USA - Paintings

Copy of a classical portrait of the Grand Duchess of Russia, Elena Pavlovna, in her Ermine cape with the steppes in background

The Early 20th Century Framed Architectural Painting depicts a grand building or home with intricate architectural details characteristic of that era. The painting is expertly execut...

Massive abstract folk art painting signed by the artist and dated 1974 A colorful statement piece in greens and reds with yellow center eye detail Presumably originated in the Santa...

Transporting oil painting on board of farmworkers on a banana plantation, executed in an impressionist style playing with light and shadow. Signed Roswall in the lower left, titled o...

In a giltwood frame. Gentleman standing with red jacket. Frost And Reed label on reverse giving Maubert attribution. Maubert was born and trained in Dublin.

Francoise Gilot, Mixed Media Gondola Painting on Arches Paper. Circa 20th Century. Francoise Gilot (1921-2023), partner of Pablo Picasso, mother to Cl...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

Édouard Righetti (1924–2001), a French painter and printmaker from Menton, was celebrated for his expressive and textured depictions of animals and nature. His 1999 oil painting *Le ...

Beautifully rendered large still life of violin and books on a desk in warm light, with painterly effect. Signed Czene Apatfalvi. János Apátfalvi Czene (1904-1984) Canvas 24 x 36 ...

Metallic silver and gold background with vibrant red bunny outline, framed beautifully. SIGNED and dated 2014 Hunt Slonem is a renowned painter known for producing representationa...

A Very Large and Quite Impressive 19th C. Italian Oil on Canvas Painting, 'Departure of the Guests', F. Beda. The oil painting Departure of the Guests, signed by Francesco Beda, capt...

Large Purvis Young Abstract Outsider Folk Art Painting on Board, Attributed Offered for sale is a large attributed Purvis Young (1943-2010) abstrac...

Framed oil on canvas abstract painting, unsigned. Purchased from an estate in San Francisco / Bay Area. This is a very good quality painting (not a weekend type painter). Califor...

A small vintage Mughal style Indian painting depicting the king's harem, in custom giltwood frame. This exquisite small vintage painting, inspir...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Antique 19th Century Indian Kalighat painting of the God Krishna worshipping his divine consort Radha. Painted in Calcutta, Bengal, India by a Bengali patua, with natural mineral pigment paints on paper. Signed illegibly in pencil, lower right. Origins of Kalighat painting written by the Victoria and Albert Museum in London, England: According to legend, Lord Shiva, the god of dance and destruction, was deep in meditation on Mount Kailash when he received news of the death of his consort, Sati, an avatar (or human manifestation) of the goddess Kali. He wandered for days with her body draped across his shoulders and his inconsolable grief threatened to ruin the earth. Lord Vishnu, the Preserver, was called upon to intervene. To relieve Shiva's burden, he shattered Sati's body into 51 pieces. The little toe of Sati's right foot was said to have fallen at the site of the Hooghly River...

Flemish 17th Century Genre Painting Circle of David Teniers the Younger (1610-1690). This cabinet painting depicting a woman shelling peas is from the Flemish School of the 17th ...

This is an exquisite Meissen cabinet plate painted with a large beautiful flower bouquet. The Meissen plate has a very intricate reticulated or ...

An Oil on Canvas Signed L. Nicolas. A follower of Nicolas Lancret (Paris 1690 - Paris 1743). This wonderfully detailed oil on canvas of mother and child in a solid carved wood frame....

Armand Lara "Nomads 1882 #8" Mixed media on canvas. Artist Armond Lara is a contemporary artist of Navajo and Mexican descent. His artworks often include handmade paper, found objects, and mixed media including traditional Navajo beadwork. Lara studied at the Colorado Institute of Art in Denver and earned a Bachelor of Arts degree at Glendale College in California and also studied at the University of Washington...

Exciting Gino Hollander style abstract oil painting. This painting is not signed but we believe it to be by the artist.

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Provocative and unapologetic, this watercolor depiction of a fully nude sailor sprawled across his bed, his uniform and cap neatly laid on a chair to one s...

Sensitively painted with a rich but subdued palette and dramatic lighting, this large painting of a male youth leaning on a long pole was made by Sigvard Mo...

Peter Keil, Third Eye Abstract Portrait Germany, Circa 1970s This masterwork measuring 22 inches wide x 30 inches high is an oil on prepared artist board/masonite. Presented in ...

Copy of Orientalist painting of a sleeping harem girl with vase of poppies & a white feather fan.

An Incredible 19th Century Orientalist Oil on Canvas 'Prince and Princess in the Harem" signed by Antonio Rivas. Antonio Rivas (1845–1911) was a Spanish painter active in Rome, know...

Portrait of a sophisticated English noble woman. Un signed. Presented in a fine dimensional shaped giltwood frame. Light cream Color dress with lace against a dark Back Ground make ...

Large John B. Lear watercolor, "Aftermath". Painted in the early 1960's, probably one of his most provocative and important works! Jesus on the Cross is a common theme in LGBT Christ...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

Italian Renaissance style (modern) oil painting of Madonna & Child in antique gold carved frame

Vintage folk art style oil painting by Trevor James depicting a young boy holding a sailboat. The boy has a very sweet face and the stray curl of hair on his forehead further adds to...

