Vermont - Sculptures
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Item Ships From: Vermont
Ceramic and Fiber Wall Sculpture #815 - White Hand Formed Clay & Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
This item is in stock and ready to ship.
Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in white, off-white, and tan. Hanging w...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Japanese Elegant Blue and Gilt Horse Hand Cast, Hand-Painted, Mint And Boxed
Located in South Burlington, VT
Here's a beautiful and unique way to accent your indoor display space with this special treasure from Japan.
This is an attractive solid and finely cast effigy of an elegant horse ...
Category
Mid-20th Century Japanese Showa Vermont - Sculptures
Materials
Iron
Unique Holding Form by Dust and Form
Located in Geneve, CH
Unique holding form by Dust and Form
Dimensions: D 22.8 x 8.8 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish) ...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Babe Ruth Vintage Baseball Slugger "The Bambino" Sculpture, Original Paint
Located in South Burlington, VT
Babe Ruth "The Bambino" Slugger New York Yankees "Pin Stripes" sculpture in original cream, black, green, and red hand painted colors.
Babe Ruth was called "Bambino" as a nickname, ...
Category
Mid-20th Century American Mid-Century Modern Vermont - Sculptures
Materials
Iron
36" Ceramic and Fiber Wall Sculpture - White Hand Formed Clay & Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
This item is in stock and ready to ship.
Three panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton and cotton/linen fringe. Hanging wire is incl...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
One of a Kind Ceramic & Woven Fiber Vessel #761, Satin Black Glaze, Black Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
One of a kind Vessel #761 by Karen Gayle Tinney
Hand formed stoneware base with satin black glaze. The top part is woven in black cotton.
18.25”H x 8”W
One of a kind collections ...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
One of a Kind Ceramic & Woven Fiber Vessel #762, Satin Black Glaze, Black Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
One of a kind Vessel #762 by Karen Gayle Tinney
Hand formed stoneware base with satin black glaze. The top part is woven in black cotton.
18”H x 10”W
One of a kind collections are...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
48"x30" Ceramic & Fiber Wall Sculpture in White, Grey, Tan w/ Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Big Blue Caterpillar Master Work by Eva Fritz-Lindner
Located in South Burlington, VT
This ‘Big Blue Caterpillar’ an 18 inch tall master work sculpture was designed and hand-painted by Eva Fritz-Lindner (1933-2017).
This is a creative handmade, hand-painted and hand...
Category
Mid-20th Century German Vermont - Sculptures
Materials
Ceramic, Pottery
Chinese Rare Black Jade Bi Disc with Ancient Earthy Colors
Located in South Burlington, VT
An attractive Chinese Heavenly jade Bi disk carved in a rarely found black jade with patches of blue and brown accents in the stone that depict an earthy ancient feel .
This comes from our private collection which we formed over a period of twenty years while traveling extensively through out all of China.
Dimensions: bi disc is 5 inches high with custom stand as shown; bi disc only is 4 inches diameter
Jades were handmade and hand abraided and hand polished using tools of the time: bamboo, stone, water and stone dust . Notice the considerable calcification on the bottom edge of this example- evidence of submersion and good age.
Provenance:
Our private collection and accompanied by our Schneible fine arts Lifetime Guarantee of Authenticity.
Jade bi and Cong History
These bi are regarded as cosmological symbols and as signifiers of status and wealth. These jades are hand abraided and hand polished using special polishing tools with stone, water. Notice the beautiful colors and "waves" pattern in the stone, uncommon in this kind of jade.
Provenance:
Our private collection and accompanied by our Lifetime Guarantee of Authenticity.
Early History:
Flat jade discs with a round central hole bi are among the earliest surviving artifacts of China and must be considered among great ancient art forms- masterpieces of the Neolithic period. Nephrite jade from which discs were fashioned is a prime hard and strong stone, arduous to work by hand using Primitive...
Category
Mid-20th Century Chinese Vermont - Sculptures
Materials
Jade
Japanese Elegant Huge Horse Hand Cast, Hand-Painted, Gilt and Signed
Located in South Burlington, VT
Signed and in largest scale
Here's a beautiful and unique way to accent your indoor display space with this very unusual treasure from Japan.
This is a superb and attractive s...
Category
Mid-20th Century Japanese Showa Vermont - Sculptures
Materials
Iron
48" x 30" Ceramic and Fiber Wall Sculpture in White and Blush W/ Fringe Detail
By Karen Gayle Tinney
Located in Proctorsville, VT
Four panel wall sculpture that measures 48"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, tan, rust, and blu...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Chinese Natural Jade Khotan Scholar Rock Viewing Stone with Display Base
Located in South Burlington, VT
A fine large natural Hetien jade scholar rock viewing stone in boulder form collected from the Khotan region of western China in 1995.
Weighs in at 14.1 pounds.
Beautiful color...
Category
20th Century Chinese Vermont - Sculptures
Materials
Stone
96" Ceramic and Fiber Wall Sculpture - Hand Formed Clay with Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Eight panel wall sculpture that measures 96"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, mint, honey, and ...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Whimsical Big Rose Bird Sculpture Hand Painted by Eva Fritz-Lindner
Located in South Burlington, VT
A large whimsical Pea Fowl bird sculpture master work designed and hand painted by Eva Fritz-Lindner, (1933-2017)
A scarce survivor.
This is a creative handmade, hand painted and hand glazed sculpture in rose, black and cream white colors. It was designed and hand painted by the now deceased master artisan Eva Fritz-Lindner working at Staatliche Majolika-Manufaktur Karlsruhe over the past 50 years.
Creative design, lovely vivid colors, good opportunity to collect.
Dimensions: 15 inches tall
Glaze: Fine colors that only Eva Fritz-Lindner could execute by hand
Estimated Rarity: less than 20
Photographed in natural day light for your viewing pleasure.
All of her sculptures were hand painted individually by this artist ensuring each work of art was indeed unique.
Provenance: German collection.
Handmade, hand painted, hand glazed
Only one.
About the artist:
The bold Folk Art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic Folk Art animal sculptures...
Category
Mid-20th Century German Vermont - Sculptures
Materials
Ceramic, Pottery
Unique Unda Form by Dust and Form
Located in Geneve, CH
Unique unda form by Dust and Form
Dimensions: D 25.4 x 11.4 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish) Iv...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Unique Heme Form by Dust and Form
Located in Geneve, CH
Unique heme form by Dust and Form
Dimensions: D 16.5 x 5 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish) Ivory...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Unique Listening Form by Dust and Form
Located in Geneve, CH
Unique listening form by Dust and Form
Dimensions: D 16.5 x 15 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish)...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Unique Esse Vessel by Dust and Form
Located in Geneve, CH
Unique esse vessel by Dust and Form
Dimensions: W 14 x D 20.3 x 19 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our Classic, smooth, bare finish...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
One of a Kind Asymmetrical Ceramic Vessel #772, Charcoal Glaze Woven Gray Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
Hand formed asymmetrical stoneware vessel with gloss charcoal glaze. The top part of the vessel is woven in gray cotton, showcasing the interplay of ceramic and fiber.
18”H x 9”W
...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
VITA Vessel by Dust and Form
Located in Geneve, CH
Vita Vessel by Dust and Form
Dimensions: W 20.3 x D 20.3 x 23 H cm
Materials: Plaster, finished in a Satin Ivory glaze both inside and out. This vessel is watertight and functional...
Category
2010s American Modern Vermont - Sculptures
Materials
Plaster
Unda Form Sculpture by Dust and Form
Located in Geneve, CH
Unda Form sculpture by Dust and Form
Dimensions: D 27 x W 25 x H 12 cm
Materials: vermont imperial Danby marble
In Latin, the word “unda” is used to describe water, specifically...
Category
2010s American Post-Modern Vermont - Sculptures
Materials
Marble
Unique Being Form by Dust and Form
Located in Geneve, CH
Unique being form by Dust and Form
Dimensions: D 14 x 10 H cm
Materials: Porcelain
Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish) Ivory...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Unique Heir Vessel by Dust and Form
Located in Geneve, CH
Unique heir vessel by Dust and Form
Dimensions: D 8.8 x 17 H cm
Materials: Porcelain
Origin Form Collection in three finishes: hand-sanded (our Classic, smooth, bare finish) Ivo...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
Unique Unda Form by Dust and Form
Located in Geneve, CH
Unique Unda Form by Dust and Form
Dimensions: W 24.7 x D 27' x H 12
Materials: black Belgian marble.
Special black Belgian marble Unda form. It is one of its kind and has a stun...
