"Stealing a ride by hanging on the branches" Christmas Story Illustration
By Elizabeth Shippen Green
Located in Fort Washington, PA
Story illustration for "The Return" by Georgia Wood Pangborn for Harper's Monthly Magazine, published December 1916, page 44. In "The Return," Peter finds himself alone in the nurse...
Paper, Mixed Media
The Suspected Suffragette
By Elizabeth Shippen Green
Located in Fort Washington, PA
Signed with the artist's initials E.S.G.E. (lower right) Exhibited: Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Thirteenth Annual Philadelphia Water Color Ex...
Charcoal, Board, Pencil
Illustration for 'Aurélie' by Arthur Sherburne Hardy
By Elizabeth Shippen Green
Located in Fort Washington, PA
Medium: Graphite on Paper Signature: Initialed Lower Left and Identified by a Label on Verso The Harpers Monthly, August 1909
Paper, Graphite
In the Parlor with a Book
By Elizabeth Shippen Green
Located in Fort Washington, PA
Initialed Lower Right Story illustration for “Endymion Uncut” by Arthur Stanwood Pier, Harper's Monthly for April 1909. “He was not much given to reading”
Charcoal, Board
$26,000
Studious Girl Reading a Book - Women's Education - Female Illustrator
By Elizabeth Shippen Green
Located in Miami, FL
The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...
Paper, Chalk, Charcoal
$581
H 10.63 in W 8.27 in
Fernand de Launay (1855-1904) Portrait of a child, 1890, original drawing
By Fernand de Launay
Located in Paris, FR
Fernand de Launay (1838-1904) Portrait of a child, probably the daughter of the artist Lead pencil on paper Signed and dated "4 septembre 1890" on the lower left 27 x 21 cm In quite ...
Carbon Pencil
$1,200
H 25.5 in W 19 in
"Self Portrait Conte Sketch" rare Ben Fenske work on paper - academic study
By Ben Fenske
Located in Sag Harbor, NY
A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate. Unframed. Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...
Paper, Conté
French School 19th Century, A Muskeeter, original pencil drawing
Located in Paris, FR
French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...
Carbon Pencil
Basement Systems
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
$800
H 25.5 in W 19 in
"Self Portrait Sketch" Early conte crayon drawing, head of Ben Fenske, unframed
By Ben Fenske
Located in Sag Harbor, NY
An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...
Paper, Conté
$400
H 12.75 in W 9.5 in
Nude Male Back, Contemporary Graphite Drawing on Paper, Unframed
By Eduardo Alvarado
Located in Chicago, IL
EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...
Graphite, Paper
$1,900
H 20.88 in W 23.5 in
'Reclining Nude, ' after Degas study for 'Les Maheurs de la Ville d'Orleans'
By Joan Dvorsky
Located in Milwaukee, WI
In this drawing, Milwaukee-based artist Joan Dvorsky presents a drawing after a sketch by Edgar Degas. Degas' original drawing was a study for an 1863 painting entitled 'Les malheurs...
Graphite, Paper
$1,600
H 30 in W 14 in
Mark Beard 054 (Figurative Charcoal Drawing of Two Male Nudes on Arches Paper)
By Mark Beard
Located in Hudson, NY
Figurative drawing of two male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 14 inches, unframed This unique life study drawing of two standing nude m...
Graphite, Paper, Charcoal
$1,600
H 30 in W 13 in
MB 808 (Figurative Charcoal Drawing on Paper of Two Male Nudes Models)
By Mark Beard
Located in Hudson, NY
Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 13 inches, unframed This unique life study drawing of two standing male nudes was made by Mar...
Charcoal, Graphite, Archival Paper
$1,600
H 30 in W 18.5 in
MB 807 (Figurative Charcoal Drawing on Arches Paper of Two Male Nude Models)
By Mark Beard
Located in Hudson, NY
Figurative drawing of two male nudes made with graphite, conte crayon and charcoal on Arches paper 30 x 18.5 inches, unframed This unique life study drawing of two standing male n...
Charcoal, Graphite, Archival Paper
$550
H 12 in W 9 in
The Body is a History - Muscular Male Nude, Graphite Drawing on Paper
By Rick Sindt
Located in Chicago, IL
Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...
Graphite, Archival Paper
$1,600
H 30 in W 22 in
MB 076 A&B (Double Sided Figurative Charcoal Drawing of Male Nudes)
By Mark Beard
Located in Hudson, NY
Figurative drawing of male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 22 inches, unframed One piece of 30 x 22 inch Arches. Two drawings, one on either...
Archival Paper, Graphite, Charcoal
Sold
H 10.75 in W 14 in
Mystical Draped Female Figures in Forest Gathering Flowers, Allegorical
By Elizabeth Shippen Green
Located in Miami, FL
A dreamy landscape with five draped young women/ or allegorical figures picking flowers in the forest. It is dreamy and perhaps with mysticism, and symbolism with overtones of Bottic...
Gouache
The Sewing Room
By Elizabeth Shippen Green
Located in Fort Washington, PA
Signature: Inscribed, Signed Lower Left Medium: Watercolor, Crayon & Mixed Media on Card Sight Size 25.25" x 15.25", Framed 33.35" x 23.25" Title page of a spread in Harper's Monthl...
Crayon, Mixed Media, Watercolor
Sold
H 24 in W 16 in
The Little Gate, Harper's Monthly Magazine Illustration
By Elizabeth Shippen Green
Located in Fort Washington, PA
Illustration for Harper’s New Monthly Magazine Volume 130, December 1914 "The Child in the Garden"- First of Four paintings, this one entitled "The Little Gate" pg 70 Signed lo...
Board, Oil
The Parasol
By Elizabeth Shippen Green
Located in Fort Washington, PA
Young girl holding a parasol. Signed lower right. Shippen, who studied at the Pennsylvania Academy of the Fine Arts in 1887 with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh...
Charcoal, Illustration Board