USA - Nude Prints

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...

Philip Pearlstein Untitled Nudes in bathtub, ca. 1971 Lithograph on paper with Deckled Edges Numbered from the limited edition of only 19. Unframed Hand signed in graphite pencil and...

Framed lithograph of a female nude pastel by artist Aristide Maillol. Image size: 12 1/2 x 9 1/2 inches. Framed under glass in wooden frame.

Hand signed & numbered by the artist. Sheet size: 33 x 26 inches. Image size: 25 x 19.75 inches. Edition of 250. Artwork is in excellent condition. Certificate of authenticity inc...

Shoichi Ida, Japanese (1941 -2006) - La Vie En Rose, Year: 1973, Medium: Screenprint and collage, signed and dated in pencil and artist stamped lower right, Size: 21.5 x 27.75 in....

Artist: Peter Max, German/American (1937 - ) Title: Nude with Crop Year: circa 1975 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 25 x 19 inches Paper S...

"I Awate You" Black & White Photography 35" x 25" in Ed. 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finis...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Male nude by San Francisco based Mark Jenkins. Jenkins has spent the majority of his career working as a commercial photographer and graphic designer. But in his personal work, much ...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

"Black Kate Moss Triplet" Photography 50" × 46" in Edition 4/25 by Kate Garner Signed & dated. Comes with COA Archival Hahnemuhle art paper Not framed. Ships in a tube. Garner's...

Image: 12.4 x 12 in. Frame: 25 x 22.5 in. Edition of 200 Signed and numbered in pencil

Framed lithograph of a female Nude Lying Down pastel by artist Aristide Maillol. Image size: 9 1/4 x 14 1/2 inches. Framed under glass in wooden frame.

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

Theodore Roussel (1847-1926), Study From the Nude of a Girl Lying Down, 1890, drypoint with plate tone, signed with the tab and inscribed “imp” [also ...

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Objects...

"Ladybugs" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available...

Walt Kuhn (1877-1949), [Reclining Nude], c. 1920, etching, signed in pencil lower margin. In pristine condition, soft fold upper right, with no sign of prior framing or exposure, the full sheet on yellow/cream laid paper, 6 x 7 3/4, the sheet 9 3/8 x 11 3/4 inches, archival mounting. A fine impression. Walt Kuhn was born in Brooklyn, and after a period of study art in Europe, he returned to the US to work as a cartoonist; illustrator, and developing artist. Aware of the great surge of modernist artistic activity in Europe, he joined with others to encourage Arthur B. Davies to get behind the idea of bringing a great European modernist art...

Signed lower left 'Ginghofer' for Raymond Ginghofer (American, 1934-2023) and painted circa 1975. A substantial monotype and gouache figural showing a woman reclining on her stomach...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

The Judgement of Paris ( Three Graces ) is an original limited edition Epreuve d'Artiste ( EA ) etching on Rives BFK by Salvador Dali from the Mythology Suite. ( ref: Field 63-3.I / Michler & Lopsinger 123 ). Salvador Dalí’s mythology...

Wayne Ensrud, American (1934 - ) - Flower Dance, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 29.5 x 22 inches, Size: 31 in. x...

Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...

Hand signed & numbered by the artist. AP edition. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books

448 x 315 mm.; 17 5/8 x 12 1/4 inches Watermark: Eagle, close to Briquet 207 (Rome 1573-76) Notes: Bos was born in ‘s-Hertogenbosch in southern Netherlands (in French, the city’s name is “Bois-le-Duc”), and was active in Rome for a number of years from circa 1549 onward. His works were influenced by Marcantonio Raimondi (near Bologna 1480 – died between 1527 and 1534: see our no. 11). The inspiration for this magnificent and extremely rare engraving was the famous so-called Farnese Hercules...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

"Secret Menu" Figurative Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition...

Original vintage poster: Paglieri dai fiori le Cipri i Profumi. Italian artist: Gino Boccasile (1901 - 1952). Size: 13.25" x 19". Archival linen backed authentic Italian post...