Category
2010s American Post-Modern Vermont - Sculptures
Materials
Marble
Matriarch Vessel by Dust and Form
Located in Geneve, CH
Matriarch vessel by Dust and Form
Dimensions: D 80 x 11.4 H cm
Materials: Porcelain
Origin Form Collection in three finishes: hand-sanded (our Classic, smooth, bare finish) Ivor...
Category
2010s American Modern Vermont - Sculptures
Materials
Porcelain
VITA Vessel by Dust and Form
Located in Geneve, CH
Vita Vessel by Dust and Form
Dimensions: W 20.3 x D 20.3 x 23 H cm
Materials: Plaster, finished in a Matte Charcoal glaze both inside and out. This vessel is watertight and functio...
Category
2010s American Modern Vermont - Sculptures
Materials
Plaster
60" x 30" Ceramic & Fiber Wall Sculpture in White, Grey, & Tan w/ Cotton Fringe
By Karen Gayle Tinney
Located in Proctorsville, VT
Five panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton fringe detailing in white, grey and tan. Hanging wire is included on each pane...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Blue Lady Ema with Handbag Eva Fritz-Lindner, 1970
Located in South Burlington, VT
Blue lady with her handbag- mastertwork from Eva Fritz-Lindner.
A serene tall handmade and hand painted sculpture of a lady carrying her handbag named EMA - a friend of the artist- e handcrafted and hand painted in beautiful blue colors. On bottom atelier mark i 3 D and with tree (black brush mark). Ema was the late Eva Fritz-Lindner's (1933-2017) good friend.
Designer/maker: Eva Fritz-Lindner with stamp i3D, circa 1960-1970.
Glaze: Light and dark blue matte colors are bright and vivid and the hand painting only adds to the charm; light original glaze crazing appropriate for age.
Additional comments: Most of her larger sculptures were likely produced in less than 100 copies based upon research and all were hand painted individually by this artist ensuring each work of art was indeed unique.
Dimensions: 12.5 inches high.
Handmade / handarbeit and hand glazed, few survive.
Provenance: Old German collection.
About the artist:
The bold folk art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures and unique wall and garden works of art inspired by nature and possibly the local zoo at Karlsruhe. Owls and family concepts were a particular specialty. During this time she created designs for building and garden ceramics, vessels and small sculptures. Since 1964, the sculptress worked as a freelance artist in her own studio in Karlsruhe-Durlach. The artist designed important works in the field of building ceramics, including wall designs in mosaic, in Mannheim, Karlsruhe, Baden-Baden, Schwäbisch Gmünd and Göppingen. Of particular note, she created enormous scale owl sculptures for the palace gardens in Karlsruhe in 1967 (see photo).
In 1962, Eva Fritz-Lindner was awarded the silver medal at the Prague International Ceramic Exhibition.
The artists' ceramics are owned and located in the Hetjens-Museum Düsseldorf, in the Museum of Contemporary Ceramic Art...
Category
20th Century German Mid-Century Modern Vermont - Sculptures
Materials
Ceramic, Pottery
One of a Kind Asymmetrical Ceramic Vessel #771, White Glaze and Woven Cotton
By Karen Gayle Tinney
Located in Proctorsville, VT
Hand formed asymmetrical stoneware vessel with satin white glaze. The top part of the vessel is woven in white cotton, showcasing the interplay of ceramic and fiber.
Measures: 18...
Category
2010s American Organic Modern Vermont - Sculptures
Materials
Ceramic, Cotton
Pleasant Folk Art Friends Pair Eva Fritz-Linder, 1970
Located in South Burlington, VT
Pleasant Company- A pair of Folk Art Friends
A serene tall antique handmade and hand painted pair (2) of hand bag carrying women named EMA - a fri...
Category
20th Century German Mid-Century Modern Vermont - Sculptures
Materials
Ceramic, Pottery
Japanese Bronze Folk Art Kappa, circa 1930
Located in South Burlington, VT
Japan, a beautiful, unusual and possibly unique antique hand cast bronze "Kappa" (child protector) sculptor complete with a separately formed bronze pair of 3.5 inch long cucumbers- a kappa's favorite snack food. Signed.
Signed
An incised artist signature “Buraku” on base. "Bunraku" is associated with Japanese puppet play and performance,
Kappa Bring Good Fortune
Japanese Kappa...
