woodcox
Rob Woodcox is a fine ...
Category
21st Century and Contemporary Contemporary USA - Nude Prints
Materials
Archival Paper
Unité, Planche 10 (Set of 2) /// Surrealism Modern Art Le Corbusier Nude Animal
By Le Corbusier
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965)
Title: "Unité, Planche 10" (Set of 2)
Portfolio: Unité
*Signed by Le Corbusier in pencil lower right. It is...
Category
1960s Surrealist USA - Nude Prints
Materials
Etching, Aquatint, Intaglio
Nude with Dogs /// Contemporary Pop Art Screenprint Animal Pet Black and White
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-)
Title: "Nude with Dogs"
*Signed and numbered by May in pencil lower left
Year: 2005
Medium: Original Screenprint on unbranded white wove paper
Limit...
Category
Early 2000s Contemporary USA - Nude Prints
Materials
Screen
Untitled (Verve No. 29-30) /// Modern Pablo Picasso Lithograph Figurative Nude
By (after) Pablo Picasso
Located in Saint Augustine, FL
Artist: (after) Pablo Picasso (Spanish, 1881-1973)
Title: "Untitled (Verve No. 29-30)"
Portfolio: Verve: Suite de 180 Dessins de Picasso (Vol. V...
Category
1950s Cubist USA - Nude Prints
Materials
Lithograph
Le Fil d'Ariane (Ariadne's Clew) /// Modern Surrealism Surrelist Andre Masson
By André Masson
Located in Saint Augustine, FL
Artist: André Masson (French, 1896-1987)
Title: "Le Fil d'Ariane (Ariadne's Clew)"
Portfolio: For Meyer Schapiro
*Signed by Masson in pencil lower right
Year: 1973
Medium: Original Etching with Aquatint on Rives BFK paper
Limited edition: 15/100
Printer: Atelier Crommelynck, Paris, France
Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY
Sheet size: 18" x 13.5"
Image size: 11.5" x 8.5"
Condition: Never framed, has been professionally stored away for decades. In excellent condition
Rare
Notes:
Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists.
The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol.
Biography:
André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...
Category
1970s Surrealist USA - Nude Prints
Materials
Etching, Intaglio, Aquatint
Tenderness Gives Rise to Harmony /// Contemporary Nude Female Artist Woman Art
By Dagmar Mezricky
Located in Saint Augustine, FL
Artist: Dagmar Mezricky (Czech, 1944-)
Title: "Tenderness Gives Rise to Harmony"
*Signed, numbered, and dated by Mezricky in pencil lower left
Year: 1988
Medium: Original Lithograph...
Category
1980s Contemporary USA - Nude Prints
Materials
Lithograph
'Reclining Nude', California Post-Impressionist, de Young Museum, Fauve
By Wedo Georgetti
Located in Santa Cruz, CA
Signed lower right, 'W.Georgetti', and created circa 1950.
Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
Category
1950s Post-Impressionist USA - Nude Prints
Materials
Monotype, Paper, Crayon
Resting Nude Lithograph
By Itzchak Tarkay
Located in Lake Worth Beach, FL
Resting Nude, limited edition color litho. 450/475, pencil signed
11"x14" framed 19.5x23.5x1
Itzchak Tarkay was born in 1935 in Subotica, on the Yugoslav-Hungarian border. In 1944, ...
Category
1990s Expressionist USA - Nude Prints
Materials
Lithograph
Paglieri dai Fiori le Cipri I Profumi
By Gino Boccasile
Located in Spokane, WA
Original vintage poster: Paglieri dai fiori le Cipri i Profumi. Italian artist: Gino Boccasile (1901 - 1952). Size: 13.25" x 19". Archival linen backed authentic Italian post...
Category
1940s American Realist USA - Nude Prints
Materials
Offset
Alexander Calder lithograph Derrière le miroir (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1967 from Derrière le miroir:
Lithograph in colors; 15 x 11 inches.
Very good overall vintage condition; well-preserved.
Unsigned from an edition of u...
Category
Mid-20th Century Abstract USA - Nude Prints
Materials
Lithograph
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
"Late Afternoon" Photography 40" x 56" in Edition 1/3 by Larsen Sotelo
By Larsen Sotelo
Located in Culver City, CA
"Late Afternoon" Photography 40" x 56" in Edition 1/3 by Larsen Sotelo
Not framed. Ships in a tube
Comes with COA
Available sizes:
Edition of 15: 25" x 35" inch
Edition of 7: ...
Category
21st Century and Contemporary Modern USA - Nude Prints
Materials
Archival Ink, Rag Paper, Giclée
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie ...
