Paper Landscape Drawings and Watercolors

An early painting by Omar Rayo from 1955. An abstract geometric work with multi-colored shapes on a surrealist horizon. Artist: Omar Rayo, Colombian (1928 - ) Title: Mountains Year:...

Island for Umberto 04, 2014 Pencil on paper ( Signed and dated front lower-right corner, framed) 11.6 H x 16.5 W in. 29.5 H x 42 W cm "Island for Umberto" has the literary source in...

Watercolor on paper

Watercolor on paper

Elegant mid century landscape by Sidney Williams (American, 20th century). Signed "Sidney Williams" and dated '62 in the bottom left corner. Image size, 16"H x 23"L. A Carmel area wa...

Humberto Ramirez was born in Guadalajara, México, 1982. Lives and works in Guadalajara. His recent work explores human behavior from primitive perspective...

English School, 19th Century Droving cattle before a woodland manor Watercolour on paper with body colour 9.1/4 x 13.3/8 in. (23.5 x 34cm.) This is a very well executed watercolour landscape using body colour to create depth and contrast, in certain cases building up impasto depicting an idyllic rural scene of old England.

Soft watercolor accents add to the beauty of this cyanotype and watercolor of the Venice Canal by Cheryl Trotter (American, 20th century). Cheryl Trotter, a Pacific Grove artist and ...

Signed lower left, 'C. Riter' for Carl Frederick Riter (American, born. 1915) and dated '6-'67'. Stamped verso with certification of authenticity...

Photo-realist painting in black and white watercolor of upstate New York townhouse “Fourth Street VI”, by Scott Nelson Foster painted in 2019 Watercolor on archival white paper 7 x 5...

Birch Trees - Landscape in Watercolor on Paper by John Salminen Expressive watercolor by John T. Salminen (American. 20th Century). Signed "John T. Salminen" in the lower right cor...

"Peru Peak, Vermont, [ 43.3012, -72.95184 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diverse community t...

Medium: Gouache on Paper Signature: Signed The battle of Cardenas Cuba May 11th 1898 where the American torpedo boat Winslow attacked the Spanish ship An...

"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century. Initialed "JS" upper right Solman was a pivotal figure in the development of 20th century American art. He ...

Watercolour on paper 24.5 x 38 cm (9 ⅝ x 15 inches) Signed, inscribed and dated lower left, Bedford Park 1928 Ludovic Rodo Painted in London during a visit the artist made to his brother Lucien Pissarro...

Backyard Bench - an iconic American watercolor painting by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint in...

Signed on old frame backing, 'La Vere Hutchings' (American, 1918-1998) and titled 'Early Snow'. LaVere Hutchings had a degree in art and during WWII ...

Painting, 20th century, charcoal drawing "Venice - Venezia" by Paul Kuhfuss Original drawing. Signed and dated. Title "Venezia". Framed, behind glass. Dimensions with frame 65.5cm x 51cm. Age-related condition. For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator. In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible. From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin. From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Artist: Don Davis Title: Crosswalk Medium: Watercolor on paper, signed lower right Image Size: 27.5 x 19.5 inches Frame Size: 35 x 27 inches Amid construction that constantly reinve...

English School, Early 19th century Figures before a cottage in a hilly woodland landscape Watercolour on paper 12.1/4 x 16.1/4 in. (31 x 41.1/2 cm.) A serene rural scene depicting d...

Joel Fougman is a French artist born in 1948 who lives & works in Néron, Eure-et-Loire, nearby Chartres in France.

print & collage JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic Arts in 1972 at the atelier of professor Stanisław Fijałkowski...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

"Winter Wonderland (Snowman, Pine Tree, Rabbit)" is a gouache and collage on paper bag signed by Sylvia Spicuzza. A winter scene showing a happy snowman that was created with arms up in the air and a top hat upon his head. In the foreground sits a bunny looking at the snow man...

