Figurative Paintings on Sale

Confusion, 110x100cm , oil\canvas

Baron Michael D`Aguilar was born on May 15, 1922 in London to Spanish parents. He was brother of the artist Paul D`Aguilar. He spent much of his early life in Spain. He studied at...

Vintage Winter Snowy Mountain River Landscape Oil Painting of La Rivière du Nord in Canada, by 20th Century Canadian Artist, Sydney Berne (1921-2013) Art measures 20 x 16 inches F...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 22x27 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

"The Cardinal and Her Flowers," a striking piece from Avelino Sanher's 'Fallen Angel' Series, is a 36" x 36" oil on canvas that captures an ethereal en...

Rafael Duran Benet (1931-2015) - Woman from behind - Oil on canvas cardnoard Oil measurements 55x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan...

Wonderful Scottish 19th century Highland landscape, with a figure and cattle on a pathway overlooking a Loch This piece is signed lower right and is framed in a Vintage Gold Leaf fr...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Italian master (late 17th century) - Landscape in the moonlight. 54.5 x 74.5 cm without frame, 72 x 92 cm with frame. Antique oil painting on canvas, in an antique carved and gilde...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** 'Money Talks' is the new series of artist Mauro Oliveira. ...

Avelino Sanher's 'Blue Divinity' part of the 'Fallen Angel' Series is a 60" x 48" oil on canvas that merges contemporary abstraction with figurative gra...

"Angel of Mercy," from Avelino Sanher's 'Fallen Angel' Series, is a 48" x 24" oil on canvas that eloquently combines contemporary figurative art with sp...

Original unique piece hand painted

Kristy Chettle's "Rising" is a 72" x48" oil on canvas that embodies the raw, emotive power of abstract expressionism infused with figurative elements. Swirls of dark and moody blues ...

"KkKop" by artist Goin is an unique stencil and spray paint artwork on canvas. It was created in 2020 after George Floyd died after being detained by Minneapolis police. There are ...

Connection, 100x100cm

Avelino Sanher's ''The Descent'' from the 'Fallen Angel' Series, sized 48" x 40" oil on canvas, exudes a blend of defiance and hope. The angelic figure ...

Oil size 54x81 cm. Frameless

THE SALE INCLUDES TWO WORKS BY THE ARTIST, AS APPEARED IN THE PHOTOGRAPHS. Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paint...

LIMITATION, 47x42cm

Workshop at the Academy of Arts 70x70 cm

Motherhood, 145x115cm

Sad angel, 135x110cm, canvas, acrylic

Neon angel, 115x90cm

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

I'm sorry, but I... - 30х25 cm (43x38 in frame), acrylic on canvas,

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

Woman with a Bull, 2023 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen figurative painting on etching paper. Th...

Girl with a white peacock, 80x60cm

Oil on Canvas. Tuscan school of the seventeenth century. According to Christian tradition, St. Veronica was, the "pious woman" who, seeing the passion of Jesus carrying the cross and...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Winter Mist at a Farm in the English Countryside by 20th Century British Artist, Wendy Reeves Art measures 40 x 20 inches Frame measures 46 x 26 inches (framed in a high quality orn...

KALEIDOSCOPE OF COLOR, 32x27cm

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to capture lively bouquets and saturated idyllic landscapes. Her passion for natural beauty is seen in her work as she transforms vistas familiar and rare into stunning interpretations of bold color, playful rhythms, and emotional impact. Within her impressionist landscape paintings, her experiences abroad truly come to light. These textural and abstract paintings perfectly capture the vibrancy and movement included in a coastal sunset. This series differs from Husslein’s more controlled and smoother still-life floral series which derives a more direct inspiration from art history and representational flower bouquets. Her contemporary floral oil paintings are hyperrealistic works of art full of color, depth, and detail. Flowers’ visual and tactile qualities, as well as their associations with love, femininity, and the natural world, have contributed to Husslein's colorful compositions. This one-of-a-kind oil painting on canvas measures 39 inches high by 32 inches wide. It is signed by Husslein on the back. This painting is wired and ready to hang. The sides are painted as a continuation of the front and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. “I create paintings that capture the joy of the moment in time where everything seems quietly perfect and the flowers are in full bloom. A metaphor as old as time, to seize the moment and enjoy it to its fullest extent.” Her high contrast works with bright, saturated colors and dynamic compositions are exciting and stimulating. Born in Wertheim, Germany, Husslein grew up in a quaint village surrounded by luscious hills and flowing rivers. To grow her practice and widen her perspective, she left Germany to study art in London, UK. As part of her studies, she lived in Los Angeles, New York, and Australia. Now based in Munich, Germany, Husslein has exhibited her artworks across Europe, gaining collectors internationally. Artspace Warehouse Los Angeles has exhibited her original paintings since 2022. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 Texture and Topography, Artspace Warehouse, Los Angeles Flowers, Galerie Katapult, Basel, Switzerland Aldeburgh Art Fair with Newinger Art Affordable Art Fair Hampstead with Newinger Art Discovery Art Fair Cologne with Newinger Art Affordable Art Fair Battersea Spring with Signet Contemporary Affordable Art Fair Brussels with Folly & Muse 2022 Exhibition with Edward Montgomery Fine Arts Affordable Art Fair Hamburg with Folly & Muse Affordable Art Fair Battersea with Signet Contemporary Affordable Art Fair Amsterdam with Folly & Muse Signet Gallery...

Break , paper, oil crayons,80x115 cm

Avelino Sanher's "The Ballerina," part of the 'Splash Moments' Series, is a 36" x 36" oil on canvas that vibrantly captures a single, fleeting moment of...

Thomas Brown Yates was an English landscape and portrait painter active during the 1910-1935 period. He studied firstly in London and then travelled to the Andre Lhote school in Par...

Florentine painter (19th century) - Madonna with Child on a gold background. 77 x 58 cm. Oil on polylobed panel. Condition report: Good state of conservation of the pictorial surf...

Break at the Academy of Arts 75x71 cm

Avelino Sanher's "Smoldering Mind" from the 'Claro Obscuro Series,' is a 36" x 36" mixed media on canvas that intertwines contemporary abstraction with ...

John CRASH Matos "Melancholy Drama" Spray Paint on Canvas 30.25 x 69.25 inches Born John Matos in 1961, CRASH was raised in the Bronx, New York. At the age of 13, he began followin...

Gabriel Casarrubios Martín (1953) - Beach´s day - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** 'Money Talks' is the new series of artist Mauro Oliveira. ...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light ABOUT THE ARTWORK This piece reflects a moment of magic where the heart melts in the embrace of...

Himalayan Bonding. 2008. Oil on canvas. 24 x 24. Provenance: the artist; Westport River Gallery, CT. Provenance: a New York private collection. Signed and dated, lower right. Housed ...

The edges are painted The "Melancholy" series of paintings reveals the inner world of a person lost in his own emotions. When inner reflection takes precedence over life itself we s...

Figura di bambina gialla Bellissima cornice in legno

Flirting, 160x130cm

Jose Luis Fuentetaja - Woman at rest - mixed media (print and oil on canvas laid board). Canvas size 38x50 cm. Frameless. Is born in Madrid on the 21st july 1951. After attending pr...

Lynch, 2014,Сanvas, oil crayons,100x85 cm

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Markers & acrylic on paper Shipped well protected, unframed I can do commissioned work of any technique, style and size, contact us without obligation i can ship several drawings t...

A couple of young boy and girl, dressed in ethnographic costumes, probably Savoyard, ride a donkey. The scene takes place in the middle of the countryside with mountains in the back...

Your name is Leili, 150x110cm

Wedding Procession is a colored raised line woodcut, done in 1924 by Bertha Boynton Lum (American, 1869 – 1954) . The image measures 13-7/8 x 10-1/8". Raised line impression and painted by the artist, while living in China. Image 13.25"H x 8.75"W Sheet 14.75"H x 10.75" (approx) Signed Lower center in pencil "Bertha Lum" New acid free mat included. Bertha Lum was fascinated by the legends and mythology of the Orient and wrote extensively about them. These legends provided the subject matter for many of her works in woodcut. Bertha Boynton Lum was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia. In May 1869, Lum was born as Bertha Boynton Bull in Tipton, Iowa. Lum's father was Joseph W. Bull (1841–1923), a lawyer and her mother was Harriet Ann Boynton (1842–1925), a school teacher. Both of Lum's parents were amateur artists. Lum had a sister and two brothers, Clara, Carlton, and Emerson. Education and career: In 1890 she lived in Duluth and listed her occupation as artist. She enrolled in the design department of the Art Institute of Chicago in 1895. A few years later she studied stained glass with Anne Weston and attended the Frank Holme School of Illustration. From November 1901 to March 1902, she studied figure drawing at the Art Institute of Chicago and was influenced by the Japanese techniques of Arthur Wesley Dow in his book Composition, which was published in 1899. Lum married Burt F. Lum, a corporate lawyer from Minneapolis, Minnesota, in 1903. They spent their seven-week honeymoon in Japan, where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced old prints. The shop sold her some woodcutting tools...