Paintings on Sale

An original, circa 1970, oil on canvas by the listed Northern artist Harry Rutherford. This is a fine example of a Modern, early 20th century British portrait. In excellent, untouche...

I'm haunted by what I've seen and been told, so I seek solace in quiet teashops. My mind is filled with tears and words, and I crave truth in operas and poetry. I tape letters and ph...

Struggle teaches you a lot of things, and I am happy that I witnessed a roller coaster ride. The journey has improved me as a person and made me more mature. Life is like a roller co...

Incredible early American Hudson River School landscape painting by William Hart (1823 - 1894). Oil on board. Framed. Signed. Measuring 15 by 17 inches overall and image size, 1...

This stunning romantic Art Deco portrait oil painting is by noted Australian/British artist Frederick Leist. He was born in Sydney, his parents both Londoners, and moved to England with his wife Ada in 1910 and exhibited prolifically, including at the Royal Academy, on his return. Like many artists, he became a war artist during the first world war and his dramatic battle scenes contrast markedly with his more delicate portraits. This composition is of a beautiful young woman kneeling on the ground, a striped blanket covers her head and auburn curls and is around her shoulders and spread out on the ground around her. In one hand and scattered around her are beautiful pink flowers the colour of her lips. One shoulder and her face are bathed in light as she gazes down to her left, lost in thought. The brushwork and use of light are superb. Almost Orientalist by design, it is a super roaring twenties painting, full of vitality and impressionistic colour and influences and an excellent example of Leist's work. Signed lower right. Provenance. Collection IMI PLC. Condition. Oil on canvas. Unframed size is 30 inches by 25 inches, in excellent condition. Housed in a fine Bourlet gilt gallery frame. Framed size is 40 inches by 35 inches, in excellent condition. Frederick William (Fred) Leist (1873-1945) born Sydney. He was the eighth surviving and fifteenth child of Edward Frederick Leist, builder, and his wife Harriet Eliza, née Norris, both Londoners. Leist was educated at Crown Street Public School and, while training as a furniture designer in the workshops of David Jones Ltd, studied art at Sydney Technical College before becoming a student of the Art Society of New South Wales; under Julian Ashton's tuition he learned plein air techniques. 1898 he married Ada Sarah Roberts. Leist drew for the Bulletin in the 1890s and became staff artist on the Sydney Mail; he was also local representative for the London Graphic from 1900. According to William Moore he 'was the first to portray the Australian girl as a definite type'. Leist was an original council-member of the Society of Artists, Sydney, in 1895 and, after their merger, of the Royal Art Society of New South Wales. However in 1907 he was one of the twelve who re-established the Society of Artists. The Leists moved to England and from 1910 to 1925 he exhibited regularly at the Royal Academy of Arts. His first successful picture, 'The Mirror', a portrait of his daughter, was hung on the line at the Royal Academy in 1911 and next year at the Salon de la Société des Artistes Français. At the 1914 Royal Academy exhibition his painting of two Spanish guitar players, 'The Rivals', was acclaimed. The Review critic wrote: 'it is a composition in light and a pattern of colour, given power and meaning by restraint'. Noted for his studies of handsome women, Leist was elected to the Royal Society of British Artists and to the Chelsea Arts Club in 1913 and next year to the Royal Institute of Oil Painters; later he also exhibited with the Royal Society of Portrait Painters. During World War I, Leist worked for the War Office designing recruiting posters. Then, in September 1917, he was appointed an official war artist with the Australian Imperial Force and attached to 5th Division headquarters as an honorary lieutenant. From September to December and from June to August 1918, 'dodging shells and mustard gas', he produced about 150 small sketches, drawings and watercolours, and a portrait of Lieutenant-General Sir Talbot Hobbs. He later fulfilled commissions to paint four large battle scenes including 'Battle of Polygon Wood' and 'Capture of Mont St Quentin'. The striking colours of these battle scenes are in strong contrast to the delicacy and muted tones of his watercolours such as 'The Lacemaker'. In London, Leist consolidated his reputation: he was represented in the 1918 exhibition of Australian war...