Category
20th Century USA - Nude Prints
Materials
Etching
The Judgement of Paris original A.P. etching by Salvador Dali Mythology Suite
By Salvador Dalí
Located in Paonia, CO
The Judgement of Paris ( Three Graces ) is an original limited edition Epreuve d'artiste ( EA ) etching by Salvador Dali from the Mythology Suite. ( ref: Field 63-3.I / Michler & Lopsinger 123 ). Salvador Dalí’s mythology...
Category
1960s Surrealist USA - Nude Prints
Materials
Etching
Georges Braque Nude 1957 Collotype “Nu Aux Feulles”
By (after) Georges Braque
Located in Dallas, TX
Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles"
Art Deco, Art Nouveau nude of a woman.
From the “Braque Espace” portfolio by Daniel Jacomet 19...
Category
1950s Art Deco USA - Nude Prints
Materials
Paper
Derain, Deux femmes nues et nature morte, André Derain entre 1935-1949 (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...
Category
1970s Modern USA - Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern USA - Nude Prints
Materials
Lithograph
Futura 2000 New York 1984 (Futura graffiti artist)
By Futura
Located in NEW YORK, NY
Futura 2000 NYC 1984:
A rare 1980s Futura announcement card published on the occasion of:
FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY.
Offset printed annou...
Category
1980s Pop Art USA - Nude Prints
Materials
Lithograph, Offset
Small Nude /// Philip Pearlstein Etching Figurative Female Post-War New York Art
By Philip Pearlstein
Located in Saint Augustine, FL
Artist: Philip Pearlstein (American, 1924-2022)
Title: "Small Nude"
*Signed and dated by Pearlstein in pencil lower right
Year: 1976
Medium: Original Soft-Ground Etching on German Et...
Category
1970s Contemporary USA - Nude Prints
Materials
Etching
serenite orange
By Emile Bellet
Located in Warren, NJ
This is an Emile Bellet Giclee on canvas embellished “serenite orange”. In good condition measures 45x21.
Category
2010s USA - Nude Prints
Materials
Giclée
Transition, by Trevor Southey
By Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey.
Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...
Category
1990s Contemporary USA - Nude Prints
Materials
Etching
Amleto dalla Costa, Untitled, original pencil drawing, hand signed
By Amleto dalla Costa
Located in Chatsworth, CA
Amleto dalla Costa
Untitled
1980
Unique pencil drawing on paper
Hand signed and dated "1980"
Category
1980s Contemporary USA - Nude Prints
Materials
Charcoal
Amleto dalla Costa, Anatomy+Suite, original silk screen, hand signed
By Amleto dalla Costa
Located in Chatsworth, CA
Amleto dalla Costa
Anatomy+Suite
1979
Original silkscreen
hand signed and numbered from an edition of 325
Category
1970s Contemporary USA - Nude Prints
Materials
Screen
"EROTIC II"
Located in New York, US
Signed by artist, Artist's Proof
Silkscreen print on paper
Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas...
Category
1970s Pop Art USA - Nude Prints
Materials
Paper
Young Rabbit, by Trevor Southey
By Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 125. Portrait of a young Rabbit against an abstract background.
Trevor Southey was born in Rhodesia, Africa (now Zimba...
Category
1990s Contemporary USA - Nude Prints
Materials
Etching
Challenge, by Trevor Southey
By Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey.
Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...
Category
1990s Contemporary USA - Nude Prints
Materials
Etching
Mujer en Rojo, Surrealist Lithograph by Byron Galvez
By Byron Gálvez
Located in Long Island City, NY
Title: Mujer en Rojo
Date: 1980
Medium: Lithograph on Arches paper, signed and numbered in pencil
Edition: 100
Dimensions: 30 x 22 inches
Category
1980s Surrealist USA - Nude Prints
Materials
Lithograph
"Secret Menu" Photography 24" x 36" in Edition 1/15 by Larsen Sotelo
By Larsen Sotelo
Located in Culver City, CA
"Secret Menu" Photography 24" x 36" in Edition 1/15 by Larsen Sotelo
Not framed. Ships in a tube
Comes with COA
Available sizes:
Edition of 15: 24" x 36" inch
Edition of 7: 30"...
Category
21st Century and Contemporary Modern USA - Nude Prints
Materials
Archival Ink, Rag Paper, Giclée
pochoir
By (after) Auguste Rodin
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...
Category
1940s USA - Nude Prints
Materials
Lithograph, Stencil
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco USA - Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco USA - Nude Prints
Materials
Woodcut
Vintage Abstracted Nude Print by Lanny Lasky
Located in Larchmont, NY
Lanny Lasky (1923-2011)
Untitled, c. 1970s
Print (lithograph?)
