USA - Prints and Multiples

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

This mesmerizing reproduction titled Kiss of Fire by Erté showcases the artist's mastery in creating visually captivating and elegant compositions. The piece features two women stand...

Published in 1988 by Editions Marcel Broquet, Ottawa, this hardcover art book is a richly illustrated volume featuring 201 pages of color and black & white images, along with accompa...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imagina...

"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...

This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...

La Pompadour, printed by Maeght Éditeur in Paris in 1992, is a restrike of an earlier poster created for a Henri Matisse exhibition held at the Maeght Foundation in Saint-Paul-de-Ven...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Black Break Year: 1973 Medium: Serigraph, signed and numbered in pencil Edition: AP, 300 Size: 26 in. x 20.2 in. (66.04 cm x 51.3...

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Paper Size: 18.5 x 18.5 inches ( 46.99 x 46.99 cm ) Image Size: 17.5 x 17.5 inches ( 44.45 x 44.45 cm ) Framed: Yes Condition: A: Mint Additional Details: Published and printed by t...

Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...

WERNER DREWES (German-American 1899-1985) TREE AT NIGHT, 1964 (Rose 241) Color woodcut Signed titled, dated and numbered 40 /210 all in pencil below image. Image 11 1/8 x 15 7/8 inc...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Texas Longhorn Wall Art ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns stand as living symbols of endurance, her...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

Artist: Alice Neel (1900-1984) Title: The Youth (John Cheim) Year: 1982 Medium: Lithograph on Arches paper Edition: 20/25 A.P. Size: 38 x 24 inches Condition: Good Inscription: Signe...

JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...

Alex Katz Purple Irises on Red 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Kat...

Terry Winters Mostly Mozart Festival (Hand Signed), 2009 Silkscreen poster on wove paper Hand signed by the artist on the lower right front in 2016 39 4/5 × 30 1/4 inches Unframed This hand signed silkscreen was created on the occasion of Lincoln Center's Mostly Mozart Festival in 2009 and features one of Terry Winters' iconic silkscreens titled, "Illustrated Set". This work was created in 2009 and signed by the artist 2016. Terry Winters signed it for the present owner, so provenance is direct. The regular (unsigned) edition was 800; however, this work is uniquely signed by hand. In very good condition; the only gentle handling marks were caused by Terry Winters when signing. Terry Winters biography Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...

Peter Phillips Tiger-Tiger, 1968 3-D Relief made of impact-resistant polystyrene, deep-drawn, silkscreened in 8 colors, rear wall made of styrofoam and vacuum form plastic 28 7/10 × ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Lithograph on vélin d'Arches paper. Paper Size: 14 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Poliakoff, Alexis, and Gérard Schnei...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

'EVEN THE HEART SKIPS A BEAT' is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. This exquisite p...

I am very happy to reveal my poster to raise awareness for the Equal Rights Amendment. This issue means so much to me. Equality is the central issue of our day. “Equality is the flower of democracy. Passing the Equal Rights Amendment — at long last — will be the path to gender equality for our American democracy. I am grateful to be called upon to include my voice in the collective call to bring about gender equality by amending the Constitution with passage of the ERA, and I was quick to reach out to fellow artists to join the call to action.” — Chuck Sperry, artist statement for Artists 4 ERA VoteEqualityUS is a nonpartisan grassroots effort promoting equal rights for all Americans, working to ensure the addition of the fully-ratified 28th Amendment (Equal Rights) to the United States Constitution...

Frank Kleinholz was a lawyer-turned-modernist-artist. This work may have been printed in France in the late 1940s when he went there to learn lithography. He returned to the states i...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Yellowpop after Andy Warhol Neon Flowers lighted Wall Hanging/Sign, 2022 Neon flex material, consisting of PVC or Silicon piping with LED lights mounted on a recycled acrylic board Edition 258/500 (numbered on COA) Box is plate signed; accompanied by official numbered COA authorized by the Warhol Foundation...

Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

Jean-Michel Basquiat, 1985 Limited Edition Artist's Book with Offset Lithographs. Hand signed and numbered by Jean-Michel Basquiat Hand signed and numb...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, P...

American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...

This lithograph by Robert Naly is from my private collection. It is a limited edition 192/200, artist signed in the lower left corner. Guilde de la Gravure Robert Naly was a Swiss a...

This piece is a Limited Edition Lithograph, 16/200 and is pencil-signed and numbered by the artist. The image size is 29 x 22 in. and the full size is 33.75 x 26.25 in. The image is ...

Keith Haring, Run DMC Christmas: Run DMC "Christmas In Hollis": A rare sought after Vinyl Art Cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and a unique vintage Keith Haring collectible. *1st Pressing 1987 (not a re-issue). Medium: Off-Set Lithograph on vinyl record cover. Dimensions: 7 x 7 inches. 1987 Keith Haring printed signature featured on lower left. Cover: Good to very good overall vintage condition with sharp colors. Includes original record in very good condition. Literature: Taschen: Art Record Covers pg. 216. Run DMC: To this day A Very Special Christmas remains one of the best-selling holiday albums on the market, thanks in part to the album's sole original track: Run-D.M.C.'s "Christmas in Hollis." With Jam Master Jay scratching up the main groove to R&B great Clarence Carter's "Back Door Santa" from the 1968 Atlantic Records compilation Soul Christmas, Rev. Run and the Devastating Mic Controller deliver bars of yuletide cheer that take the listener...

Keith Haring Resist in Concert! 1988: Vintage Keith Haring illustrated 1988 poster for a Refuse and Resist produced concert December 4, 1988 at New York'...

The title "Canyon" for Robert Rauschenberg's exhibition poster refers to a significant work by the artist from his Combine series. Created in 1959, Canyon is one of Rauschenberg's most renowned pieces, incorporating a mix of found objects and materials, including a taxidermied eagle...

Raymond Pettibon The Major Arteries 2009 (Raymond Pettibon zine): This visually enticing 2009 Raymond Pettibon artist book/zine includes 30+ evocative dr...

Unknown, Untitled, Abstract Lithograph Print, 27 x 19.50, Edition 28/150 Colors: Blue, Green, Orange, Red

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 5 x 4 inche...

Etching Aquatint and Carborundum Signed to lower right Pencil Signed and Numbered 54/75 Sheet Size: 42" x 29" Frame Size: 61.5" x 46" Reference: Dupin 510

Portfolio: Urban Pop Portfolio (1972-2012) Date: 2012 Screenprint, signed and numbered in pencil Edition of AP III/XVI Image Size: 32.75 x 26.5 inches Size: 39 x 29.5 in. (99.06 x 74...

Unknown/ Unidentified Artist, "Lobster" Edition 20/100, Abstract Animal Lithograph numbered and signed in Pencil, 16 x 22, Late 20th Century Colors: Red, Orange, Green, Yellow

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

Artist: Charles Amand-Durand, French (1831 - 1905) after Albrecht Dürer, German (1471 - 1528) Title: La Grande Fortune Year: 1873 (original circa 1502) Medium: Heliogravure on thin l...

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches...

Fritz Scholder, Native American (1937 - 2005) - Bicentennial Indian, Portfolio: Kent Bicentennial Portfolio, Year: 1975, Medium: Offset Lithograph, Image Size: 9.5 x 13 inches, S...

Artist: Mel Ramos Title: Tiger Girl Portfolio: 1¢ Life Medium: Lithograph Year: 1964 Edition: 2000 Image Size: 16.25 in x 11.75 in Sold Unframed

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...

This original double-page lithograph by Joan Miró, featured on pages 24-25 of Derrière le Miroir No. 193-194, was published by Maeght Editeur in Paris in 1971. As part of this presti...

This is an original stone lithograph crated in 1926 by Henry le Monnier to promote Chablis wines in France. It is often said that a talented poster artist can tell so much of a story...

Medium: original etching. This Hermann Struck etching was printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 8 x 5 3/4 inches (205 x 145mm). A good impression on w...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...