Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Bird I, 2009)

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Charlie steel, found object 17 x 9 x 26.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. ...

2019 sculpture by Industrial metal and iron artist, Scott Behr (Brooklyn, NY). Semi-circular 'orb' form composed of welded steel circles, powder coated in a metallic teal finish. Sig...

Artography Wall Sculpture titled "Radio Tronics" Artography Wall Sculpture by Pasqual Bettio. Bio Senior Senator ret. J. Pasqual Bettio F.R.P.S. started his artistic career after gra...

Artography wall sculpture titled "Tronic Cross" Artography wall sculpture by Pasqual Bettio. Bio senior senator ret. J. Pasqual Bettio F.R.P.S. started his artistic career after grad...

"Verinós". Mixed media. 2018. Spain. Recycled iron from mechanical pieces. Wooden painted base. Jesús Pelegrí is a spanish painter and sculptor. Born in Barcelona in 1975. He is specialized in marine fauna like this big fish called "verinós" wich means poisonous. This fish belongs to a serie of what he calls volumetric zoomorphics: " The form is naturalized to a large extent, the volume is seized by the plane so much so that it turns into a sculpture exempted from the second-dimension or even out of it" Measurements: Wooden base: 26,5 x 20 x 10 cm ( 10,4x7,8x4 in) Sculpture: 50 x 72...

Small tabletop mixed media assemblage sculpture by Linda Thompson. Using all antique and vintage components. Wood casting mold from Alamo Ironworks for Swearingen Co. , antique architectural engravings, brass rosette, silverplate shaker...

A wonderful mixed-media sculpture by the noted Israeli Artist Dror Karta. This sculpture was in a traveling exhibition and is pictured in the book. The exhibition was about Palestinian and Israeli artists, who were given the same bowl to start. This is the actual piece. It is signed as well. It is a ceramic bowl, four glass leaves and lots of little bottles inside loose. The glass leaves are molded into the ceramic base by some kind of white epoxy. The leaves have been repaired at the base with the epoxy and quite a few of the little bottles have damage. There is a small chip on the underside. A brief Bio of the artist follows from the artist's website follows; Biography 1965 Born in Natanya, Israel 1985 Wounded during military service 1988-1992 Study graphic design in "Hadasa-vizo Canada college of design" Haifa, Israel 1994 Opens studio for painting, sculpturing and designing 1998 Moves to Ein-Hod Artist Village, Israel 2001-2003 Lives and works in Amsterdam, NL Group exhibitions 1998 "Shesh-Besh", Pyramid contemporary art gallery, Haifa, Israel 1998 "60 Horse Power", holiday of holidays art...