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Medium: Chalk
France 18th Century, The Surprised Lovers, original drawing
Located in Paris, FR
France circa 1770
Two lovers surprised in bed
Black chalk on paper
13 x 17 cm
Modern frame : 34 x 38 cm
This drawing had been attributed to Gabriel de Saint Aubin (1724-1780). It's...
Category
1760s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Die Moralische Eifersucht - Drawing by Friedrich Schröder Sonnenstern - 1964
Located in Roma, IT
Die moralische Eifersucht is a contemporary artwork realized by Friedrich Schröder Sonnenstern in 1964.
Pencil and colored chalks on Schoellershammer cardboard.
Signed "F. S. SONN...
Category
1960s Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pencil
Mid Century Ink Wash Bizare Female Figure Original NYC Artist
Located in Arp, TX
Peter Passuntino
BDSM
1960s
Ink, ink wash & chalk on paper
12.25"x10" unframed
unsigned
Peter Passuntino
b. 1936
Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions.
In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s.
The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...
Category
1960s Abstract Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Ink
Figure Study
Located in London, GB
Black and red chalk on paper, signed and dated (lower right), 31cm x 27cm (50cm x 45cm framed).
Delmotte was a painter, draftsman, watercolourist and Belgian sculptor. A realist painter at first, he was influenced by Expressionism of the beginning of the century. An impressive list of gallery exhibitions of his work during his lifetime, either independently or as part of a group, indicate that he was a known and successful figure in art worlds of Belgium and Europe. Marcel Delmotte received numerous awards and honors throughout his career. He was named Knight of the Order of Leopold II...
Category
1930s Art Deco Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
The Great Escape by Patsy McArthur - unique charcoal on paper - white box frame
Located in Dallas, TX
This is a beautiful and unique charcoal on paper drawing. The Fabriano paper is a high quality watercolour grade set in a custom white wood frame, all archival materials.
Scottish ...
Category
2010s Realist Chalk Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper
untitled
Located in New York, NY
Lester Johnson untitled charcoal, conte crayon, and spray enamel on board from 1972. Framed.
Category
1970s Other Art Style Chalk Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Spray Paint, Board
$12,000 Sale Price
20% Off
Andreas Zisimos
Located in New York, NY
This is a drawing by James Childs offered by CLAMP in New York City.
2004
Signed and titled, recto
Graphite and Conté crayon on paper
12 x 8.25 inches
Category
Early 2000s Contemporary Chalk Figurative Drawings and Watercolors
Materials
Conté, Graphite
Sleeping Nude Figurative
Located in Soquel, CA
Drawing of a sleeping nude woman by S. LeDrew (20th Century). Signed "S. LeDREW" in the lower right corner. Presented in a double mat of dark red and whi...
Category
Late 20th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté
$460 Sale Price
20% Off
Allegory of Chastity, a drawing attributed to G. Porta with great provenance
Located in PARIS, FR
This magnificent drawing from the Venetian Renaissance intrigues us in many ways. It depicts an allegorical composition whose meaning partly escapes us: a veiled figure seated on a stone bench (which we have identified as Chastity), seems to be turning away from a woman's bust beside her, below which are two rabbits, a traditional allegory of fertility, but also sometimes of lust.
This drawing, executed on blue paper, undoubtedly belongs to the Venetian Renaissance. The inscriptions on the back of the old mounting board indicate the various attributions considered by its last owner, the British painter and art historian Sir Lawrence Gowing. We have retained the attribution to Giuseppe Porta proposed by art historian John Arthur Gere as the most relevant.
We were incredibly fortunate to find a hexagonal frame of a very similar format for this drawing, the upper corners of which were formerly cut (irregularly). This 17th-century Dutch frame comes from an aristocratic collection in Lombardy, and creates a kind of fascinating chase around this Venetian drawing...
Category
16th Century Chalk Figurative Drawings and Watercolors
Materials
Chalk
French Contemporary Art by Francine Ledieu - Lorgues
Located in Paris, IDF
Oil on cardboard
Francine Ledieu is French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. I...
Category
1960s Abstract Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Louis DAVID (1798-1849) Le Moulin La Butte aux Cailles, Paris, signed drawing
Located in Paris, FR
Louis-Alphonse DAVID (1798-1849)
Le Moulin de la Butte aux Cailles, Paris, (The Mill at la Butte aux Cailles)
signed lower left
Pencil and white chalk on paper
22,5 x 36 cm
Framed : 40,5 x 55 cm
Louis-Alphonse David is known for a relatively small body of work, including portraits and large compositions. In any case, in this work he shows a remarkable mastery of drawing, with particularly suggestive and subtle plays of light and shadow.
