Francesco Clemente

Semen: large scale expressionist nude male figure portrait, floating in pink

1987

An erotic dalliance between a nude blonde woman lying down, and nude man, on a bed with white sheets. Subtle shades of peach, tan, yellow, and grey and black shadow behind the couple...

A colorful erotic daydream drawing of a nude blonde fantasizing, with a redhead woman, and man. Green and purple patterns on hair and pillows, and art deco motifs, adorn this sensual...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and...

FRANCESCO CLEMENTE b. 1952 Naples 1952 (Italian) Title: Morning, 1981/82 Technique: Original Hand Signed, Dated, Titled and Inscribed Woodcut in Colours on Japan Paper Paper size...

GEOGRAPHY, EAST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

NORTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of four also a...

GEOGRAPHY, SOUTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of ...

An always available and willing subject, the artist paints himself in this standing pose. Taking a dancer's pose, Lupkin uses loose brushwork, heavy paint and a warm palette to create this very inviting self portrait. The painting is floated in a simple black frame measuring 21 x 12.75 inches Peter Lupkin Nude Self Portrait #1 oil on canvas 20h x 11.75w in 50.80h x 29.84w cm PLU049 The artwork I create is a visual statement of my moral philosophy. The language I use to convey this philosophy in my pieces is one of traditional symbolism, this being indoctrinated into my personality through an apprenticeship into a traditional stained glass...

GEOGRAPHY, WEST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

Hand signed and numbered. Edition of 260 prints. Excellent conditions. Francesco Clemente's oeuvre spans three decades and has achieved international acclaim. Throughout the 1970s h...

This is a fabulous etching from the "Geography" series of etchings, created in 1992. Signed Lower Right in Pencil Numbered Lower Left 29/60 Sheet Size: 28 x 25 inches Framed Size: ...

An always available and willing subject, the artist paints himself in this standing pose. Taking a dancer's pose, Lupkin uses loose brushwork, heavy paint and a warm palette to create this very inviting self portrait. The painting is floated in a simple black frame measuring 21 x 11.5 inches Peter Lupkin Nude Self Portrait #2, 2021 oil on canvas 20h x 10.50w in 50.80h x 26.67w cm PLU048 The artwork I create is a visual statement of my moral philosophy. The language I use to convey this philosophy in my pieces is one of traditional symbolism, this being indoctrinated into my personality through an apprenticeship into a traditional stained glass...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he use...

Francesco Clemente ( 1952 ) - hand-signed drypoint on paper - 74 x 124 cm, 2/23 Additional information: Material: Drypoint on paper Very limited edition, numbered in lower left corn...

Venus. 1859. Etching and drypoint. Kennedy catalog 59 state ii; Glasgow catalog 60 state ii. 6 x 9 (sheet 8 x 11 3/16). Glasgow records 27 known impressions. A very rich impression p...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...

"Julio Girona (Cuba, 1914-2002) 'Genevieve', N/A collagraph on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 75 ID: GIR-301"

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

'Nude with Winter Bouquet 11/30', vintage aquatint etching on paper by Doel Reed (1894-1985) with a reclining female figure posed with a flowers in a vase and drapery from 1972. Sign...