Peonies, white,green Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dnepr...

Antique American rare woman artist Hudson River School waterfall landscape by Susan E. W. Fuller (1831 - 1907). Oil on canvas. Signed. Large and impressive painting. Handsomely fr...

Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape. One of a set of five all framed in Hogarth frames. L.Green ...

Spanish school - Landscape - Oil on board Oil size 22x28 cm. Frame size 35x40 cm.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

'Portrait of Woman in Yellow', oil on cardstock paper (circa 1970s), by Raymond Debiève. A cubist portrait of this lovely young woman at her window is ...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting Innovative and Contemporary Original New Media vs Painting Abstract Work on C...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

In Chicle de Sal I, (Salted Chewing Gum), María Magán transforms a crumpled condom into a hyper-realistic oil painting that mimics the appearance of a chewed piece of gum. Framed in ...

Brian O'Neill's (US based) "Exhale" is an original, handmade oil painting that depicts a nude male figure stooped over and keeling on the ground, with his back exposed and bowing his...

This charming painting by Ernest Walbourne is a quintessential example of the artist’s ability to capture the serene beauty of rural life. Known for his idyllic landscapes and depict...

Antique panoramic landscape painting. Watercolor and gouache on board, circa 1900. Signed. Image size, 17L x 11H. Housed in a period g...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

Italian painter (19th century) - The trained dog. 56.5 x 46.5 cm without frame, 69 x 59 cm with frame. Antique oil painting on canvas, in a gilded wooden frame. - Work signed indi...

Original watercolor on paper. Hand signed on front; signed, titled and dated on verso by the artist. Additional images are available upon request. Certificate of Authenticity is inc...

Frame size 81x66 cm.

An original British large oil painting on canvas by Ramsay Richard Reinagle which is signed and looks to be dated 1832. Lovely rich colouring depicting a mountainous Italian panorama...

Finely painted panoramic landscape by Nellie Augusta Knopf (1875 - 1962). Oil on board. Framed. Image size, 12H x 16L. Signed verso.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Antique American modernist oil painting. Oil on canvasboard. Signed.

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

Luminoso quadro con fiori azzurri in un prato primaverile 1978 GLEB SAVINOV (Charkev, 1915 – San Pietroburgo, 2000) Le opere di Gleb Savinov si trovano in varie collezioni private ...

'Expressions in Bloom: Portraits from the 20th Century XIV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Beautiful winter landscape of the snow covered countryside by an unknown artist (American, 20th Century). Signed "Mallek" lower right. Displayed in a painted rustic frame. Image, 7"H...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

The still life is painted brightly and festively. The black background creates contrast and solemnity. The painting is quite large in size, painted with broad strokes.

The Silent Grace captures the serene profile of a woman, adorned in a bright yellow dress and matching hat, embellished with vibrant patterns. Her deep purple complexion contrasts be...