The Butte aux Cailles, now part of the 13th arrondissement of Paris, was a hill covered in meadows, vineyards and woods, built with several windmills and overlooking the river Bièvre. It was named after Pierre Caille...
Category
1830s Romantic Chalk Figurative Drawings and Watercolors
Materials
Pencil, Chalk
Charles Emile JACQUE (Paris 1813 - 1894) Two sheeps, studies drawing
Located in Paris, FR
Charles Emile JACQUE (Paris 1813 - 1894)
Two sheeps, studies
Black chalk on paper
9 x 17 cm
Framed 33 x 38 cm
Charles Emile Jacque was born in 1...
Category
1860s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
Untitled (Man in Repose Leaning Against Post)
By Mark Beard
Located in New York, NY
Conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...
Category
1970s Realist Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté
France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century,
Pastorale (Arcadian Landscape)
Black chalk and heightenings of white gouache on blue-grey paper
19 x 31 cm
Framed : 34.5 x 46.5 cm
The atmosphere and the subje...
Category
1760s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Going to Mass, Spain - 20th Century British drawing by Robert Sargent Austin
Located in London, GB
ROBERT SARGENT AUSTIN, RA, PRWS, RE
(1895-1973)
Going to Mass, Spain
Black, brown and white chalks on grey paper
Framed
49 by 38 cm., 19 ¼ by 15 in.
(frame size 73 by 60.5 cm., 2...
Category
Mid-20th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
Untitled (Man Reclining on Tile Floor)
By Mark Beard
Located in New York, NY
Graphite and conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...
Category
1970s Realist Chalk Figurative Drawings and Watercolors
Materials
Paper, Graphite, Conté
Vintage Figurative Landscape -- Sleeping Among the Trees
Located in Soquel, CA
Compelling figurative nude with a surrealist feel by Ken Bower (American, 20th-C) a San Francisco Bay area artist. Pastel chalk color on paper created in 1980. Signed “Ken Bower 80' ...
Category
1980s American Impressionist Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pastel
$1,080 Sale Price
20% Off
French romantic school Drawing black chalk and goiache HORTIN steam boat 19th
Located in PARIS, FR
Charles HORTIN (Attributed to)
(XIX)
Black chalk and white gouache
Signed lower right
12 x 16 cm
Category
Mid-19th Century Romantic Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Tea at the Ritz, New York
Located in Fairlawn, OH
Tea at the Ritz, New York
Colored chalk, 1912
Signed with the estate stamp verso. (see photo)
Authenticated by the artist's daughter, Mme Paulette Johnston.
Image size: 10 5/8 x 10 1...
Category
1920s Art Nouveau Chalk Figurative Drawings and Watercolors
Materials
Chalk
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Located in Paris, Île-de-France
Studio of Carlo Maratti (or Maratta)
Camerano 1625 – Rome 1713
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Red chalk on paper
43.4 x 26.6 cm
Unsigne...
Category
Late 17th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Twentieth Century Figurative Semi Nude Model Conte Crayon Drawing
Located in ludlow, GB
Twentieth Century Figurative Semi Nude of Model Conte Crayon Drawing.
One of the most important British Painters of the Twentieth Century, Will...
Category
20th Century Romantic Chalk Figurative Drawings and Watercolors
Materials
Conté
French Watercolour and Gouache, The Harlequins
Located in Cotignac, FR
Pencil, chalk and watercolour on card depiction of a group of harlequins by French artist Jean Ducel. The work is signed and dated bottom right.
This vivid artwork showcases an ener...
Category
Late 20th Century Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon, Watercolor, Pencil
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
1750s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink
Spring - Chalk design drawing for a Minton plaque by Herbert Wilson Foster
Located in London, GB
HERBERT WILSON FOSTER
(1846-1929)
Spring
Inscribed with title beneath the mount
Chalk, circular
Framed
Diameter 42 cm., 16 ½ in.
(frame size 61 by 58 cm., 24 by 22 ¾ in.)
Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum.
In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...
Category
1870s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pencil
Reading Madonna drawing. Red chalk on paper.
By Francesco Fernandi
Located in New York, NY
Inscribed: front, brown ink, bottom left, F. Imperiali pinx…; bottom right, R. Rol..(?). Back, brown ink, top left, Roma, Gune(?) 1742 / F. Impeririali ping…;[illegible] R. deline..(...