"Steam", by Christina Haglid, is a small, exquisite watercolor. A single nasturtium is suspended inside a paper lantern, floating on turbulent water, the steam escaping from the lantern propelling it forward. The fragility of the environment has always played an important role in Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrigued her. This fragile balance between nature and her subject matter is as delicate as a paper lantern floating on the ocean. Christina Haglid Steam, 2019 watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH034 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night which will return to its purpose during the day. My intention is to not show the failure because I imagine all these objects make it through to better times. Allegories of survival. Someone comes by and finds the paper crane, the rowboat owners return and see their boat undisturbed, and the slide during the day brings joy. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2019 "Tiny Sanctuaries", Gallery Victor Armendariz, Chicago, IL 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville County Museum of Art, Greenville, SC [solo exhibition] 2004 “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 “Small to Mighty” Ann Nathan Gallery, Chicago, IL 2002 “Art of the 20th Century” NY Armory, Ann Nathan Gallery, NY, NY “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2001 “Group Fusion” Ann Nathan Gallery, Chicago, IL 2000 "Small & Mighty II" Ann Nathan Gallery, Chicago, IL "Christina Haglid, New Work and Amy Lowry-Poole, Bugs and Buds" Ann Nathan Gallery, Chicago, IL 1999 “Small & Mighty” Ann Nathan Gallery, Chicago, IL “Views II” Ann Nathan Gallery, Chicago, IL 1998 “Maleri” Galleri Carl Michael Bellman, Stockholm, Sweden “1987 – 1997, A Skowhegan Decade, Alumni Exhibition and Benefit Auction” David Beitzel Gallery, NY, NY “On and Off the Wall, Gallery Group” Ann Nathan Gallery, Chicago, IL 1997 “15 x 15” (Alumni Exhibition), Thesis Gallery, Maryland Institute, College of Art, Baltimore, MD 1996 “Small Works” Suburban Fine Arts Center, Highland Park, IL., Special Recognition Award 1994 “Unknown Chicago” Gallery 312, Chicago, IL “15 x 15” (Alumni Exhibition), Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1993 “Graduate Summer Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Graduate Thesis Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Michigan Fine Arts Competition” Birmingham Bloomfield Art Association, Birmingham, MI 1992 “Word of Mouth” Forum Gallery, Cranbrook Academy of Art Museum, Bloomfield Hills, MI 1991 “Drawing: A Covert and Private Affair” West Gallery, Rutgers University, New Brunswick, NJ “Senior Exhibition” Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1990 “Fiber Exhibition” Fox Gallery...

This drawing titled "William Brien Memorial Shelter, New York, [ 41.2796N, 74.0594W ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trail...

Initialed lower right, 'S.K.' for Stewart Kelley (American, 20th century) and painted circa 1990. Accompanied by exhibition label and old exhibition catalog. Titled on old backing, ...

Painting, 20th century, charcoal drawing "Venice - Gondolier" by Paul Kuhfuss Original drawing. Signed and dated. Title "Traghetto". Framed, behind glass. Drawing unfortunately torn. Dimensions with frame 65.5cm x 51cm. Age-related condition. For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator. In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible. From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin. From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...

Car Wash - an iconic American watercolor painting by James Torlakson, who is known for his photorealist oil paintings, watercolors and aquatint intagli...

Captivating watercolor of a procession of people following a park path using a multitude of bright hues, circa 1960. Original artwork on paper displayed on a white mat with a gold ...

Joel Fougman is a French artist born in 1948 who lives & works in Néron, Eure-et-Loire, nearby Chartres in France.

Jim’s of Lambertville is proud to offer this artwork by: Tobias Musicant (1921 – 2004) A new discovery in the art world is something always searched for and rarely found. Surely th...

A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamorphosis. The city is his muse and his primary s...

‘Walkers on Kilve Beach’ is a watercolour diptych on 2 sheets of Arches watercolour paper. It was painted ‘en plein air’ – out of doors, in front of the subject. The artist Lisa Takahashi...

Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote Lovely late 1930's Impressionist watercolor of a Bay Area island b...

print & collage JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic Arts in 1972 at the atelier of professor Stanisław Fijałkowski...

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Sophie Harden Duel Sketch Charcoal on Paper Image Size: H 25cm x W 38cm x D 0.1cm Framed Size: H 41cm x W 55cm x D 3.5cm Sold Framed in a Black Frame Please note that insitu images are purely an indication of how a piece may look. Duel Sketch is an original drawing of elephants...

Corinna Schnitt is mostly known as a video artist. She belongs to Germany's most important protagonists of that scene of the last 25 years. While she is teaching at the Braunschweig ...

