Cardboard Landscape Drawings and Watercolors
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Style: Impressionist
Medium: Cardboard
Mountain and Lake View, Gruyères
Located in Stockholm, SE
A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem.
Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney.
In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures.
Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life.
Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons.
Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home.
She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life.
Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule.
Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity.
Despite these challenges, Williams exhibited widely during her lifetime:
Paris Salon (1899)
National Academy of Design (1903–04)
Pennsylvania Academy of the Fine Arts
New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more.
She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...
Category
Early 1900s American Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Cardboard
Mid Century California Mission Landscape
Located in Soquel, CA
Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...
Category
Mid-20th Century American Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Paper, Gouache, Cardboard
$600 Sale Price
20% Off
Cowboy in the Canyon, Small Contemporary Multicolor Abstract Figural Landscape
By Tiffanie Mang
Located in Soquel, CA
Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...
Category
2010s American Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Gouache, Cardboard
Early autumn. 1990, cardboard, oil, 70x93 cm
Located in Riga, LV
Early autumn. 1990, cardboard, oil, 70x93 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...
Category
1990s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$1,532 Sale Price
20% Off
Autumn Landscape. 1976. Oil on cardboard, 22x31 cm
Located in Riga, LV
Autumn Landscape. 1976. Oil on cardboard, 22x31 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different...
Category
1970s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$459 Sale Price
20% Off
The river. 1989, oil on cardboard, 46x60, 5 cm
Located in Riga, LV
The river. 1989, oil on cardboard, 46x60,5 cm
Summer landscape by the river
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$747 Sale Price
35% Off
Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm
Located in Riga, LV
Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in...
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$900 Sale Price
20% Off
Landscape. 1990. Oil on cardboard, 24x32, 5 cm
Located in Riga, LV
Landscape. 1990. Oil on cardboard, 24x32,5 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...
Category
1990s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$459 Sale Price
20% Off
River bay. 1987. Oil on cardboard, 44x58 cm
Located in Riga, LV
River bay. 1987. Oil on cardboard, 44x58 cm
Summer landscape by the river
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints...
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$900 Sale Price
20% Off
Landscape. 2007. Oil on cardboard, 22x30, 5 cm
Located in Riga, LV
Landscape. 2007. Oil on cardboard, 22x30,5 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...
Category
Early 2000s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$459 Sale Price
20% Off
small oil landscape on cardboard "Village 2"
Located in Zofingen, AG
small landscape in oil on cardboard "Village 2" drawn by Natalya Shiporina. The painting is part of a series of 3 paintings.
Category
2010s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
Summer day. 1994, oil on cardboard, 45x58 cm
Located in Riga, LV
Summer day. 1994, oil on cardboard, 45x58 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...
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1990s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
Hay stacks. 1981. Oil on cardboard, 22x30 cm
Located in Riga, LV
Hay stacks. 1981. Oil on cardboard, 22x30 cm
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$459 Sale Price
20% Off
Country Lane in the Pine Forest - Mid Century Landscape Watercolor
Located in Soquel, CA
Wonderful mid century country lane in the pines landscape watercolor by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager w...
Category
Mid-20th Century American Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Cardboard
River in winter. 1987, oil on board, 40x50 cm
Located in Riga, LV
River in winter. 1987, oil on board, 40x50 cm
Winter landscape by the river
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paint...
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
Winter landscape. 1980. Oil on cardboard, 24x32.5 cm
Located in Riga, LV
Winter landscape. 1980. Oil on cardboard, 24x32.5 cm
Category
1980s Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$459 Sale Price
20% Off
Sledders - Winter Snow Scene - Kids playing on Sleds, Charcoal drawing c 1950-60
By Alice Kent Stoddard
Located in Rancho Santa Fe, CA
Alice Kent Stoddard
1885-1976
Sledders (circa 1950-1960)
Black chalk on card
Image Dimensions: 19.75 x 16 inches (50.2 x 40.6 cm)
Framed Dimensions: 26.5 x 22.3 inches
Signed lower right: Alice Kent Stoddard
Alice Kent Stoddard was born in Connecticut, but spent much of her career as an artist in Philadelphia and on Monhegan Island in Maine. She studied with Thomas Eakins, William Merritt Chase and Thomas Anshutz at the Pennsylvania Academy of Fine Arts, as well as at the Philadelphia School of Design for Women. While serving with the YMCA in France during World War I, Stoddard executed many drawings and paintings of the battlefield. However, she is most widely recognized for her bold landscapes and marine paintings of Maine...
Category
Mid-20th Century American Impressionist Cardboard Landscape Drawings and Watercolors
Materials
Charcoal, Cardboard
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"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
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Train Station, circa 1910
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Signed lower right
Provenance:
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Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
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A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
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Cardboard landscape drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Cardboard landscape drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Henri Duhem, Maka Cielecka, Victor Isbrand, and Joseph Yeager. Frequently made by artists working in the Impressionist, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Cardboard landscape drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $985,000, while the average work can sell for $806.