Cabinets on Sale

Hanging cabinet in the form of a miniature chiffonier of satin birch. England, c. 1860. 25 1/2" w., 10" d., 25" h. Whitehall Antiques is a family business that has been a major sour...

This late 19th-0early 20th century English handsome large and tall chest of drawers in rich mahogany has a bow front, is outfitted with five total drawers, two smaller top drawers, w...

A WALNUT CABINET a` DEUX CORPS, TWO DOORS ABOVE, WITH 5 SHELVES BEHIND, 3 DOORS BELOW WITH 2 SHELVES BEHIND. TYPICAL REGENCE CARVING, ORIGINAL PAINT - ORIGINAL HARDWARE.

20th-Century Richly Inlaid Two-Leaf Cabinet With Marble Top A two-door cabinet styled after Louis XV, dated post-1945. The body of the furniture features beveled corners, set on a p...

The Ciuco donkey blue bar storage cabinet with brass inlay by Matteo Cibic has a large brass donkey head that sits atop a brass and resin lined blue shirt...

The antique Senempire corner cabinet from Northern Germany, made of polished mahogany and dated to the 1840s, is a splendid representative of the elegance and sophistication typical ...

Italian 18th century painted wood cabinet with one-door and elaborate fabric decor.

19th century French Empire cabinet with bronze mounts and leather top. 2 drawers over 2 door cabinet.

An elegant yet robust cabinet in a light duck egg blue sits atop a plinth in this stunning neoclassical inspired piece from ‘70s America. There are elements of chinoiserie in the des...

Monumental baroque cabinet, oak, around 1720, North German High rectangular body made of solid oak body with multi-profiled cornice. In the middle a richly decorated and ornate rel...

Large Italian mahogany Art Deco bar cabinet designed by Michele Merighi and made by Ronconi Cantù. This cabinet is part of the dining room published o...

Vintage painted gray small pine wood kitchen walll cabinet, with miniature tea set.

A cabinetmaking gem of refined contemporary allure, this bar cabinet effortlessly synthesizes rigor and luxury. The structure in glossy smoked eucalyptus wood reveals a rich interior...

Vintage wood and metal display case Dimensions. 72 W ; 25 D ; 41 H.

Mahogany, walnut, ebony and brass cabinet with nickel-plated steel hardware. This piece is in the manner of Alban Chambon. There are three doors and thre...

Of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers, adorned overall with pewter mounts and supports.

This small modernist cabinet was made in Denmark during the 1960s. It is made of teak wood in a warm shade of brown. It has three drawers with wooden handles. The base is turned legs...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite very rare Holland &Son's Mount Street London stamped, dome fronted display cabinet with the original glazing and drop front secrataire desk finished in oxblood leather Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. A very good looking and well-made piece, this is pretty much the finest quality example of this type of furniture you will ever see, it is super decorative, hand carved to the middle panels, the form is Gothic Revival, each section has a church spire look and feel to it, it is a museum quality piece that commands attention in any setting We have cleaned waxed and polished it, it is in perfect period condition throughout, the only point to note is I don't have any keys for the locks Dimensions Height:- 188.5cm Width:- 149.5cm Depth:- 46cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask. COMPANY HISTORY The firm of Holland & Sons (1803–1942) became from 1843 one of the largest and most successful cabinet makers, and a rival to Gillows of Lancaster and London. The company's labelled Day books are now housed in the Victoria and Albert Museum Archive of Art and Design where they present a virtual 'who's who' of nineteenth century society. Established in 1803 by Stephen Taprell and William Holland, a relation of the architect Henry Holland (architect). Always on the leading edge of fashion, Holland & Sons employed some of England's foremost designers and participated in all of the International Exhibitions of 1851, 1855, 1862, 1867, 1872 and 1878. Holland and Sons also participated in many of the leading international exhibitions including London in 1862, Vienna in 1873 and Paris in 1867 and 1872. After a brief period in which the company was known as Taprell, Holland & Son c.1835-43, William Holland gained sole command after the senior partner Taprell's retirement. From 1843 onwards they were known as Holland and Sons. The relationship between builder and cabinet maker is similar to another leading Victorian firm, Trollope and Sons. Their earliest known commission was to furnish the Athenaeum Club, London, 1824- 1838. They also worked alongside the prestigious firm of Thomas Dowbiggin at Osborne House, and eventually took over their premises and business at 23 Mount Street, London in 1851 and 1853 respectively. In 1851, when the company was based in Mount Street and employed 351 people, they won a prize at the Great Exhibition for a bookcase. By then, after being granted a Royal Warrant of Appointment (United Kingdom) early in the reign of Queen Victoria, they had already taken a leading part in the decoration and furnishing of Osborne House, Sandringham House, Balmoral Castle, Windsor Castle and the apartments of the Prince and Princess of Wales at Marlborough House...

Rare yellow campaign set from Morris of California. 3 chest of drawers and 2 bookcase toppers. Tall six drawer lingerie chest, or highboy. One six draw...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Bohemian style small sideboard. It has a door, two drawers and an open storage space. Made from wood and covered in woven rattan. The back board has holes to lead cables through. Ov...

circa 1820 Large Georgian Painted Pine Country House Larder Cabinet An exceptional example in original paint sku 1317 W153 x D38 x H200 cm

A wonderful late 19th century bamboo etagere/cabinet. Made by English firm W.F Needham. (1888-1901). Circa 1890. The cabinet has 2 diago...

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

This sturdy chest was made from quarter-sawn oak in the mid-19th century. The inside of the piece features a shelf for storage and more can be added for a modest cost. Wear consisten...

Circa 1860. Large 19th c English pine pantry etagere shelves on castors. sku 1383 Measures: W 84 x D 63 x H 215 cm

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely vintage circa 1970’s Flamed Mahogany record player cabinet that can also be used as a drinks cab...

Mid century sideboard with sliding doors and one long shelf inside, designed by Jirí Jiroutek in the 1960´s. It´s made o...

Afra and Tobia Scarpa "Artona" Rosewood and glass Cabinet for Maxalto, circa 1975. This cabinet was designed during the first period of the Artona collection, it combines the char...

These wonderful vitrines (display cabinets) were created in France in the early 20th century. They are designed in an elegant Art Nouveau style which was in vogue in this period. ...

There is a sense of reveal and conceal as KOKET takes a beautiful bar cabinet in high gloss lacquer and adorns it in metal organic lace, revealing a mesmerizing hint of what lies ben...

This Rococo chest of drawers, crafted from walnut and originating from Southern Germany around the 1780s, is a magnificent example of 18th-century European furniture design. The ches...

Royal House Antiques Royal House Antiques is delighted to offer for sale this one of a kind, super unique, curved glass Fry’s Chocolate display case...

A Beautiful Late 19th Century Gilt Bronze Mounted Louis XVI Sèvres Style Dressing Table This wonderful and rare table is mounted by over twenty three individual porcelain plaques de...

Japanese “Tansu” chest by Baker with inventive cabinet space concealed by a flip up front. Great for TV storage. Adorned with striking iron hardware. Pleas...

Uncompromisingly hand-crafted Colonial cabinet with barley twist columns and removable shelves Circa 1880-90. Constructed from solid Rosewood and sitting on bun feet framed by hand c...

An unusual Louis XV Mahogany Buffet with Bois Citronnier Panels The interior revealing two drawers and shelving Bordeaux,France ,possibly made for the English Trade 18th Century ...

We are delighted to offer for sale this very decorative and well made hand painted vintage pine pot cupboard A very good looking and well made piece, after the antique French styl...

This classic modernist cabinet was made in Denmark during the 1960s. Made of high-quality, noble rosewood. Its structure is very strong, with expressive graining. The pieces of furni...

With a canted white marble rectangular top with a three-quarter pierced gallery above a frieze drawer, the fall-front with gilt-tooled black leather writing surface enclosing a fitte...

We are delighted to offer for sale this lovely Burr Yew wood TV cupboard with bi folding doors A good looking and well made piece, designed to h...

This two-door cabinet has a caddy top with a molded edge. The cabinet has two doors that have incised cockbead and brass trellis work handles. Each cabinet has one shelf in the inter...

Antique French mahogany and ormolu cabinet by Grohé Frères French, c. 1860 Height 112cm, width 124cm, depth 52cm The well-known firm of cabinetmakers, Grohé Frères crafted this sup...

Designed by Carlo Colombo Town is an innovative and transforming project. A multifunctional cabinet that combines functionality and aesthetics, offering space to contain and furnish...

circa 1870 19thC Dutch Mahogany Marquetry Inlaid display cabinet Excellent form and colour Measures: W 64 x D 24 x H 84 cm.

Eccentric Italian futurist showcase cabinet from the 20's. The cabinet has applications inserted later, such as skull-shaped designs and designs on the sides of the cabinet in the sh...

This cabinet was designed during the 1960s by Erik Brouer for the Danish manufacturer Brouer Møbelfabrik. It is made of rosewood with rich graining. The bookcase has four shelves whose height can be adjusted. Below it has a vertically closed bar cabinet...

Vintage 1960's Mid-century Modern china cabinet for sale. It's in great original condition, and a very high-quality designer piece. It's made of walnut, and has three smoked glass pa...

This very unique modular 5 Piece Mid Century wall unit set has it ALL, and leaves plenty of room for multiple configuration possibilities! Creatively hold and display all of your vin...

Federal style breakfront with 3 doors with 3 shelves over 3 doors each containing 1 shelf.

Danish Mid-Century Modern music cabinet by Aksel Kjersgaard for Odder This cabinet was designed by Aksel Kjersgaard. It was originally created to store music equipment. It was produ...

alvar & aino aalto design glass cabinet. this is most earliest products of aalto furniture. alvar & aino try to sell their furniture in UK as finmar. So this is original condition. ...

circa 1880 19thC Austrian Painted Mirrored Vitrine - Cabinet Excellent scale, colour & patination sku 1360 W119 x D44 x H252 cm Top W119 x D37 x H152 ...

Vintage Tambour Door Cabinet by Robert and Trix Haussmann for Röthlisberger Collection – A Swiss Design Icon This unique Roller Shutter Cabinet by Robert and Trix Haussmann for the R...

Vintage Palaset Palanox modular storage box set of 6, White, Yellow, Finland, 1972 Palaset Palanox, multicolored stackable boxes that allow you to b...

French Art Deco Armoire in macassar ebony with 2 center mirrored doors and 2 outer doors with marquetry. Interior drawers and shelves.

18th century Baroque cabinet with secretaire, Germany, 1760, walnut veneer. Beautiful piece in excellent condition, professionally rest...