Category
Early 20th Century Japanese Showa Vermont - Sculptures
Materials
Bronze
Japanese Fine Old Flying Fish Hood Ornament
Located in South Burlington, VT
Excellent collector condition.
Coming from an old collection of Japanese sculptures, this energetic and impressive hand cast flying fish ornament was likely used as a potential model for an automotive hood ornament...
Category
Mid-20th Century Japanese Showa Vermont - Sculptures
Materials
Bronze
"Elephant Safari" Hand Painted Presentation Bowl Master Eva Fritz-Lindner
Located in South Burlington, VT
This is the only known example of this -Elephants Safari- Monumental Presentation Bowl & Master Work- Hand Painted by Eva Fritz-Lindner (1933-2017)
This is a wonderful handmade, hand-painted and hand glazed large center piece...
Category
Mid-20th Century German Vermont - Sculptures
Materials
Ceramic, Pottery
Scott Gordon, Portal, 2021
By Scott Gordon
Located in Sharon, VT
Portal
welded steel
Measures: 8.5 x 12.5 x 17.5 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Altar II, 2021
By Scott Gordon
Located in Sharon, VT
Altar II
welded steel
Measures: 5 x 18.5 x 23 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Odyssey, 2021
By Scott Gordon
Located in Sharon, VT
Odyssey
welded steel
Measures: 18.5 x 19 x 18 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Succession, 2021
By Scott Gordon
Located in Sharon, VT
Succession
welded steel
Measures: 6-1/4 x 13-1/2 x 5-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Venus, 2021
By Scott Gordon
Located in Sharon, VT
Venus
welded steel
Measures: 12-1/2 x 17-1/2-37 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Vibrant Blue Flute Player "Inolee" by Eva Fritz-Lindner
Located in South Burlington, VT
Inolee flute player- A 16 inch tall master work sculpture designed and hand-painted by Eva Fritz-Lindner
This is a creative handmade, hand-painted and hand glazed sculpture of a flute player named Inolee seated atop her favorite pet cow. It is one of Eva Fritz-Linder' rare family portrayals and is a unique creation. It was designed and hand-painted by the now deceased master artisan Eva Fritz-Lindner working at Staatliche Majolika-Manufaktur Karlsruhe over the past 50 years.
Creative design, lovely vivid colors, good opportunity to collect.
Dimensions: 16 inches tall
Glaze: Fine colors that only Eva Fritz-Lindner could execute by hand
Designer signature: signature i 3 on base
Most of her larger sculptures were produced in less than 10 copies Based Upon research and all were hand-painted individually by this artist ensuring each work of art was indeed unique.
Provenance: German collection.
Handmade, hand-painted, hand glazed
Only one.
About the artist:
The bold Folk Art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic Folk Art animal...
Category
Mid-20th Century German Vermont - Sculptures
Materials
Ceramic, Pottery
Scott Gordon, Man and Woman, 2020
By Scott Gordon
Located in Sharon, VT
Man and Woman
welded steel
Measures: 2 x 24 x 14 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Tortoise, 2020
By Scott Gordon
Located in Sharon, VT
Tortoise
welded steel
Measures: 4 x 10 x 17 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Huge Bird Paradise Sculpture Master Designer Eva Fritz-Lindner
Located in South Burlington, VT
A one-of-a-kind monumental Monumental Flamboyant Bird of Paradise -Knuppelhuhn- big sculpture created, handmade, and hand-painted by master designer Eva Fritz-Lindner (1933-2017) in about 1992.
Handcrafted and hand-painted in beautiful colors by this artist.
Designer/maker: Eva Fritz-Lindner (1933-2017)
Signed with her stamp i3D.
Glaze: The matte colors in lavender and pink and creams are still vivid and the hand painting is superb
This is the only example we have seen in private hands.
Substantial dimensions: 21.25 inches tall and 31.5 inches length
Handmade / handarbeit and hand glazed
About the artist:
The bold Folk Art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures...