Sight: 22 1/4 x 17 1/2 in. (image)
Framed: 30 1/2 x 22 1/2 x 1 1/2 in.
Signed lower right, numbered lower left: 113/120
Lasky was as passionate about making art accessible to all as she was about creating it. She devoted much of her time to art education — as an education director for the Hudson River Museum, at the Lincoln Center Institute and the Bronx Council on the Arts. She was a consultant to the New York State Council on the Arts and the Connecticut State Department of Education and worked in many capacities, including director at the Museum of Modern Art’s education department from 1986 to 2001.
Lasky brought art to countless Riverdale children and senior citizens through her work with Riverdale Neighborhood House.
“Throughout her life she was always committed to her work as an artist, but she was also seriously committed to art education and that was important,” her son, Michael Lasky, said.
“She worked toward innovative art programs and had the kids paint...
Category
1970s Abstract USA - Nude Prints
Materials
Lithograph
2 Renee Ritter Nude Figure Studies
By Renee Ritter
Located in Larchmont, NY
Renee Gaylin Ritter (American, b. 1935)
1. Untitled, 1974
Print (lithograph?)
Sight: 16 x 20 in.
Framed: 21.25 x 25 x 1 in.
Signed and dated lower right
2. Untitled, c. 1970s
Print...
Category
1980s Contemporary USA - Nude Prints
Materials
Lithograph
Petite Fille a la Robe Verte, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Petite Fille a la Robe Verte (Paloma Picasso)". The original painting was completed in 1956. ...
Category
1980s Modern USA - Nude Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco USA - Nude Prints
Materials
Woodcut
Guéridon et Guitare, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...
Category
1980s Modern USA - Nude Prints
Materials
Lithograph
Le peintre et son modele, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
Seated beside her likeness, the nude model in this Pablo Picasso print stares at the painter while he contemplates the portrait he has rendered on the canvas. Both nude, the figures ...
Category
Late 20th Century Cubist USA - Nude Prints
Materials
Lithograph
Tete, Framed Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Mari...
Category
1980s Modern USA - Nude Prints
Materials
Lithograph
Le Peintre et son Modele, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Le Peintre et son Modele". The original painting was completed in 1955. In the 1970's after P...
Category
1980s Modern USA - Nude Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
By Odetto Guersoni
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco USA - Nude Prints
Materials
Woodcut
Untitled (Nr. 7584) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
By Rowan Daly
Located in Culver City, CA
Untitled (Nr. 7584) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmina...
Category
21st Century and Contemporary Contemporary USA - Nude Prints
Materials
Archival Pigment
Marc Chagall "Dédicace"
By Marc Chagall
Located in Los Angeles, CA
Marc Chagall (French/Russian, 1887-1985)
"Dédicace"
1968
Color lithograph
signed and numbered 28/50 in pencil
Image: 17 7/8 x 15 1/4 inches.
Framed: 38 x 34 1/4 x 2 1/4 inches.
...
Category
Mid-19th Century Surrealist USA - Nude Prints
Materials
Lithograph
Torso, Nude Signed Etching by Leonard Baskin
By Leonard Baskin
Located in Long Island City, NY
Torso
Leonard Baskin, American (1922–2000)
Date: 1967
Etching, signed and numbered in pencil, dated in the plate
Edition of HP
Image Size: 10 x 8.75 inches
Size: 20 x 15 in. (50.8 x ...
Category
1960s USA - Nude Prints
Materials
Etching
MONICA LYING ON HER BACK, KNEES UP
By Tom Wesselmann
Located in Aventura, FL
Five color lithograph and linocut on arches white paper. Hand signed and numbered by Tom Wesselmann. Edition HC 5/12 (the main edition was 100 plus 6 artist's proofs). Published by...
Category
1990s Pop Art USA - Nude Prints
Materials
Linocut, Lithograph
The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist USA - Nude Prints
Materials
Lithograph
Le Divan, Nude Lithograph by Daniel Gelis
Located in Long Island City, NY
Le Divan
Daniel Gelis, French (1942)
Lithograph, signed and numbered in pencil
Edition of 29/170
Image Size: 15.25 x 19.75 inches
Size: 17.75 x 24 in. (45.09 x 60.96 cm)
Category
Late 20th Century USA - Nude Prints
Materials
Lithograph
Raymond Pettibon Black Flag Flyer (early Raymond Pettibon)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon: Rare early Black Flag flyer:
Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 19...
Category
1980s Pop Art USA - Nude Prints
Materials
Offset
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