Signed lower left, 'Donna Dearden'; additionally signed on old backing, titled, 'Winter Coming' and painted circa 1975. A semi-abstracted study of abscised leaves against a variegat...

Joel Fougman is a French artist born in 1948 who lives & works in Néron, Eure-et-Loire, nearby Chartres in France.

Signed lower left, 'J. Orrock' for James Orrock (British, 1829-1913) and dated 1845. Matted Dimensions: 14.5 H x 19 W x .25 D Inches. A well composed and freshly painted, mid-nineteenth century watercolor showing a view of a herd of cattle pasturing in lush fields beside a river, with a view beyond towards the church spire...

"Christ #5" is an original graphite drawing on paper by Bill Teeple, signed in the lower right corner of the mat. This small image of a moon glowing through the clouds over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 2 1/4" x 1 1/4" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy...

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

Eleanor Park Custis painted scenes as varied as the artist's travels: from her hometown of Washington, D.C., to the coastal towns of New England; from the prosperous fishing villages of Brittany, to Venice and the mountain villages and lakes of northern Italy. While Custis's subjects are diverse, her style is consistent and distinctive throughout this body of work. Her use of flat areas of color delineated by dark contours is reminiscent of the aesthetics of woodblock printing. Like many artists of the day, she was profoundly influenced by Japanese woodblock prints, and her adaptation of the aesthetic by 1924 led to her most productive artistic period. Eleanor Custis hailed from a socially prominent Washington, D.C., family. She was distantly related to Martha Custis Washington, America's first First Lady. Custis began three years of formal art training in the autumn of 1915 at the Corcoran School of Art in Washington, and was guided and inspired by Impressionist artist Edmund C. Tarbell, one of the Ten American Painters, who became the Corcoran School's principal in 1918. Custis exhibited widely in many of the Washington art societies and clubs for much of her career. She was also a frequent exhibitor at the Grand Central Art Galleries in New York City; her last one-woman show there was in April 1945. Custis's mature style emerged in scenes of the streets, wharves, and drydocks of seacoast villages from Maine to Massachusetts, which she visited during the summers of 1924 and 1925. She was working in Gloucester, Massachusetts in August 1924, and painted several gouaches of the town's wharves and winding streets, including In Gloucester Harbor and At the Drydock, Gloucester. During her stay, Custis may have met Jane Peterson or at least must have seen her work, the best of which was executed in Gloucester during the preceding ten years. The similarity between their styles is unmistakable, but, while it may be tempting to suggest that Custis was influenced by Peterson during her summer in Gloucester, the connection between their work is probably more a case of shared aesthetics and common European influences. Custis expanded her subject repertoire with three trips to Europe between 1926 and 1929, and was inspired by the Old World charm of Holland, northern France, Switzerland, and Italy, leading to such works as New Kirk, Delft, Holland, Market Day in Quimper, At the Foot of the Matterhorn, and The Town Square, Varenna. A Mediterranean cruise in 1934 introduced her to the Near East, and the bustling, colorful streets and bazaars of Cairo, captured in works like A Street in Cairo, Egypt and A Moroccan Jug...

Badri Narayan - House - 5 x 5 inches ( unframed size) Ink on paper Inclusive of shipment in ready to hang form. Style : The artist’s paintings are narrative, and titles like ‘Queen ...

This is the actual drawing that was used for the 1975 "Manhattan Coloring Book" David Edward Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few where all created by David Edward Byrd. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. In 1975, The New York Times commissioned Superstar artist David Byrd to create the "Manhattan Coloring Book" It was to be a coloring book for adults featuring NYC landmark...

watercolor, gesso, and gilding on BFK paper. Gold Leaf. Depiction of the Tower Bridge in London. Medieval figures.

Artist: Don Davis Title: Palm Tree Medium: Watercolor on paper Image Size: 23.5 x 17.5 inches Frame Size: 30.75 x 24.75 inches In a classic example of nature vs. the city, a Palm sh...

A mid-twentieth century watercolor showing a peaceful rural landscape with numerous farm buildings including an elegant Dutch barn. Signed lower right, 'P. McCutcheon' (American, 20t...