Category
Mid-18th Century Chalk Figurative Drawings and Watercolors
Materials
Chalk, Handmade Paper
$3,600 Sale Price
41% Off
Original Drawing "Jeune Femme Assise" by Paul Cesar Helleu, c. 1910
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 -1927)
"JEUNE FEMME ASSISE"
(Young Woman Seated)
Original Drawing in sanguine, white and black chalks, c. 1910
Signed in pencil by artist, lower right
Full M...
Category
Early 20th Century Impressionist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Carbon Pencil
Ball Playing Nudes
Located in London, GB
ERNST LUDWIG KIRCHNER 1880-1938 (German)
Aschaffenburg 1880 - 1938 Davos
Title: Ball Playing Nudes Ballspielende Akte, 1932
Technique: Chalk Drawing on Smooth Wove Paper
Paper s...
Category
1930s Expressionist Chalk Figurative Drawings and Watercolors
Materials
Chalk
"Downtown Lakefront" original conte cubist drawing by Sylvia Spicuzza
Located in Milwaukee, WI
The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is dominated by...
Category
1950s Modern Chalk Figurative Drawings and Watercolors
Materials
Conté
Andre Derain, Study of a hen, Red chalk on paper
By André Derain
Located in PARIS, FR
André DERAIN (1880-1954)
Study of a hen
Red chalk on paper
Stamp of the Knaublich sale
19 x 15 cm (view)
frame : 36 x 33 cm
Provenance: collection André Charlemagne Derain said Boby,...
Category
Early 20th Century Chalk Figurative Drawings and Watercolors
Materials
Chalk
One Red One (Abstract Still Life Drawing of Black & Red Flowers in a Vase)
Located in Hudson, NY
Figurative, still life chalk drawing of flowers in a vase against collaged vintage book pages
'One Red One' by Louise Laplante in 2024
pastel on collaged vintage book pages
27.5 x 29...
Category
2010s Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Sketch of a head - Carved in stone -
Located in Berlin, DE
Emil Faesch (1865 Basel - 1915 Basel). Sketch of a head. Charcoal on painting cardboard, 60 x 47.5 cm (folio size), signed and dated at lower right "E. Faesch. 1888.".
Minor browning.
- Carved in stone -
About the artwork
The life-size head has an immensely present presence. This effect is due to the fact that Faesch took his cue from academic classical...
Category
1880s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
$423 Sale Price
20% Off
Italian neoclassical 19th century Italian figurative drawing antique frieze on paper
Located in Florence, IT
This drawing (pencil, ink and white lead on brown paper, 23 x 19, 5 cm) extremely accurately depicts an image taken from or inspired by antiquity, specifically an acanthus girale in ...
Category
19th Century Other Art Style Chalk Figurative Drawings and Watercolors
Materials
Paper, Ink, Pencil, Chalk
Desnudo de espalda
Located in New York, NY
Brown and black chalks and pencil on cream wove paper. Signed and dated in pencil, lower left recto.
Category
1960s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pencil
Persephone, 19th Century Classical French Academy Drawing, Chalk and Pencil.
Located in Cotignac, FR
19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...
Category
1880s Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pencil
Royal Academy Series-4, Conte on Paper, Modern Artist Atul Bose "In Stock"
Located in Kolkata, West Bengal
Atul Bose - Royal Academy Series-4
Conte on Paper, 15 x 11.2 inches (Unframed Size)
1924-26 (Delivered Unframed in as is condition)
Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta.
Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque.
Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...
Category
1920s Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Ink, Pen, Conté
Drawing of a captive woman
By Henry Fuseli
Located in London, GB
Collections:
Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio;
Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate;
Susan, Baroness North (1797-1884), daughter of the above;
Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016.
Black chalks, on buff-coloured paper
Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’
Framed dimensions: 26.38 x 20.63 inches
This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812.
Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers.
The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment.
Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies.
The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...
Category
18th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Head of a Cheerful Man Wearing a Cap
Located in New York, NY
Watermark: the arms of Amsterdam
Provenance:
Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by:
Private Collection, New York
Literature:
Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17.
Matías Díaz Padrón, Jacob Jordaens...
Category
17th Century Baroque Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
The Flight into Egypt
Located in New York, NY
Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto
Provenance:
Private Collection, UK, since 1999
This expressive and boldly executed drawing is the work of Luca...