Category
Mid-20th Century German Mid-Century Modern Vermont - Sculptures
Materials
Ceramic, Pottery
Scott Gordon, City, 2020
By Scott Gordon
Located in Sharon, VT
City
welded steel
Measures: 18 x 22 x 14-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Woman, 2020
By Scott Gordon
Located in Sharon, VT
Woman
welded steel
Measures: 5 x 5 x 13 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, MAN, 2020
By Scott Gordon
Located in Sharon, VT
MAN
welded steel
Measures:
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Monument, 2020
By Scott Gordon
Located in Sharon, VT
Monument
welded steel
4 X 16 X 20-1/2 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon, Caravan, 2020
By Scott Gordon
Located in Sharon, VT
Caravan
welded steel
Measures: 8 x 16 x 15 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imp...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Monumental Angel Sculpture by Master Designer Eva Fritz-Lindner, 28 Inches
Located in South Burlington, VT
A one -of-a-kind monumental 28" Monumental Floating Angel -Flatterspas- tall sculpture created, handmade, and hand-painted by master designer Eva Fritz-Lindner (1933-2017) in 1992.
Handcrafted and hand-painted in beautiful colors by this artist.
Designer/maker: Eva Fritz-Lindner (1933-2017)
Signed with her stamp i3D.
Glaze: The matte colors are bright and vivid and the hand painting is superb
Estimated Rarity: unique
Additional comments: This is the only example we have seen in collections.
Substantial dimensions: 28 inches tall
Handmade / handarbeit and hand glazed
About the artist:
The bold Folk Art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures...
Category
Mid-20th Century German Mid-Century Modern Vermont - Sculptures
Materials
Pottery, Ceramic
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Shaman, 2010)
By Scott Gordon
Located in Sharon, VT
Shaman
steel, found objects
20 x 6 x 20.5 in.
Artist statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred.
Bio
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont.
Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Scott Gordon Toro, 2014
By Scott Gordon
Located in Sharon, VT
Flucking Up
Steel
Measures: 36 x 12 x 14 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred.
Biography:
Scott Gordon...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Bird I, 2009)
By Scott Gordon
Located in Sharon, VT
Bird I
wood, steel, carpenter’s level, bronze
12 x 8 x 31 in
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Ramp, 2014)
By Scott Gordon
Located in Sharon, VT
Ramp
steel
Measures: 6 x 8 x 42 in.
Artist statement:
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable.
The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum.
Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred.
Biography:
Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont.
Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (The Cat, 2014)
By Scott Gordon
Located in Sharon, VT
The Cat
steel
16 x 15 x 13 in.
Artist Statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, ...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Contemporary Abstract Welded Steel Sculpture by Scott Gordon (Charlie, 2018)
By Scott Gordon
Located in Sharon, VT
Charlie
steel, found object
17 x 9 x 26.5 in.
Artist statement
I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. ...
Category
21st Century and Contemporary American Vermont - Sculptures
Materials
Steel
Tall Whimsical Rooster Masterwork Hand Painted Gem Eva Fritz-Lindner
Located in South Burlington, VT
Proud rooster- A master work sculpture designed and hand-painted by Eva Fritz-Lindner (1933-2017)
This is a tall, creative handmade, hand-painted and hand glazed sculpture of a standing rooster. It was designed and hand painted by the now deceased master artisan Eva Fritz-Lindner working at Staatliche Majolika-Manufaktur Karlsruhe over the past 50 years.
Creative design, lovely vivid colors in blue, green, and cream , good opportunity to collect.
Dimensions: 16 inches tall
Glaze: fine colors that only Eva Fritz-Lindner could execute by hand
Designer signature: signature i 3 on base
Only one.
Most of her larger sculptures were likely produced in less than 50 copies based upon research and all were hand painted individually by this artist ensuring each work of art was indeed unique.
Photographed in natural daylight for your viewing pleasure.
Provenance: private German collection.
Handmade, hand painted, hand glazed
About the artist:
The bold folk art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn.
From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures...
Category
Mid-20th Century German Mid-Century Modern Vermont - Sculptures
Materials
Ceramic, Pottery
Japanese Rare Large Bird Sculpture, Signed by Modernist Master Artisan
Located in South Burlington, VT
Beautiful and Rare example- first we have seen in this exquisite simple modernist bird form.
The artist , Hiramatsu Koshun ( 1896-1975) lived in Osa...
Category
Mid-20th Century Japanese Showa Vermont - Sculptures
Materials
Iron
Japanese Massive Bronze Calming Trophy Koi Fish, Signed
Located in South Burlington, VT
A giant hand cast serene bronze trophy koi fish sculpture Yuuri signifying calm and comfort
by Japanese master metal artist, Ota Ryohei.
Signed on base official label still present...
Category
Mid-20th Century Japanese Showa Vermont - Sculptures
Materials
Bronze
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