A Comic Pop Art image by Ceravolo. This concept came about years back when Ceravolo discussed with film maker Andy Sidaris the idea of creating comic li...

Arthur B. Davies (1862-1928), Dawn (or, Kneeling Figure), 1918, soft ground etching and aquatint, signed in pencil lower right. Reference: Czestochowski 59, second state (of 3). In v...

Raymond Pettibon Revolutionary Sex (Deluxe signed edition of Patty Hearst SLA Poster), 1982 Offset print (hand signed and numbered) Hand-signed by artist, Boldly signed by Raymond Pe...

Medium: original lithograph. This impression on chine-colle paper was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 1/2 x 5 1/2 inches...

Limited Edition Serigraph with Gold Leafing, HC 29/50. Print measures 27.5 x 36.5 inches and is unframed. Signed by the Artist. The piece is in Good Condition-the print shows signs ...

Soul Ascending-Serigraph from original watercolor by Gwen Lux. Regional Art Editions-Detroit. Measures 23 x 14.25 inches and is unframed. The piece is in Good...

Medium: original etching. This impression on wove paper was printed in 1968 and published in Paris for the Humanisme actif portfolio. Plate size: 8 1/4 x 6 inches (210 x 153 mm). Sig...

Wayne Ensrud, American (1934 - ) - Lady With Cat, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 26 x 21.5 inches, Size: 3...

Wayne Ensrud, American (1934 - ) - Sigrid, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 28 inches, Size: 22 in. x 29.5 in...

Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...

Wayne Ensrud, American (1934 - ) - Flower Dance, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 45, Image Size: 30 x 22, Size: 31 in. x 24 in. (78.74...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

Henri Matisse, French (1869 - 1954) - Reclining Female Nude, Portfolio: Poesies de Stephane Mallarme, Year: 1930, Medium: Etching, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Printer: R...

from "Sport of Love" (Scherzi d'amore) Etching on laid paper with a partial, indiscernible watermark, 5 5/8 x 3 5/8 inches (143 x 93 mm), margins. Scattered light areas of brown disc...

Artist: Corneille, Belgian (1922 - 2010) Title: Eluard from the Portfolio of Six Reves Peints Year: 1989 Medium: Lithograph, signed and numbered in pencil Edition: XVI/XXX Image Siz...

Untitled (Nr. 2790) Photography 18" x 24" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

This artwork titled "Torso de Mujer (Torso de Femmee)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 26.85 x 21 inches, framed size is 40.75 x 33 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #108 page 107. Custom framed in a wooden gold frame, with gold bevel and light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

STANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...

Edition 7/22 A resident of East Hampton, New York, Beth Rundquist paints portraits, still lifes, figures and plein air landscapes. Its refreshing to see an academically trained pai...

TECHNICAL INFORMATION: The Connor Brothers All She Wanted Was To Be Someone's Most Precious Person 2017 Pigment print with silkscreen 47 1/4 x 29 1/2 ...

Richard Lindner 3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968 Silkscreen on wove paper Unnumbered 35 1/2 × 23 1/2 inches...

Mel Ramos Campbell's Soup Girls (set of 3); 11 3/4 x 9 inches Offset Lithograph Edition of 450 Unframed.

Masami Teraoka (American/Japanese, b. 1936) 'Spring Women II' 1980 Single color screenprint on paper Pencil signed verso Edition 13/74 and embossed copyright stamp to lower left 15 x 22 inches, framed: 16.25 x 23.5 inches Provenance: Space Gallery (Los Angeles, CA), Formerly Morphos Gallery, Catherine Clark Gallery...

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...

Guillaume Corneille Summer Bird 1981 Femme et l'Oiseau d'Ete Print, Signed Lithograph on wove paper 25.5 x 20 " inches Signed in pencil and dated and mark...

Medium: black and white mezzotint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic mezzotint of the tattooed back of a ...

R. C. Gorman is better known for his images of colorful and elegant Navajo figures. This pair of prints, however, offers a view into his personal life. The pair of nude figures in th...

Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929. Plate size: 7 3/4 x 6 1/2 inches (196 x 167 mm). Sheet size: 1...