Category
16th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink, Pen, Paper
Study of a Fate at mid-body, a red chalk attributed to Giovanni da San Giovanni
Located in PARIS, FR
This spectacular red chalk drawing depicts an elderly woman, her eyes bulging, her hand stretched out towards the sky. This disturbing character, who seems close to dementia, and the elongation of her arm with its Mannerist overtones, plunge us into the Florentine artistic milieu of the first half of the 17th century. The proximity of this drawing to some characters in the fresco in the Pitti Palace representing The Muses, Poets and Philosophers chased from Parnassus, the last masterpiece of Giovanni da San Giovanni, leads us to propose an attribution to this artist and a dating of around 1635-1636.
1. Giovanni da San Giovanni, the painter of contradiction
We take here the title of the monography dedicated to the artist by Anna Banti in 1977, which remains the reference book for this artist. The son of a notary, Giovanni Mannozzi, known as Giovanni da San Giovanni, abandoned his studies to go to Florence at the age of sixteen, where he entered the studio of Matteo Rosselli (1578 - 1650) around 1609 and enrolled in the Academy of Drawing Arts in 1612. Around 1615 he produced his first known works, mainly frescoes for the city's tabernacles. He became famous in Florence for his originality, combining an obsessive application to the study of drawing and the reading of poetry and history with a disheveled appearance. Between 1619 and 1620 he decorated the facade of the Antella Palace in Piazza Santa Croce, a decoration that still partly survives today.
The death of Cosimo II in 1621 put an end to the Florentine building activity and Giovanni da San Giovanni left for Rome to find other sponsors with the painter Francesco Furini...
Category
17th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
A dazzling Venetian Regatta Boat Study attributed to Alessandra Mauro
Located in PARIS, FR
This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum.
1. Description of the boat
The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god.
The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests.
Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads.
2. The Venetian regatta boats
An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota.
The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer.
This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing.
It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740.
The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing.
The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...
Category
Mid-18th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Still life with lantern - English School, 19th Century
Located in Middletown, NY
A luminous 1850 still life study of a tin lantern.
Black chalk with white heightening on brownish-gray, fibrous, handmade buff wove paper, 10 1/2 x 6 3/4 inches (262 x 172 mm), the ...
Category
Mid-19th Century English School Chalk Figurative Drawings and Watercolors
Materials
Chalk, Handmade Paper, Pencil
"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton
Located in Soquel, CA
"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton
Detailed nude drawing by Paul "Garth" Garfield Benton (American, 1940-2012). Po...
Category
1980s American Impressionist Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté
Nude - XXI century, Contemporary Realistic Figurative Mixed Media Drawing
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing
PROVENANCE
Exhibited at Katarzyna Napiorkowska Gallery.
The Gallery is a primary representative for this artist.
The Gallery o...
Category
Early 2000s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pastel, Pencil, Cardboard
Saint Jerome in the Desert, Prague school sanguine drawing
Located in New York, NY
Saint Jerome in the Desert Prague school sanguine drawing.
Category
Early 17th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Paper
'Erika in Gesture II, ' by James Cobb, Drawing
Located in Oklahoma City, OK
This framed 21" x 19" academic drawing by artist James Cobb, 'Erika in Gesture II,' captures a female model in a standing pose. Facing away from the viewer...
Category
2010s Academic Chalk Figurative Drawings and Watercolors
Materials
Conté, Graphite
The Death of Attis, 18th Century French Red Chalk Drawing, Greek Mythology
Located in London, GB
Red chalk on paper
Image size: 9 x 7 inches (23 x 17.75 cm)
Acid free mount
The Greek god Attis was the spouse of Cybele, the fertility goddess. He was from Phrygia, a kingdom in c...
Category
18th Century French School Chalk Figurative Drawings and Watercolors
Materials
Chalk
Mid Century Nude Figure Study of a Black Woman
Located in Soquel, CA
Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W.
Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio.
At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor.
In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art.
Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself.
The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office.
In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating.
In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya.
Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...
Category
1960s Realist Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
$4,400 Sale Price
20% Off
HUMAN ATMOSPHERE Retro-study 1 - contemporary artwork, emerging artist
Located in London, GB
In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...
Category
21st Century and Contemporary Abstract Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
Scilla, 21-st Century Italian Charcoal Drawing of a nude woman by Daniela Astone
Located in Nuenen, Noord Brabant
This Charcoal drawing is made on toned paper with charcoal and chalk.
The drawing is framed in a wooden gold frame with passe partout behind Clarity museum glass.
The Italian artist Daniela Astone...