Bertha G. Davis (1911-1997) Untitled, ca. 1960's Oil on cradled masonite panel. 16 x 20 inches; 24 x 28 inches framed. Signed lower left. Artist estate stamp on verso. Vintage custom wormy chestnut frame. A painter of cityscapes, landscapes, and abstracts in Texas, Bertha G Davis was primarily a self-taught artist whose style was influenced by her early life experiences in pre-World War II Lithuania and later Mexico. Her style is expressionistic*, relying on color to denote her profound feelings. She works primarily in watercolor and acrylic with some mixed media*. She is the daughter of Abraham and Dvora Germaize of Vilna, Lithuania and grew up in Jewish ghettos in Vilna, Alita, and Kovno. Davis was influenced by her father who was a decorative wood-worker and carpenter in Lithuania. The family of five daughters and a son escaped to Mexico City in the late 1920’s because of Jewish oppression. The images and emotions she experienced had no outlet. She was known as a beauty, and at age 17 was named Jewish Miss Mexico, barely able to speak Spanish having just emigrated from Eastern Europe. Irving Davis, a merchant from Texas who had also come from Eastern Europe via Cuba, saw her at this event where she was crowned Jewish Miss Mexico, and three days later asked for her hand in marriage. They moved to a small town in Texas, raising a family. Her daughter, Sylvia, was born when Davis was 20 and they were inseparable. As Sylvia became an actress, painter, and sculptor, Davis was amazed at the capacity for creativity. Davis didn’t begin her own artistic journey until she was 47, when her daughter Sylvia Caplan encouraged her to try. She was inspired by this daughter who gave her a drugstore palette of watercolors, paper and brushes and told her to “just try.” Davis did not put down her palette and brushes until her death in 1997. Bertha G Davis was primarily self-taught but maintained a style oriented toward color and texture that reflected her strong feelings. Most of her early work was done while she lived in McAllen, Texas where she was known for her contribution to art and showed her work and the work of other artists at the Bertha Davis Gallery. She studied with Stewart Van Orden, at Pan American College in 1960-61; and was a student at the Art Institute San Miguel Allende, Mexico, 1965. She was also a student of Harold Phenix...

By and by Too many thoughts rooted in my soul So many memories, the good and the bad They all shaped me. Colourful in a wink, darkness looted. But when it's all going grey, it shine...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Giacomo Guardi (Venice, 1764 - Venice, 1835) View of Venice with the Giudecca Canal and the Gesuati Church oil on canvas 34 x 42 cm. - framed 40 x 50 cm. Expertise dott Federica Sp...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Acco...

Antique American impressionist landscape oil painting. Signed verso. Really nicely framed. Great color and thick impressionist impasto. Image size, 10L x 8H.

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

"Alba in the Sun III" by Conrado López is a delicate yet expressive 2023 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 63.75 x 44.9 in (162 x 114 cm). This pi...

This stunning arched top Victorian figurative oil painting is by noted Belgian artist Charles Soubre. It was painted in 1853 and is signed and date lower right. The composition is a ...

Piccadilly Circus in the City of London at Night with a Red London Bus, by Contemporary Urban Landscape Artist, Angela Wakefield Art measures 24 x 24 ...

Winter Christmas Scene of Figures Skating on Frozen Lake in a Dutch Village by J. H. De Berg (Dutch, 20TH Century) Art measures 20 x 16 inches Frame measures 23 x 19 inches Vin...

Jacob van Ruisdael (Haarlem 1628-Amsterdam 1682) attributable Wooded Landscape with Waterfall Oil on canvas 74 x 94 cm. - framed 91 x 111 cm. A wooded view crossed by a tumultuous...

Original oil paint on wood panel painting by the well known American artist, George Thompson Hobbs. Signed lower right and dated 1899. Condition is very good. The painting is housed...

This stunning Italian Capriccio Old Master landscape oil painting is attributed to circle of Giovanni Paolo Panini. Painted circa 1740 it is a fantastic view of the Temple of Sibyl, ...

Antique American modernist abstract oil painting by Eugene Arcieri (1914 - 2005). Oil on board. Framed. Signed. Measuring 15 by 19 inches overall and 14 by 18 painting alone. In exce...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Jack Russell Terrier, 19th Century Large 19th Century English portrait of a Jack Russell terrier dog, oil on canvas attributed to John Emms. Excellent quality and condition study of...

Vintage American modernist abstract painting. Oil on board. Framed.

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

Dennis Alter's layered and textured oil on canvas paintings abstract expressionist drip paintings in the style of Jackson Pollock are rich with painterly activity. Gestural brushwork...

A sunny oil landscape showing a lush green water meadow with verdant trees and rolling green hills in the distance. Figures stroll, with their dog, across th...

An idyllic view across red poppy fields with hill ranges in the distance. Well-presented in a solid oak frame with a crisp white mount. Unsigned. On board.