Nicolino Calyo's career reflects a restless spirit of enterprise and adventure. Descended in the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer. (For a brief biographical sketch of the artist see Philadelphia Museum of Art, Pennsylvania, Philadelphia: Three Centuries of American Art, exhib. cat. [1976], pp. 299-301 no. 257.) Calyo received formal training in art at the Naples Academy. His career took shape amidst the backdrop of the political turbulence of early nineteenth-century Italy, Spain, and France. He fled Naples after choosing the losing side in struggles of 1820-21, and, by 1829, was part of a community of Italian exiles in Malta. This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, to Europe again, and back to America. Paradoxically, Calyo’s stock-in-trade was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, the eighteenth-century vedute painters Antonio Canale (called Canaletto) and Francesco Guardi. In search of artistic opportunity and in pursuit of a living, Calyo left Malta, and, by 1834, was in Baltimore, Maryland. He advertised his skills in the April 16, 1835 edition of the Baltimore American, offering "remarkable views executed from drawings taken on the spot by himself, . . . in which no pains or any resource of his art has been neglected, to render them accurate in every particular" (as quoted in The Art Gallery and The Gallery of the School of Architecture, University of Maryland, College Park, 350 Years of Art & Architecture in Maryland, exhib. cat. [1984], p. 35). Favoring gouache on paper as his medium, Calyo rendered faithful visual images of familiar locales executed with a degree of skill and polish that was second nature for European academically-trained artists. Indeed, it was the search for this graceful fluency that made American artists eager to travel to Europe and that led American patrons to seek out the works of ambitious newcomers. On June 16, 1835, the Baltimore Republican reported that Calyo was on his way north to Philadelphia and New York to paint views of those cities. Calyo arrived in New York, by way of Philadelphia, just in time for the great fire of December 1835, which destroyed much of the downtown business district. He sketched the fire as it burned, producing a series of gouaches that combined his sophisticated European painting style with the truth and urgency of on-the-spot observation. Two of his images were given broad currency when William James Bennett reproduced them in aquatint. The New-York Historical Society owns two large Calyo gouaches of the fire, and two others, formerly in the Middendorf Collection, are now in the collection of Hirschl & Adler Galleries. From 1838 until 1855, Calyo listed himself variously in the New York City directories as a painter, a portrait painter, and as an art instructor, singly, and in partnership with his sons, John (1818-1893) and later, the younger Hannibal (1835-1883). Calyo also attracted notice for a series of scenes and characters from the streets of New York, called Cries of New York. These works, which were later published as prints, participate in a time-honored European genre tradition. Calyo’s New York home became a gathering place for European exiles, including Napoleon III. Between 1847 and 1852 Calyo exhibited scenes from the Mexican War and traveled from Boston to New Orleans with his forty-foot panorama of the Connecticut River. Later, he spent time in Spain as court painter to Queen Maria Christina, the result of his continuing European connections, but he was back in America by 1874, where he remained until his death. The Passaic River rises in the hills just south of Morristown, New Jersey, marking a serpentine eighty-mile course before it empties into Newark Bay. It flows north-northeast to Paterson, where it falls seventy feet in a spectacular cataract before continuing south through Passaic and Newark. William Gerdts, in Painting and Sculpture in New Jersey (1964, pp. 51-2), describes the falls as: the most important [landscape] subject in New Jersey during the eighteenth and nineteenth centuries. . . . The Passaic Falls remained a popular spot, particularly during the romantic period. Indeed, newspapers, periodicals, and gift books contain many accounts of visits to the Falls, sentimental poems written about them or about a loved one visiting the Falls, or even, occasionally, in memory of one who perished in the waters of the Falls — usually intentionally. . . . Waterfalls . . . were popular among travelers in the period and the Passaic Falls were only surpassed by Niagara Falls and Trenton Falls...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Wyoming Mountains, Modern Abstract Geometric Landscape Watercolor Energetic modern abstract watercolor in blue and orange hues, by Erle Loran (Ame...

Signed lower right, 'Albert Blaisdell' and painted circa 1975. A watercolor and cartoon artist, Albert Blaisdell began his career in art after being wounded in combat in the Palau I...

"Kritinia I" is a pastel on paper by Elena Borstein. It depicts a quiet grey lane runs around two white houses. These houses are all minimalist and fresh and are right up next to the...