Category
2010s Contemporary Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
Portrait of a Man
Located in London, GB
Charcoal, chalk and red chalk
Initialled (lower left and right)
12cm × 9.5cm (41cm × 37cm framed)
A French actor and artist. He is known for acting in several French films in the 1...
Category
20th Century French School Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
Head of a Woman (Margaret)
By Leon Kroll
Located in Fairlawn, OH
Head of a Woman (Margaret)
conte on wove paper, 1925
Signed and dated lower right
Annotated "Margaret" in ink verso
A portrait of Margaret Cassidy Manship ( d. 2012), daughter in law...
Category
1920s Ashcan School Chalk Figurative Drawings and Watercolors
Materials
Conté
French School 19th Century, Portrait of a young man, drawing signed
Located in Paris, FR
French School 19 th Century
Portrait of a young man
Signed (signature not deciphered) on the lower right
Pencil, black chalk and heightenings of white and red chalks on paper
Oval vi...
Category
1880s Romantic Chalk Figurative Drawings and Watercolors
Materials
Chalk, Acrylic Polymer, Pencil
Soldier begging for Mercy a preparatory study by Jean-Marc Nattier (1685 - 1766)
Located in PARIS, FR
This rare drawing by Nattier is part of a set of preparatory studies executed in 1717 for one of the painter's first commissions, the painting commissioned by Tsar Peter I of Russia ...
Category
1710s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
3rd Grade Reader: Figurative Drawing of Feathers and Blue Wave on Antique Paper
Located in Hudson, NY
Figurative chalk drawing of colorful feathers and blue wave on vintage collaged book pages
'The Third Grade Reader- Feathers on Water' by Louise Laplante in 2022
pastel on collaged v...
Category
2010s Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Portrait of Leopold Myers by Sir William Rothenstein
Located in Soquel, CA
Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum.
Initialed and dated in the lower right corner ("W.R. 1936")
Inscription on verso indicating materials, subject, and artist.
Presented in a new cream colored mat with foamcore backing.
Mat size: 18"H x 12"W
Paper size: 15.25"H x 10.75"W
William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931.
Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits.
In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert.
Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online.
Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...
Category
1930s Realist Chalk Figurative Drawings and Watercolors
Materials
Conté, Handmade Paper
$2,600 Sale Price
20% Off
Abstract Expressionist CoBrA Style Figure. Chalk on Card.
Located in Cotignac, FR
Abstract expressionist CoBrA style chalk on paper of a human figure attributed to French artist, A Nuchy. The work is unsigned but was acquired along with ...
Category
1970s Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Cardboard
The Virgin and Child, Saint Anne and St John the Baptist after Leonardo da Vinci
By Leonardo da Vinci
Located in Cotignac, FR
A pencil, chalk and crayon drawing of the Virgin and Child with St Anne inspired by the 'cartoon' of Leonard da Vinci currently held in the National Gallery London.
An elegant and c...
Category
Late 20th Century Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon, Pencil, Paper
Study of young woman in profile
Located in PARIS, FR
Ernest LAURENT
Gentilly 1859 - Bièvres 1929
Study of young woman in profile
Red chalk
Circa 1900
80 x 63 cm framed
54 x 39 sheet
Beautiful antique frame in natural wood, probabl...
Category
Early 20th Century Post-Impressionist Chalk Figurative Drawings and Watercolors
Materials
Chalk
Interior - Original Pencil and Chalk on Paper - Early 20th Century
Located in Roma, IT
Interior is an original drawing in pencil on paper, realized by unknown artist of the early 20th Century.
Sheet dimension: 25 x 32.5
The state of preservation is very good but aged...
Category
Early 20th Century Modern Chalk Figurative Drawings and Watercolors
Materials
Pencil, Chalk
$176 Sale Price
25% Off
Portrait of George Arliss in Conte Crayon on Cardstock 1934
Located in Soquel, CA
Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932).
Signed and dated "Ivan Opffer 1934" in the lower right.
Titled "Mr. Arliss" in the lower left.
Presented in a new off-white mat with foamcore backing.
Mat size: 22"H x 16"W
Art size: 17.5"H x 12"W
Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane.
Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York.
When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others.
It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5.
After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann.
In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village.
Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...
Category
1930s American Impressionist Chalk Figurative Drawings and Watercolors
Materials
Conté, Postcard, Illustration Board
$920 Sale Price
20% Off
Chalk figurative drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Chalk figurative drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mark Beard, Louise Laplante, Howard Tangye, and Paul Cadmus. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Chalk figurative drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,595,000, while the average work can sell for $701.