Vermont Abstract Sculptures
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Item Ships From: Vermont
Ceramic and Fiber Wall Sculpture #839 - White Unglazed Clay, Ombre Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with black and white cotton fringe. Hanging wire is included on each panel. Ships with a small comb f...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Ceramic and Fiber Wall Sculpture #815 - White Hand Formed Clay & Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in white, off-white, and tan. Hanging wire is included on each panel. Ships with ...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
48"x30" Ceramic & Fiber Wall Sculpture in White, Grey, Tan w/ Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
48" x 30" Ceramic and Fiber Wall Sculpture in White and Blush W/ Fringe Detail
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture that measures 48"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, tan, rust, and blu...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Unique Unda Form by Dust and Form
Located in Geneve, CH
Unique unda form by Dust and Form
Dimensions: D 25.4 x 11.4 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish) Iv...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
48" x 30" Ceramic and Fiber Wall Sculpture - White Stoneware, Gray Fringe Detail
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe. Hanging wire is included on each panel. Ships with a small comb for fringe and i...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
One of a Kind Ceramic & Woven Fiber Vessel #822, Satin Black Glaze, Tan Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
One of a kind Vessel #822 by Karen Gayle Tinney
Hand formed stoneware base with satin black glaze. The top part is woven in tan cotton.
24”H x 8”W
One of a kind collections are re...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Unique Holding Form by Dust and Form
Located in Geneve, CH
Unique holding form by Dust and Form
Dimensions: D 22.8 x 8.8 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish) ...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
Unique Heme Form by Dust and Form
Located in Geneve, CH
Unique heme form by Dust and Form
Dimensions: D 16.5 x 5 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish) Ivory...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
VITA Vessel by Dust and Form
Located in Geneve, CH
Vita Vessel by Dust and Form
Dimensions: W 20.3 x D 20.3 x 23 H cm
Materials: Plaster, finished in a Satin Ivory glaze both inside and out. This vessel is watertight and functional...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Plaster
Scott Gordon, Man and Woman, 2020
By Scott Gordon
Located in Sharon, VT
Man and Woman
welded steel
Measures: 2 x 24 x 14 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, City, 2020
By Scott Gordon
Located in Sharon, VT
City
welded steel
Measures: 18 x 22 x 14-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
60" x 30" Ceramic & Fiber Wall Sculpture in White, Grey, & Tan w/ Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Five panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton fringe detailing in white, grey and tan. Hanging wire is included on each pane...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Scott Gordon, Altar II, 2021
By Scott Gordon
Located in Sharon, VT
Altar II
welded steel
Measures: 5 x 18.5 x 23 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
One of a Kind Ceramic & Fiber Vessel #838, Multitonal Glaze, Woven Brown Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
Hand formed stoneware base with splashes of black, brown, and taupe glaze which overlap to create shades of blue and gray. The top part is woven in brown cotton.
18”H x 12”W
One of...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Ceramic and Fiber Wall Sculpture #840 - White Clay; Lavender, Tan, White Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with lavender, white, and tan cotton fringe. Hanging wire is included on each panel. Ships with a sma...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Ceramic and Fiber Wall Sculpture #826 - White Unglazed Clay with Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Single panel wall sculpture. Hand formed ceramic piece in unglazed white stoneware with cotton fringe. Hanging wire is included on the back. Ships with a small comb for fringe and in...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Bird I, 2009)
By Scott Gordon
Located in Sharon, VT
Bird I
wood, steel, carpenter’s level, bronze
12 x 8 x 31 in
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Ceramic and Fiber Wall Sculpture #827 - White Clay with Pink & Burgundy Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Three panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton and tencel fringe. Hanging wire is included on each panel. Ships with a small comb for ...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Unique Being Form by Dust and Form
Located in Geneve, CH
Unique being form by Dust and Form
Dimensions: D 14 x 10 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish) Ivory...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
Unique Listening Form by Dust and Form
Located in Geneve, CH
Unique listening form by Dust and Form
Dimensions: D 16.5 x 15 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish)...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
One of a Kind 37.5"H Ceramic & Hand Woven Fiber Vessel #824, Satin White Glaze
By Karen Gayle Tinney
Located in Proctorsville, VT
One of a kind Vessel #824 by Karen Gayle Tinney
Hand formed stoneware base with satin white glaze. The top part is woven in white cotton.
37.5”H x 12”W
One of a kind collections a...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
VITA Vessel by Dust and Form
Located in Geneve, CH
Vita Vessel by Dust and Form
Dimensions: W 20.3 x D 20.3 x 23 H cm
Materials: Plaster, finished in a Matte Charcoal glaze both inside and out. This vessel is watertight and functio...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Plaster
One of a Kind Asymmetrical Ceramic Vessel #771, White Glaze and Woven Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
Hand formed asymmetrical stoneware vessel with satin white glaze. The top part of the vessel is woven in white cotton, showcasing the interplay of ceramic and fiber.