Selection of modernist art, circa 1950s. From left to right, they are: 1) SOLD Modernist nudes painting by Lillian Lent, American, circa 1950s. It is executed on board in it's original frame. It measures 14.5" H x 16.5" W. Lillian Lent lived and worked in the Woodstock Artist colony in New York. She attended the Tyler School of Fine Art in Philadelphia. In 1959, she was awarded first prize for one of her paintings from the Albany Museum. Among some of the galleries to exhibit her work were the Albright Gallery, the Norlyst Gallery, and The Creative Gallery. 2) Amedeo Modigliani lithograph...

Contemporary New York artist Peter Buchman's "Once Upon a Time" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series. To explain that Buchman’s word paintings are ‘A Figure Of Speech’ is underestimating the level of soulfulness at which these works reside. They are markings directly from the artist’s hand yet are indications of many people before him. These are words from familiar phrases, music albums, his funny brand of irony and the human form itself. For this piece, in a manner of speaking, we are all running out of time, however Buchman’s soliloquy and ironic eye has fun with the notion that with humor and self effacement in a street-run-on sentence kind of rap he can get away with making fun and pointing out the obvious. Which isn’t always so obvious. Signed and dated en verso. This is a commissioned piece and will ship directly from the artist's studio. American artist Peter Buchman has BFA in Illustration from The Rhode Island School of Design and did a Sculpture Residency at The School of Visual Arts in New York. Peter's artwork has been exhibited throughout the US since 1981 including the Parrish Art Museum (Southampton, NY), Cooperstown Museum (NY), Delaware Museum of Art, Kidder Smith Gallery (MA) and Vered Gallery (East Hampton, NY). His work is included in the portfolios of collectors including Beth Rudin DeWoody, Nicole Miller, David Yurman and Howard Schultz...

Dimensions (Frame) - H: 17 1/4in W: 24 3/4in D: 2 3/4in Dimensions (Painting) - H: 10 1/4in W: 17 3/4in This French Oil Panting on Canvas of Horse Scene By Emile Grau Sala...

French Figurative Oil Painting by Charles Levier. Titled "Une femme devant la mer", this masterful work of a well-known listed French artist whose work can be compared to Bernard Buf...

Framed abstract painting in acrylic on canvas. Signed at right bottom corner and dated 2016. Yamil O Cardenas was born in Cuba in 1959 and recently moved to Miami in the USA. Growing...

Still Life Oil On Canvas Painting of Garden Flowers in Table Top Vase, Giltwood Framed, 20thC Measures- 27''H x 31.5''D x 4.75''D; 23.5'' x 19.5''D

Stunning mid century still life depicting bottles and jars. Great colors in a complimenting thin walnut frame. Artist signed.

Large abstract enamel on metal painting by Stefan Knapp.

Beautiful oil painting on canvas from the 1960s of two cutie kittens next to each other, vivid and detailed painting, great wall hanging for cat lovers. Sign by the artist on the bot...

This is an oil painting that illustrates a peasant female in a countryside path walking down toward a lake at the sunset. Two large trees define the path. There is a small house at t...

Artists: Pedro Friedeberg (Mexican, b. 1936) Title: "Nietzche's Last Picnic" Year: 1969 Medium: oil, pen and ink on board Size: 15 x 20" Marked: signed and dated "MCMLXIX" mid-...

Giuseppe Augusto Levis (1873-1926), this painting from 1912 depicting a simple A-frame tent with spikes in a desert background near dusk, in a period guilloche frame with a gilded ra...

Beautiful gold leaf antique wood frame. Measures: 27”.25 x 19”.5.

A large early original oil painting by Gino Hollander in the Modigliani style. A very unusual and unique style for him. Known as an abstract expressionist. In collections of Jacqueline Kennedy, Norman Rockwell, Steve Mc Queen...

This exquisite 19th-century American School oil on board is a captivating example of the New Hampshire School, renowned for its contributions to American landscape painting. The comp...

Original French impressionist oil on board painting depicting the waterways of what may Port Grimaud, near St. Tropez, France. Signed, but artist name is illegible and unknown. Di...

This beautiful mid century painting of a handsome man was painted in the 1950s. The subject was the owner of a beautiful San Diego Estate. Artist was F Stanley Herring. Beautiful antique fold leaf frame with ruby color fillet trim. Subject is seated in a royal blue chair...

Robert William Wood (1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and rose to prominence in the 1950s wi...

A large-scale original painting of the Grateful Dead on stage at a rock concert. Script on verso " #850 4/13/08 by Jene Moshs? Grateful Dead Orange County Fairgrounds 1968". Painted ...

A French oil on canvas animal painting signed Laroche from the late 19th century with giltwood frame. This French oil on canvas painting features two lovely kittens playing with a st...

HENRI FRANCOIS PERRET French, b. 1825 Lavandières au bord de la rivière Oil on canvas signed lower left "H. Perret" 17 1/4" H x 26 1/8" W [frame] 12 7/8" H x 21 7/8" W [canvas] ...

A dark-blue, red vintage Mid-Century modern French abstract oil on canvas painting of a face with eye and a large hand, painting by Daniel Clesse in good condition. Signed on the low...

18th century Spanish Colonial School, Cuzco: Angel, oil on tin. Framed, in good condition. Rich colors of red, blue and white. Inscribed in upp...

This is a signed mid-century Folk Art painting by Helen Strong. It is a charming depiction of a park scene.i could not find any information regarding the artist. It is in an ebonized...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

Giuseppe De Gregorio (1920-2007/Italy). Large abstract oil on canvas titled "Colline di Fuoco" "Hills of Fire". Signed, titled and dated '63-'64 on verso. Primary colors, framed and ...