Paint Figurative Drawings and Watercolors

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Hand signed by the artist. Original mixed media on paper. Image size 19 x 25 in. Frame size approx 27 x 33 in. Artwork is in excellent condition. Certificate of authenticity inclu...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...

The Villa Oasis is the property in Marrakech that was owned by the late couturier Yves Saint Laurent and his partner Pierre Bergé. It is attached to the Jardin Majorelle (developed...

French school circa 1880 Portrait of a boy holding a book graphite and white gouache on paper 39.5 x 32 cm oval view in good condition, slightly yellowed with age In its original ova...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

Composition is a drawing realized by Henry Wormser in the Mid-20th Century. Watercolor. Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

signed "EJB" at lower left 21 13/16 x 17 inches including frame

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 12.5 x 12.5 inches condition: very good and ready to be enjoyed provenan...

Certification of Authenticity stamped verso for Jerry Opper (American, 1914-2014). A lyrical, American modernist view of a young woman shown seated in an interior, gazing towards the viewer with her chin resting pensively on her hand. Born in Cleveland, Ohio, this California painter and printmaker moved to Los Angeles in 1933. Jerry Opper graduated from Hollywood High School and worked as a set painter in the movie industry while studying art at the Chouinard Institute. During the war, he was stationed in Colorado where he enrolled in the Colorado Springs Fine Arts Center. After the war, he returned to Los Angeles where he worked again in the film industry. In 1947, he moved to San Francisco where he studied full-time at the California School of Fine Arts and was awarded his diploma in June of 1950. Opper exhibited widely and with success including at the Drawing and Print Exhibition of the San Francisco Art Association in 1950 and again in 1951 when he was awarded the Artists' Council Prize. His work was included in the International Biennial of Contemporary Color Lithography at the Cincinnati Art...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

An enchanting 19th century watercolor with figures before a castle in a river landscape. Circle of Samuel Prout (1783-1852) Figures before a castle in a river landscape Watercolour ...

This vibrant artwork captures the frenetic energy of a bustling dance hall, with a scene of musicians and dancers rendered in loose, expressive brushstrokes. The composition draws th...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

A wonderful example of the rare and intricate work of John Cantiloe Joy (1806-1866) Shipping off the Norfolk coast with figures on the shore Watercolour over traces of pencil 6½ x 1...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 1', 2007 ink on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200712 Hand-signed by author __________________________________________...

English School, 18th century Pen and black ink with gray wash on cream laid paper, 9 1/4 x 5 inches (238 x132 mm). 1/4 inch repaired loss, top center, to the left of the figure’s h...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...

"Blue Apollo" Original work on colored paper, with blue ultramarine tempera on red colored paper, inspired by Matisse. Size is 27x19.5in / 70x50cm...

Frank Nelson Wilcox (American, 1887-1964) The Entertainment, c. 1955 Watercolor on paper Signed lower right 20 x 30 inches Exhibited: 1955 May Show, Cleveland Museum of Art "The first district schools were log houses...

Norina's Room is an artwork realized by Erté (Romain de Tirtoff). Gouache on paper, hand signed lower right. Titled on rear. cm. 28x18 Good conditions. Romain de Tirtoff, know...

Rowland Suddaby was a painter and illustrator, mainly of landscapes. Suddaby was born in Kimberworth, Yorkshire, and studied at Sheffield College of Art from 1926, winning a scholars...

A very atmospheric watercolour capturing the light and shimmer of a Venetian canal. One of two views of Venice by the artist that I am offering - please see my other listing. Dennis Page (born 1926) Venice Balcony Signed Watercolour 8½ x 12 inches including the frame 16¾ x 21 inches with the frame Painter, mainly in watercolour who was born in Hampstead, London. He studied art at Harrow and the Central School of Arts & Crafts, where his tutors included Mervyn Peake...

The Garden is a drawing on paper realized by an anonymous in the early 20th Century. Mixed media on paper. Fair condition with missing pieces of paper on the margins.