Measures: 18...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Scott Gordon, Odyssey, 2021
By Scott Gordon
Located in Sharon, VT
Odyssey
welded steel
Measures: 18.5 x 19 x 18 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Tortoise, 2020
By Scott Gordon
Located in Sharon, VT
Tortoise
welded steel
Measures: 4 x 10 x 17 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Woman, 2020
By Scott Gordon
Located in Sharon, VT
Woman
welded steel
Measures: 5 x 5 x 13 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon Toro, 2014
By Scott Gordon
Located in Sharon, VT
Toro
Steel
Measures: 36 x 12 x 14 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (The Cat, 2014)
By Scott Gordon
Located in Sharon, VT
The Cat
steel
16 x 15 x 13 in.
Artist Statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, ...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
96" Ceramic and Fiber Wall Sculpture - Hand Formed Clay with Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Eight panel wall sculpture that measures 96"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, mint, honey, and ...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Shaman, 2010)
By Scott Gordon
Located in Sharon, VT
Shaman
steel, found objects
20 x 6 x 20.5 in.
Artist statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred.
Bio
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont.
Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Monument, 2020
By Scott Gordon
Located in Sharon, VT
Monument
welded steel
4 X 16 X 20-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Venus, 2021
By Scott Gordon
Located in Sharon, VT
Venus
welded steel
Measures: 12-1/2 x 17-1/2-37 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Succession, 2021
By Scott Gordon
Located in Sharon, VT
Succession
welded steel
Measures: 6-1/4 x 13-1/2 x 5-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Portal, 2021
By Scott Gordon
Located in Sharon, VT
Portal
welded steel
Measures: 8.5 x 12.5 x 17.5 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, MAN, 2020
By Scott Gordon
Located in Sharon, VT
MAN
welded steel
Measures:
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Scott Gordon, Caravan, 2020
By Scott Gordon
Located in Sharon, VT
Caravan
welded steel
Measures: 8 x 16 x 15 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imp...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Charlie, 2018)
By Scott Gordon
Located in Sharon, VT
Charlie
steel, found object
17 x 9 x 26.5 in.
Artist statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. ...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
One of a Kind Ceramic & Woven Fiber Vessel #761, Satin Black Glaze, Black Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
One of a kind Vessel #761 by Karen Gayle Tinney
Hand formed stoneware base with satin black glaze. The top part is woven in black cotton.
18.25”H x 8”W
One of a kind collections ...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
One of a Kind Asymmetrical Ceramic Vessel #772, Charcoal Glaze Woven Gray Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
Hand formed asymmetrical stoneware vessel with gloss charcoal glaze. The top part of the vessel is woven in gray cotton, showcasing the interplay of ceramic and fiber.
18”H x 9”W
...
Category
2010s American Organic Modern Vermont Abstract Sculptures
Materials
Ceramic, Cotton
Angel Sculpture by Master Designer Eva Fritz-Lindner, 28 Inches
Located in South Burlington, VT
A one -of-a-kind monumental 28" Monumental Floating Angel -Flatterspas- tall sculpture created, handmade, and hand-painted by master designer Eva Fritz-Lindner (1933-2017) in 1992.
Handcrafted and hand-painted in beautiful colors by this artist.
Designer/maker: Eva Fritz-Lindner (1933-2017)
Signed with her stamp i3D.
Glaze: The matte colors are bright and vivid and the hand painting is superb
Estimated Rarity: unique
Additional comments: This is the only example we have seen in collections.
Substantial dimensions: 28 inches tall
Handmade / handarbeit and hand glazed
About the artist:
The bold Folk Art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures...
Category
Mid-20th Century German Mid-Century Modern Vermont Abstract Sculptures
Materials
Pottery, Ceramic
Unique Unda Form by Dust and Form
Located in Geneve, CH
Unique Unda Form by Dust and Form
Dimensions: W 24.7 x D 27' x H 12
Materials: black Belgian marble.
Special black Belgian marble Unda form. It is one of its kind and has a stun...
Category
2010s American Post-Modern Vermont Abstract Sculptures
Materials
Marble
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Ramp, 2014)
By Scott Gordon
Located in Sharon, VT
Ramp
steel
Measures: 6 x 8 x 42 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont.
Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
Category
21st Century and Contemporary American Vermont Abstract Sculptures
Materials
Steel
Matriarch Vessel by Dust and Form
Located in Geneve, CH
Matriarch vessel by Dust and Form
Dimensions: D 80 x 11.4 H cm
Materials: Porcelain
Origin Form Collection in three finishes: hand-sanded (our Classic, smooth, bare finish) Ivor...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
Unda Form Sculpture by Dust and Form
Located in Geneve, CH
Unda Form sculpture by Dust and Form
Dimensions: D 27 x W 25 x H 12 cm
Materials: vermont imperial Danby marble
In Latin, the word “unda” is used to describe water, specifically...
Category
2010s American Post-Modern Vermont Abstract Sculptures
Materials
Marble
Unique Esse Vessel by Dust and Form
Located in Geneve, CH
Unique esse vessel by Dust and Form
Dimensions: W 14 x D 20.3 x 19 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
Unique Heir Vessel by Dust and Form
Located in Geneve, CH
Unique heir vessel by Dust and Form
Dimensions: D 8.8 x 17 H cm
Materials: Porcelain
Origin Form Collection in three finishes: hand-sanded (our Classic, smooth, bare finish) Ivo...
Category
2010s American Modern Vermont Abstract Sculptures
Materials
Porcelain
