USA - Nude Prints

Artist: Mel Ramos Title: Davidoff - Hav A Havana IV Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 44/199 Paper Size: 34 x 36 inches Frame: 39.75 x 39 inches

"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner. Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955. Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York. “It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years. He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors. In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...

Medium: lithograph (after the the original lithograph). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. T...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Artist: Mel Ramos, American (1935 - 2018) Title: Hav a Havana #10 Year: 2015 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 22.25 x 36.5 inches Size: 29.2...

Medium: original etching and drypoint. This impression on wove paper was printed in 1908 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 8 x 5 1/2 inches ...

Boris Lovet-Lorski, 'Untitled (Nude in Landscape)', lithograph, edition 250, 1929. Signed and numbered 5 in pencil. Number 5 of Volume 1, a series of 10 lithographs published by the ...

David Hockney XVI RIP ARLES (Hand signed, inscribed and dated by David Hockney), 1985 Offset lithograph poster Hand signed and inscribed with dateline London, 1985 by David Hockney o...

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

Abstracted figurative print 12 x 22 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has deckled edges and is acid-free Signed lower right T...

Rockwell Kent, 'Sea and Sky', wood engraving, edition 150, 1931 (published 1932). A brilliant, richly-inked impression on cream wove Japan; the full sheet with margins (2 to 2 1/2 in...

Classical Nude, 2016 by Roberta Fineberg (RF) is a 13" x 10.75" photopolymer chine-colle monoprint on rag paper - signed, titled, and dated by the artist on verso (back of the work)....

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernhei...

Printer’s ink from rubber stamp on vélin Kromekote paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published b...

Richard Lindner 3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968 Silkscreen on wove paper Unnumbered 35 1/2 × 23 1/2 inches...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Elegant nude by Suzanne Aubin Ledrew (American, b. 1942). The woman in this piece is seated, with her hand covering her face and head, turned partially away from the viewer. There is a lovely contract between the background and the figure, creating a negative shape out of the woman's body. Titled "WOMAN" in the lower center. Signed and dated "AUBIN LEDREW 74" in the lower right corner. Presented in a new grey mat with a wood frame. Image size: 12"H x 9"W Suzanne Addicott (nee Aubin Ledrew) (American, b. 1942) graduated from California College of the Arts with a BFA in Painting and Drawing. She is an artist and teacher at Studio9...

Medium: original lithograph. Catalogue reference: Guerin 265. This lithograph was executed by Aristide Maillol in homage to Paul Cezanne. Printed in 1914 and published in Paris by Be...

Artist: Mel Ramos Title: Lola Cola #4 (Michelle Pfeiffer) Year: 2004 Medium: Lithograph, signed and numbered in pencil Edition: 199, HC L Paper...

Vintage jockstrap ad poster, 1975. Offset lithograph on paper measures 18.5 x 12.75 inches. Copyright Winifred Bonney. Original offset period print on perio...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...

These erotic etchings depict mythological and fantasy creatures as striking nudes. A host of sensuous and shocking figures include a mermaid, Medusa, and women in both jubilant and p...

John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...

Artist: Mel Ramos Title: Velazquez Vision Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 245/250 Image Size: 16 x 23 inches Paper Size: 19.25 x 27 inches Fr...

Artist: Larry Bell, American (1939 - ) Title: Nude 1 Year: 1974 Medium: Silkscreen with Flocking, signed, dated and numbered in pencil Edition: 17/60 Image Size: 71 x 28.5 inches Siz...

Color lithograph, 1963. Signed by the artist in red crayon, lower right. Published by Éditions Cercle d'Art, Paris. From Les Dames de Mougins. Framed dimensions 15 x19" inches T...

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil...

Signed, titled and numbered by the artist. This is the last remaining print in the edition. Sonia Romero is a full time artist living and working in East Los Angeles. She received h...

A scarce impression by Dehn, the spirit of sedultive culture personified. Lithograph on white wove paper with deckle edges, 13 1/2 x 17 1/8 inches (343 x 435 mm), full margins. Sign...

Michael Knigin, American (1942 - 2011) - Blind Trust, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size:...

Raising his hands behind his head, the nude figure in this Pablo Picasso print looks downward. Rendered in a neutral orange hue, the figure is shown fragmented in a series of simple ...

Iris print on heavy white wove paper. Signed and numbered 42/50 in pencil by Ruff.

Auguste Rodin, French (1840 - 1917) - Jardin des Supplices V, Year: 1902, Medium: Lithograph with chine cole, signed in the plate, Image Size: 12.25 x 9 inches, Size: 17.5 x 13.25 i...

Keith Haring Into 84/Keith haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...

Louis Legrand, 'The Serenade', soft-ground etching, drypoint, and aquatint, c. 1895, edition 20. Signed and numbered '9/20' in pencil. Annotated '20 proofs taken' in pencil, bottom l...

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

The reproduction titled "Natasha" is a work by the Dutch artist Corneille (Guillaume Cornelis van Beverloo), a co-founder of the CoBrA movement. Known for his vibrant and expressive ...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

Walasse Ting Red Horse – 1981 Print – Lithograph on Arches Paper 17.5” x 23.5” Edition: H.C. signed Hors d'Commerce Walasse Ting was a Chinese-American vi...

A very good impression of this etching. Signed and numbered 35/50 in pencil by Picasso. Printed by Crommelynck, Mougins. Published by Galerie Louise Leiris, Paris. From "347 Gravures...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65) Unframed Philip Pearlstein was born in Pittsburgh, PA, in 1924 and came to New York with Andy Warhol - his first roommate. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg...

Plate XII, Le Cocu Magnifique Etching & aquatyint, 1968 From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 impressions The s...

Aristide Maillol Seated Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography, 1925 Lithograph on watermarked paper 12 1/2 × 19 1/2 inches Edition AP Hand-s...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition of 1000 (AP/1000) Pencil numbered ...

This artwork titled "Tightrope and Fiddle" c.1975, is an original colors lithograph on Wove paper by noted French/American artist Charles Cobelle, 1902-1994. It is hand signed and nu...

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler...

Artist: Mel Ramos, American (1935 - ) Title: Nude Descending a Staircase Year: 2012 Medium: Lithograph, signed and numbered in pencil Editi...

Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Phototype (Lichtdruck) Edition: 125 Size: 33 x 25 in. Publisher: A.A.A....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

This artwork titled "Vanity" 1980 is an original sepia etching by American artist Louis Russomanno, b.1946. It is hand signed, titled and numbered 113/185 in pencil by the artist. Th...

Rembrandt van Rijn 1606-1669 Dutch Naked Woman on a Mound Etching on paper Etched by Rembrandt New Hollstein 88, second state of II; Bartsch, Hollstein 198; Hind 43 One of the gr...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...

Yasuo Kuniyoshi, 'Dancing', lithograph, 1928, edition 30, Davis L-29. Signed, dated, and numbered '8/30' in pencil. A superb, richly-inked impression, printed on cream chine appliqué on heavy off-white wove backing; the full sheet with wide margins (1 3/8 to 4 7/8 inches), in excellent condition. Printed by Desjobert, Paris. Scarce. Matted to museum standards, unframed. Impressions of this work are in the collections of the Museum of Modern Art, Whitney Museum of Modern Art, and Yasuo Kuniyoshi Museum (Japan). ABOUT THIS WORK The French economy boomed from 1921 until the Great Depression reached Paris in 1931. This period called 'Les années folles' or the 'Crazy Years', saw Paris reestablished as a capital of art, music, literature, and cinema. Paris in the 1920s and 1930s was the home and meeting place of some of the world's most prominent painters, sculptors, composers, dancers, poets, and writers. For those in the arts, it was, as Ernest Hemingway described it, "A moveable feast". Paris was home to an exceptional number of galleries, art dealers, and a network of wealthy patrons who offered commissions and held salons. Pablo Picasso, perhaps the most famous artist in Paris, shared renown with a remarkable group of others, including the Romanian sculptor Constantin Brâncuși, the Belgian René Magritte, the Italian Amedeo Modigliani, the Russian émigré Marc Chagall, the Catalan and Spanish artists Salvador Dalí, Joan Miró, Juan Gris, and the German surrealist...

Artist: Walasse Ting Title: Grape Flavor Year: 1979 Print - Lithograph on Somerset paper   21'' x 28.75'' Edition: Signed in pencil and marked 198/200 Image size: 17.5" x 26" inches ...

Plate V, Le Cocu Magnifique Etching, 1968 Unsigned From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 impressions The set of...