This artwork titled "Japanese Garden, Golden Gate Park, San Francisco" c.1975 is a watercolor on paper by noted Chinese/American artist Sun Ying, 1919-2016. It is hand signed at the lower left corner by the artist. The artwork size is 15.5 x 22.5 inches, framed is 27.5 x 34 inches. It is beautifully custom framed in a wooden gold frame, with gold color spacer and fabric matting. It is in excellent condition. About the artist. 1919 Sun Ying 孙瑛 ( 1919-2016 ) known as (Sun Dashi 大石) was born on November 8, in a poor family, in Gaotang Xian, Shandong Province, in China. 1949 Based in Taipei, he devoted himself entirely to painting and influenced the world of art by creating several painting societies as the Chinese Association of Ink Painting . Taiwan awarded him the Golden Cup Award. 1960 / 1970 He exhibited his works in Australia, Brazil, Germany, Malaysia and United States. 1974 He went to live in the United States. 1982 After a visit to his family, he returned to China. 1984 With Qi Baishi...

Early modern original watercolor and gouache ad layout for Foley's by Houston portraitist Robert C. Joy. The work features a central reflection of a woman doing her makeup while wear...

signed "E.JB." at lower right 21 7/8 x 17 inches including frame

A pair pf 19th century English School watercolor portraits of a man and woman, possibly husband and wife. Both are inscribed on the rever...

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

Mid century watercolor figure study, a lively depiction of a reclining nude woman by Bay Area Figurative Movement artist Hubert Buel (American, 1915-1984)....

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

Nell Blaine Tree at the Edge of the Field, Springs, 1967 Signed and dated lower left Watercolor on paper 14 1/2 x 20 inches Nell Blaine was born in Richmond, Virginia in 1922. She ...

"Self Love", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. An expressive line, revealing the essential of the female sensual body...

Duncan Grant (British, 1885 – 1978) Hero and Leander, 1954 Watercolour and gouache with crayon Signed with initials and dated ‘DG. / 54’ (lower right) 8.3/4 x 13.7/8 in. (22.3 x 35.3 cm.) Provenance: Paul Roche...

'Sacré-Coeur, Montmartre at Willette Square, Paris', gouache on art paper (circa 1930s), by Lucien Génin. Created by the Director of Public Ways and Promenades under Napoleon III, Sq...

Birds is an artwork realized by Mino Maccari  (1924-1989) in mid 20th century. Charcoal and watercolor on paper. Signed by the artist. Good condition. Mino Maccari (Siena, 1924-R...

"Satyr and Nymph" A satyr is a male spirit of nature, always nude, who walks upright on legs usually shown as goat’s legs. Nymphs are female spirits, who rule over rivers and ponds, ...

Likely a dress design for Henri Bendel or B. Altman, Untitled Fashion Design from 1919 is an iconic early Erté design. Erté's stylized Villa Excelsior name stamp and the 'Composition...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...

A fine watercolour depiction on the Madonna and Child with adoring Maji and a boar. Painted in Paris 1940. Inscribed to the lower left. Presented in a gilt frame with a foliate motif...

Landscape is a watercolor on paper realized by Michele Ricciuti in 1984. Hand signed and dated lower left. Very good condition. Includes a contemporary wooden frame.

Tammy Liu-Haller's "Bison" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a buffalo in profile. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

This little gem of a compact artwork was executed in the Arts and Crafts style for an interior illustration for "The Wise Book," J.M. Dent & Co, London, 1906. "You can't eat your ca...

Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...

Frank Nelson Wilcox (American, 1887-1964) Oxen on Road, Gaspé, Canada, 1932 Watercolor on board Signed and dated lower right 15.25 x 21 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

"Nude in Blue" Part of my Nude in Interior series. Female nude, ultramarine blue tempera on blue gray paper, inspired by Matisse. 70x50cm / 27.5x1...

Kotlicki is a constantly searching artist. Treading his own path, aiming at defining himself, giving his work a clear identity, he came across the avant-garde. He would back off the ...

A really charming study of a blacksmith puffing on a clay pipe at the forge door. Thomas Charles Leeson Rowbotham Junr (1823-1875) Village Blacksmith Patterdale, Aug 1848 Signed, in...

Frank Nelson Wilcox (American, 1887-1964) Cormorant Rock, Gaspé, Canada Watercolor on Whatman board Signed lower right 22 x 30 inches 29 x 37.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

A humble 19th-century watercolour depicting a young mother breastfeeding her infant child. An older woman cares for two other young children as the faithful family dog lies at their ...

China ink, pastel, tempera and watercolor on paper realized in the 1930s. Hand Signed lower right. Includes certificate of authenticity by the Fondazione Marino Marini signed by Maria Teresa Tosi. Archived in the Marino Marino...

"Private Moment", 39x27.5in / 100x70cm, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Free shipping for items over $500 with 1stDibs code. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu